Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
About a guy whose life didn't quite turn out how he wanted it to and wishes he could go back to high school and change it. He wakes up one day and is seventeen again and gets the chance to rewrite his life.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
After total humiliation at her thirteenth birthday party, Jenna Rink wants to just hide until she's thirty. Thanks to some wishing dust, Jenna's prayer has been answered. With a knockout body, a dream apartment, a fabulous wardrobe, an athlete boyfriend, a dream job, and superstar friends, this can't be a better life. Unfortunetly, Jenna realizes that this is not what she wanted. The only one that she needs is her childhood best friend, Matt, a boy that she thought destroyed her party. But when she finds him, he's a grown up, and not the same person that she knew. Written by
As "Editor-in-Chief Richard Kneeland," Andy Serkis announces, "I also strongly suggest we take apart our FOB, overhaul the BOB..." In the magazine publishing industry, these acronyms stand for "Front of Book" and "Back of Book" and refer to the short articles placed at the front and back of the magazine. See more »
I'm embarrassed to admit it, but this film was a delight
It's 1987 and Jenna Rink (Christa B Allen) is having a hellish 13th birthday. Mocked by the local teen queens and their leader Lucy, with her only friend being Matt, the chubby boy next door, Jenna's had enough. If only she were 30, she'd be able to control her life. A whiff of magic dust later, and she fastforwards 17 years to the supervixen body of Jennifer Garner, a fab job editing her favourite magazine and a walk-in wardrobe. Jenna goes through the usual fish-out-of-water schtick , but finds that although she may have achieved her dreams, she's a bitch. Her best friend's now the adult Lucy (Judy Greer), while the grown-up Matt doesn't want to talk to her.
Suddenly 30's not innovative and it's certainly corny, but this chick-flick take on Big is charming. Jennifer Garner is suitably wide-eyed and her delight in life is infectious she's ably supported by Mark Ruffalo as skeptical photographer Matt. I also like that although Jenna struggles in an adult world, she's still able to perform her job, showcasing the talent that she already has as a child. The fashion of both eras is spot on, although Jenna's fondness for Rick Springfield and Michael Jackson's Thriller is more 1984 than 1987.
Overall, Suddenly 30 makes the most of a tired premise to deliver a feel-good slightly guilty pleasure. ***/***** stars.
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