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Jeena Sirf Merre Liye (2002)

4.8
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Ratings: 4.8/10 from 423 users  
Reviews: 2 user | 1 critic

Pinky alias Pooja Malhotra (Kareena Kapoor) and Karan (Tusshar Kapoor) are childhood sweethearts. During this time they exchange vows that they will live for each other only. They separate ... See full summary »

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Cast

Credited cast:
Vijayendra Ghatge ...
Pooja's dad
...
Pooja (Pinky)
Tusshar Kapoor ...
Karan Malhotra
Kader Khan ...
Mahendra Malhotra
Alok Nath ...
Mr. Khanna
Satish Shah ...
Editor / Publisher
...
Sonia
Himani Shivpuri ...
Mrs. Malhotra
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Storyline

Pinky alias Pooja Malhotra (Kareena Kapoor) and Karan (Tusshar Kapoor) are childhood sweethearts. During this time they exchange vows that they will live for each other only. They separate shortly after but they do not forget their vows. Pooja frantically searches for her sweetheart, but to no avail. She finally decides to write her own story in a the form of a love story. This story turns out to be very popular, and Pooja does get to meet Karan, only to find out that he has a girlfriend by the name of Seema. Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Add Synopsis

Genres:

Romance

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Details

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Release Date:

20 November 2002 (Kuwait)  »

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Technical Specs

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|

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Aspect Ratio:

2.35 : 1
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Did You Know?

Soundtracks

Dupatta
Written by Sameer
Composed by Nadeem Saifi and Shravan Rathod
Performed by Anuradha Sriram
Courtesy of Puja Music India
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User Reviews

 
The story lacks freshness, direction lacks impact, Tusshar lacks Star looks, Kareena lacks acting ability and even the dupatta song lacks a dupatta.
18 June 2006 | by (India) – See all my reviews

An eternal love story – that will be forgotten even before the viewer reaches back home. Nadeem Shravan's timeless music – indeed takes less time for the viewer to reach the exit door with a painful song popping up every now and then. An extra 'r' in the title – justifying Kareena's overdone facial expressions, very very unnatural.

The movie starts with a very unappealing pair of obese kids swearing undying love and singing songs (in their age I was unable to recite even nursery rhymes). But then rich girl poor guy, so father fumes and love doesn't bloom. Years later – Enter Tusshar with a living-in-India, dancing-in-Paris song. Enter Kareena with a living-in-Paris, praising India song. Both are in search of each other. But why the hell do they insist on sticking to their childhood love, unseen for years. What if she would have turned into a tun-tun and he into a Gabbar singh? Post interval they meet and sing more songs. But daddy still ain't cool and fires shots. The highly clichéd bhagwan-ka-chamatkar end, where Tusshar gets back life appears most ridiculous. In between the story is also stuffed with several unconnected sub-plots, like a tight-pant veejay's (Mallika Sherawat) one-sided love affair, an angry old Alok Nath, a turban headed Satish 'Sardar' Shah(again) and a Kader Khan going philanthropic ways.

The story lacks freshness, direction lacks impact, Tusshar lacks Star looks, Kareena lacks acting ability and even the dupatta song lacks a dupatta. Also imagine, the title song is pictured in a disco.

Kareena's dressing sense is pathetic and in between she's also seen in a Saree. Yes, a Saree. The movie essentially bears a Mujhe Kuch Kehna Hai hangover, which is evident not only in it's cast and crew but also with those similar outdoor locations, song picturizations, Kareena's dupatta song and Tusshar roaming on hill tops with haver-sacked shoulders.

Finally Mujhe Yeh Kehna Hai, that miss it under all circumstances


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