A shady businessman attempts to piece together the details of the car crash that killed his wife and rendered him an amnesiac-- and left him in possession of a sinister puzzle box that summons monsters.
In this ninth installment of the Hellraiser franchise, two friends discover a puzzle box in Mexico, which opens a gateway to Hell. Before long, dermatological nightmare Pinhead has returned... See full summary »
Troubled young Priest Father Farrell returns to deserted house that cost his friends their lives nearly 20 years ago. Plagued by guilt, flashbacks and curiosity, Father Farrell attempts to ... See full summary »
In London, after investigating crack addicted junkies for an article in her newspaper, the journalist Amy Klein watches a bizarre videotape. Her editor Charles Richmond received the footage of an underground group of youngsters in Bucharest apparently becoming zombies through the power of their leader Winter from a member, Marla, and invites Amy to prepare the story. Amy accepts the challenge, and once in Romania, she finds Marla dead with a puzzle cube in her hands. She brings the object to her hotel room, and opens it, beginning her journey to hell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The original script by Neal Marshall Stevens had nothing to do with the Hellraiser mythos, but when it was decided that this would be a Hellraiser sequel, Tim Day drastically re-wrote the script, including an almost entirely new third act and plot and making the character of Winter a descendant of the toymaker Lemarchand. See more »
In the scene where Amy grabs the envelope and the box from the "dead" woman in the bathroom, she takes the box from the woman's left hand and puts it in her bag. When the woman "awakens" you see Amy jump away. The scene then cuts to the woman in the bathroom and she is still holding the box in her left hand after it was supposedly removed. See more »
You can't hurt me.
You're not the first to say that... and you won't be the last!
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HELLRAISER: DEADER is pretty good, especially in the first half which has two of the more intense and creepy scenes I have seen in a DTV flick in a while. I'm talking, of course, about the first videotape and when Amy explores the abandoned house.
Where DEADER fails is when it tries to tie into the HELLRAISER mythology. As has been well publicized, DEADER started out as an original screenplay by Neal Marshall Stevens that Dimension Films bought for no less than 1 million dollars. Then they lost faith in it and let it collect dust before hiring Tim Day to do a rewrite and turn it into a HELLRAISER sequel. I don't blame the guy, because he probably did the best he could, given such a ridiculous task. But it's a shame that DEADER did end up like this. Without the 30 seconds worth of Pinhead at the end this could have been a minor genre masterpiece. As it stands, it's just a bizarre, schizophrenic film with some outstanding moments, some scenes that really work and some that really don't. Once again, shame on Dimension Films for wasting this opportunity.
In addition to original screenwriter Stevens, director Rick Bota also deserves some praise. He's made a good looking and often tense film that is never less than competent. Hopefully he'll be able to break free from his current job at Dimension eventually. The guy has talent.
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