When Detective Mortimer Shade is somehow killed in a freezer, a parasite called a grail possesses his body, revives him, but he needs blood to stay alive. His partner John Dark accepts the ... See full summary »
Two joyriders Jesse and Sam discover something hidden in the back seat of the car that could change their lives forever. Brian, unknown to Jesse and Sam, is desperately trying to seek a "... See full summary »
Serena Scott is a late-night host on London Talk Radio. Ratings are down, and she has only two weeks to turn things around or management will switch to elevator music. It's also her 27th ... See full summary »
Miles Berret is ripped awake in his prison cell. Guards rush past Miles cell in the dark as he hears gunfire, screaming and then... the horrible, sickening screams of a man being torn apart... See full summary »
Isaac C. Singleton Jr.
Movie producer Saul (Goss) has a drug related accident while recklessly driving his car. Saul's girlfriend, Claire (Fellner), insists that Saul check into a rehabilitation clinic. The film ... See full summary »
Hendrix and Hawk, the two greatest bounty hunters in the world, must join forces to track down a federal witness. They must complete this task to save their families from a deadly criminal known as The Psycho and his legion of mercenaries.
The silver sports car driven by Charlie (Luke Goss) is a Daimler SP250 Dart See more »
Roy Hall turned the handle and the electric charge caused me to leap up out of my chair and fall to the floor. Then they stripped me, bound me, and gagged me, and applied electric shocks to various parts of my body.
Why didn't you go to the police?
Well, the police are all on Charlie's payroll.
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What irritates me the most about 'Charlie' is the hypocrisy of its argument. The makers of the film fawningly present Richardson as a good decent and innocent man. Why, then, do they revel in showing his vicious criminal activity? The message of this film gets lost in the midst of pretentious formal tics and the most embarrassing courtroom scenes committed to celluloid. For English film culture, all this film represents is sad proof that for every Sam Mendes, there's a Malcolm Needs.
Come on Blighty, we can do better than this!
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