A shady businessman attempts to piece together the details of the car crash that killed his wife and rendered him an amnesiac-- and left him in possession of a sinister puzzle box that summons monsters.
Thomas Abberton wants to be a famous surgeon, to heal people, to be able to give the gift of life. Unfortunately he's also very unstable. A mysterious stranger sells him a device to summon ... See full summary »
Steve Michael Martin,
In this ninth installment of the Hellraiser franchise, two friends discover a puzzle box in Mexico, which opens a gateway to Hell. Before long, dermatological nightmare Pinhead has returned... See full summary »
In London, after investigating crack addicted junkies for an article in her newspaper, the journalist Amy Klein watches a bizarre videotape. Her editor Charles Richmond received the footage of an underground group of youngsters in Bucharest apparently becoming zombies through the power of their leader Winter from a member, Marla, and invites Amy to prepare the story. Amy accepts the challenge, and once in Romania, she finds Marla dead with a puzzle cube in her hands. She brings the object to her hotel room, and opens it, beginning her journey to hell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
A couple of the drawings/paintings on the editors office walls are actual works by Clive Barker. See more »
Although the paper is based in London, the money in the envelope that Charles gives to Amy is American currency. Likewise, the bribe that Amy gives to the landlord in Romania is also in American currency. See more »
HELLRAISER: DEADER is pretty good, especially in the first half which has two of the more intense and creepy scenes I have seen in a DTV flick in a while. I'm talking, of course, about the first videotape and when Amy explores the abandoned house.
Where DEADER fails is when it tries to tie into the HELLRAISER mythology. As has been well publicized, DEADER started out as an original screenplay by Neal Marshall Stevens that Dimension Films bought for no less than 1 million dollars. Then they lost faith in it and let it collect dust before hiring Tim Day to do a rewrite and turn it into a HELLRAISER sequel. I don't blame the guy, because he probably did the best he could, given such a ridiculous task. But it's a shame that DEADER did end up like this. Without the 30 seconds worth of Pinhead at the end this could have been a minor genre masterpiece. As it stands, it's just a bizarre, schizophrenic film with some outstanding moments, some scenes that really work and some that really don't. Once again, shame on Dimension Films for wasting this opportunity.
In addition to original screenwriter Stevens, director Rick Bota also deserves some praise. He's made a good looking and often tense film that is never less than competent. Hopefully he'll be able to break free from his current job at Dimension eventually. The guy has talent.
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