| Esther Gorintin | ... | Eka | |
| Nino Khomasuridze | ... | Marina | |
| Dinara Drukarova | ... | Ada | |
| Temur Kalandadze | ... | Tengiz (as Temour Kalandadze) | |
| Rusudan Bolkvadze | ... | Rusiko (as Roussoudan Bolkvadze) | |
| Sasha Sarishvili | ... | Alexi (as Sacha Sarichvili) | |
| Duta Skhirtladze | ... | Niko (as Douta Skhirtladze) | |
| Abdellah Moundy | ... | Le berbère (as Abdallah Moundy) | |
| Mzia Eristavi | ... | Dora | |
| Misha Eristavi | ... | Fils Dora | |
| Zoura Natrochvili | ... | Voisin (Mika) | |
| Alexandre Makhorablichvili | ... | Fonctionnaire | |
| Micha Moudjiri | ... | Directeur usine | |
| Jacques Fleury | ... | Homme d'affaire 1 | |
| Frédéric Payen | ... | Homme d'affaire 2 | |
| Manon Abacjodze | ... | Postière 1 | |
| Manana Taralachvili | ... | Postière 2 | |
| Irina Toukhoulova | ... | Professuer fac | |
| Médéa Roinichvili | ... | Voisine | |
| Iago Demetrachvili | ... | Père Alexi | |
| Gotcha Darbaidze | ... | Otar en photo | |
| Vaja Jalagania | ... | Photographe | |
| Malamine Sissokho | ... | Chauffeur taxi | |
| Sarah Chaumette | ... | Hôtesse de l'air |
Directed by | |||
| Julie Bertuccelli | |||
Writing credits | ||
| Julie Bertuccelli | (written by) & | |
| Bernard Renucci | (written by) | |
| Roger Bohbot | (adaptation) | |
| Alda Engoian | (translation) and | |
| Gotcha Djavakhichvili | (translation) and | |
| Miguel Machalski | (translation) | |
Produced by | |||
| Sébastien Delloye | .... | co-producer: Entre Chien et loup | |
| Diana Elbaum | .... | co-producer: Entre Chien et loup | |
| Yael Fogiel | .... | producer | |
| Laetitia Gonzalez | .... | associate producer | |
| Jana Sardlishvili | .... | executive producer: Studio 99 (as Jana Sardlichvili) | |
Cinematography by | |||
| Christophe Pollock | |||
Film Editing by | |||
| Emmanuelle Castro | |||
Casting by | |||
| Stéphane Batut | |||
Production Design by | |||
| Emmanuel de Chauvigny | |||
Costume Design by | |||
| Nathalie Raoul | |||
Makeup Department | |||
| Msia Kentshiashvili | .... | hair stylist (as Mzia Kentchiachvili) | |
| Msia Kentshiashvili | .... | makeup artist (as Mzia Kentchiachvili) | |
| Françoise Ben Soussan | .... | hair stylist: Paris | |
| Françoise Ben Soussan | .... | makeup artist: Paris | |
Production Management | |||
| Reza Boirahmady | .... | assistant unit manager | |
| Sylvie Caillabet | .... | post-production manager | |
| Mat Troi Day | .... | production manager | |
| Adam Marchand | .... | assistant unit manager | |
| Jean-Philippe Moreteau | .... | assistant unit manager | |
| Regis Saillard | .... | unit manager (as Régis Saillard) | |
Second Unit Director or Assistant Director | |||
| Elsa Amiel | .... | second assistant director: Paris | |
| Marine Kulumbegashvili | .... | first assistant director (as Marina Kouloumbegachvili) | |
| Gabriele Roux | .... | assistant director | |
Art Department | |||
| Bruno Albanti | .... | assistant set decorator: Paris | |
| Besarion Gelashvili | .... | assistant art director (as Bessarion Guelachvili) | |
| Gia Laperadze | .... | assistant art director (as Guia Laperadze) | |
| Virginie Noël | .... | set decorator: Paris | |
| Mamuka Tkeshelashvili | .... | set designer (as Mamouka Tkechelachvili) | |
Sound Department | |||
| Thomas Gauder | .... | sound mixer | |
| Aline Gavroy | .... | foley recording mixer | |
| Olivier Goinard | .... | sound editor | |
| Olivier Goinard | .... | supervising sound editor | |
| Alex Hudd | .... | sound consultant: dolby | |
| Xavier Marsais | .... | foley artist & post-synchronization recording | |
| Henri Morelle | .... | sound | |
| Stéphane Morelle | .... | sound assistant | |
| Arnaud Rolland | .... | assistant sound editor | |
| Arnaud Rolland | .... | sound editor | |
| Philippe van Leer | .... | foley artist (as Philippe Van Leer) | |
Camera and Electrical Department | |||
| Arnand Cousin | .... | electrician: Paris | |
| Lucilio Da Costa Pais | .... | electrician | |
| Eric Lesage | .... | electrician | |
| Cyril Liberman | .... | camera operator (as Cyrille Liberman) | |
| Olivier Regent | .... | chief electrician (as Olivier Régent) | |
Casting Department | |||
| Marion Touitou | .... | casting: children | |
| Isabelle Ungaro | .... | extras casting | |
Costume and Wardrobe Department | |||
| Dolores Gonzalez | .... | wardrobe (as Dolorès Gonzalez) | |
| Keti Palavandishvili | .... | wardrobe (as Ketty Palavandichvili) | |
| Filippa Russo | .... | chief costumer | |
Editorial Department | |||
| Serge Anthony | .... | grader | |
| Julie Delord | .... | assistant editor | |
| Thomas Glaser | .... | assistant editor | |
| Bruno Patin | .... | color timer | |
Music Department | |||
| Dato Evgenidze | .... | composer: song "Poissons" | |
| Vladimir Spivakov | .... | musician: piano for Pärt's "Spiegel im Spiegel" | |
Other crew | |||
| Samantha Mialet | .... | production assistant | |
| Maria Moutot-Tolomio | .... | location manager | |
| Sandrine Pillon | .... | production assistant | |
| Els Rastelli | .... | script supervisor | |
| Rémi Roy | .... | administrator | |
| Martine Vidalenc | .... | production assistant | |
Thanks | |||
| Jean-Louis Bertuccelli | .... | thanks | |
| Emmanuel Finkiel | .... | thanks | |
| Otar Iosseliani | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| How ironic | alishiek |
| Highly rated, but supremely dull | SurrenderToto |
| What's the name of the song everybody sang and danced to? | chrismcoppock |
|
|
|
|
|
| Persepolis | Kings & Queen | I've Loved You So Long | Saving Face | Those Who Love Me Can Take the Train |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
With explicit themes such as poverty, exile, old age and death, 'Since Otar Left' does not exactly make a pitch as light entertainment; and a subtle screenplay that wrings every last note of poignancy from its basic scenario could be seen to aggravate matters even further. But as well as its script, this film has other merits, including fine cinematography and excellent performances from its small cast. Perhaps what's best of all is the way that it combines universal themes with the particulars of its situation, in the former Soviet republic of Georgia. The characters' own story reflects (and is indeed part of) the story of the country as a whole; and that is the story of the death, and eventual rebirth, of hope itself. This is a film that isn't always easy viewing, but it's also worth sticking with.