The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died ...
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The Taliban are ruling Afghanistan, they being a repressive regime especially for women, who, among other things, are not allowed to work. This situation is especially difficult for one ... See full summary »
Mohammad Arif Herati
With the brilliant Vietnamese summer as a setting Vertical Ray of the Sun is beautiful from beginning to end. The plot centres around three sisters, two of whom are happily married (or so ... See full summary »
Tran Anh Hung
Tran Nu Yên-Khê,
Nhu Quynh Nguyen,
At the port of Sète, Mr. Slimani, a tired 60-year-old, drags himself toward a shipyard job that has become more and more difficult to cope with as the years go by. He is a divorced father ... See full summary »
Beatrice is a very reserved and quiet young woman. Her friend Marylene is left by her lover and brings her to Cabourg (Normandy) for a few days' vacation. There, Beatrice, an apprentice ... See full summary »
Alejandro, a resourceful street orphan on the verge of adolescence, lives and works in an auto-body repair shop in a sprawling junkyard on the outskirts of Queens, New York. In this chaotic world of adults, Alejandro struggles to make a better life for himself and his sixteen-year-old sister.
Roger uses his son Igor to ruthlessly traffic and exploit undocumented immigrants. When one of the immigrants is killed, Igor is guilt-ridden and wants to care for the dead man's family against his father's orders.
The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever. Written by
Sujit R. Varma
A Household of Women Faces the Big Lie and Little Ones
"Since Otar Left (Depuis qu'Otar est parti...)" deals heartbreakingly humanistically with many of the same political and family issues that "Goodbye, Lenin!" treats for humor -- today's ironic adjustment to capitalism in former U.S.S.R. satellites, the cross-generational responsibilities of those who lived under the Big Lies, and filial love.
With dialogue in French, Georgian, and Russian, debut writer/directer Julie Bertucelli focuses on a Francophile household of an earthy grandmother, mother, and daughter in Georgia and their relationships to the dead, absent, and present men who are satellites in their lives.
While there's reminders of O. Henry's "The Gift of the Magi" and "The Last Leaf," not a single character is a cliche or dumb and none of their decisions is predictable. The audience literally holds its breath to see each woman's reactions as their emotional predicaments get more complicated in a weave of their own making.
The actresses, from 21 to 90 years old, brilliantly convey the complex emotional see saw.
A simply beautiful movie that's one of the best of the year.
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