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Starsky & Hutch (2004)

PG-13  |   |  Comedy, Crime  |  5 March 2004 (USA)
6.1
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Ratings: 6.1/10 from 112,833 users   Metascore: 55/100
Reviews: 307 user | 172 critic | 40 from Metacritic.com

Two streetwise cops bust criminals in their red-and-white Ford Torino with the help of police snitch called Huggy Bear.

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(characters), (story), 4 more credits »
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Title: Starsky & Hutch (2004)

Starsky & Hutch (2004) on IMDb 6.1/10

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Cast

Cast overview, first billed only:
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George Cheung ...
Chau (as George Kee Cheung)
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G.T. Holme ...
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Storyline

Set in the 1970s in a metropolis called "Bay City," this is the tale of two police detective partners, Ken "Hutch" Hutchinson, and Dave Starsky, who always seem to get the toughest cases from their boss, Captain Dobey, rely on omniscient street informer Huggy Bear and race to the scene of the crimes in their souped-up 1974 Ford Torino hot rod, telling the story of their first big case (as a prequel to the TV show), which involved a former college campus drug dealer who went on to become a white collar criminal. Written by Austin4577@aol.com

Plot Summary | Plot Synopsis

Taglines:

Good Cops. Bad Hair. See more »

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated PG-13 for drug content, sexual situations, partial nudity, language and some violence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

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Release Date:

5 March 2004 (USA)  »

Also Known As:

Starsky et Hutch  »

Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend:

$28,103,367 (USA) (5 March 2004)

Gross:

$6,366,941 (Europe) (10 September 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Owen Wilson openly admitted that he was very scared when Ben Stiller took the wheel of the Gran Torino. See more »

Goofs

When Starsky & Hutch start out of the marina parking lot before they attempt to land the Torino on the boat, you see a couple of big, black dirty areas behind the front and rear tires on the fender and quarter panel. In the shot immediately following, the black is gone and the Torino is now completely clean. See more »

Quotes

[first lines]
Kitty: Don't stress. Just relax.
Reese Feldman: I don't understand man, I don't understand. You can lose keys, ya know, you can lose your wallet. How... how do you lose a plane?
Terrence Meyers: Reese, come on. What do you want me to do? You got three out of four planes in. That's still a lot of coke.
Reese Feldman: Now, see that? That's the kind of winning attitude that's gonna take this enterprise straight to the top.
See more »

Crazy Credits

In memory of Elliott Marks 1941-2003 See more »

Connections

Referenced in LOL (2012) See more »

Soundtracks

That's The Way (I Like It)
Written by Harry Wayne Casey and Richard Finch
Performed by KC & The Sunshine Band
Courtesy of Rhino Entertainment Company/EMI Records Ltd.
By Arrangement with Warner Strategic Marketing
See more »

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User Reviews

 
Great melding of traditional 1970s flicks and Stiller/Wilson
8 February 2005 | by (New York City) – See all my reviews

David Starsky (Ben Stiller) is a by-the-book cop who thinks nothing about destroying thousands of dollars of property to apprehend a mugger who has stolen only a few dollars. Ken Hutchinson (Owen Wilson) is the complete opposite--it seems the only reason he has become a cop is that it makes a life of crime much easier. Captain Doby (Fred Williamson) can't stand either of them, but hits upon the brilliant idea of pairing them. When they begin investigating a murder that has ties to a prominent millionaire, the best qualities of each just might start influencing the other.

Although I always wait to read others' reviews and comments until I've seen a film and written my own review (I do not want to be swayed or influenced in any way by other opinions), I can imagine that quite a few people would not like Starsky and Hutch. To really enjoy it, one would have to alter their expectations to what director Todd Phillips has chosen to deliver instead--a clever film that is both an absurdist spoof and a respectful, faithful homage at the same time. Creating that combination is a difficult feat, but Phillips was largely successful.

The combination means that Starsky and Hutch is not aiming to be over-the-top hilarious, and it's also not aiming to be overly consistent with the characters and tone of the original pilot film and series. Viewers expecting either are likely to be a bit disappointed. However, if you're a fan of gritty 1970s films as well as a fan of Stiller and Wilson's usual material, you should find much to love here.

Phillips has remarkably captured the look and feel of a typical 1970s film. The costumes, hairstyles, and overall production design are also perfect for a subtle spoof on the 1970s, and given the source material, even the plot has the slightly formulaic, slightly hokey, almost made-for-television feel that is appropriate for this genre. You know they're on the right track when Fred Williamson--star of such blaxploitation masterpieces as Hammer (1972), Black Caesar (1973) and Mean Johnny Barrows (1976)--has a prominent supporting role. The 1970s spoof/homage aspect is far more understated and reverential than you'd normal expect from a Stiller film, but easy to like and understand.

Other outstanding supporting roles are played by Vince Vaughn, Snoop Dogg, Will Ferrell and Juliette Lewis, all except Dogg slightly out of character, but just as enjoyable and funny as always, as they're all somewhat faithfully filling traditional 1970s roles. Dogg is the most in character, as he has long been deferential to that era, anyway.

The film hinges, of course, on Stiller and Wilson, and true to form, Stiller is still a somewhat oblivious buffoon with Wilson as a hipper, more streetwise buffoon. Grafting their comedy personae onto the Starsky and Hutch characters was more easily done and natural than anyone might have thought, and provides a highly amusing 100 minutes, even if it's a bit of an acquired taste and not likely to be understood quite as well by future generations.


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