Directed by | |||
| Claude Miller | |||
Writing credits(in alphabetical order) | ||
| Julien Boivent | writer | |
| Anton Chekhov | play "Chayka" | |
| Claude Miller | writer | |
Produced by | |||
| Christine Gozlan | .... | associate producer | |
| Sylvestre Guarino | .... | executive producer | |
| Daniel Louis | .... | co-producer: Canada | |
| Annie Miller | .... | producer | |
| Denise Robert | .... | co-producer: Canada | |
Cinematography by | |||
| Gérard de Battista | |||
Film Editing by | |||
| Véronique Lange | |||
Production Design by | |||
| Jean-Pierre Kohut-Svelko | |||
Costume Design by | |||
| Christel Birot | |||
| Jacqueline Bouchard | |||
Makeup Department | |||
| Véronique Boitout | .... | key hair stylist | |
| Lucía Bretones-Méndez | .... | key makeup artist | |
| Marie Luiset | .... | makeup artist | |
| John Nollet | .... | hair stylist: Nicole Garcia | |
Production Management | |||
| Jean-François Abbate | .... | unit manager | |
| Samuel Amar | .... | production manager | |
| George Jardon | .... | post-production supervisor: Canada (as Georges Jardon) | |
| Frédéric Morin | .... | assistant production manager | |
| Sophie Moulin | .... | unit manager trainee | |
| Antoine Moussault | .... | unit manager | |
| Yann Tesson | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Denis Bergonhe | .... | first assistant director | |
| Ketal Guenin | .... | first assistant director | |
| Emmanuel Murat | .... | trainee assistant director | |
| Charles Senard | .... | second assistant director | |
Art Department | |||
| Agnès Aubert | .... | assistant art director | |
| Francesco Avella | .... | carpenter | |
| Céline Barray | .... | set dresser | |
| Nicolas Barray | .... | painter | |
| Brigitte Baudet | .... | sculptor | |
| Christian Borger | .... | carpenter | |
| Denis Chaboissier | .... | painter | |
| Yves Chaudesaigues | .... | carpenter | |
| Jérôme Chrétien | .... | carpenter | |
| Jérome Clavier | .... | head painter | |
| Alexandra De Chimay | .... | assistant art director | |
| François Decaux | .... | first assistant decorator | |
| Nicolas Decaux | .... | carpenter | |
| Paul Decaux | .... | head carpenter | |
| Laurent Jarriau | .... | props | |
| Loïc Jolly | .... | painter | |
| Yves Maufrey | .... | carpenter | |
| Marlène Million | .... | painter | |
| Bernadette Saint Loubert | .... | set dresser | |
| Charles Schwacsina | .... | second assistant decorator | |
| Didier Tardivel | .... | painter | |
Sound Department | |||
| Gregory Bolduc | .... | assistant sound mixer: Canada (as Grégory Bolduc) | |
| Jo Caron | .... | adr foley recordist (as Jocelyn Caron) | |
| Martin Cazes | .... | sound coordinator: Canada | |
| Jérôme Décarie | .... | foley artist: Canada | |
| Nicolas Gagnon | .... | assistant foley artist: Canada | |
| Bernard Gariépy Strobl | .... | sound re-recording mixer | |
| Claude La Haye | .... | sound recordist | |
| Benoit Leduc | .... | adr recording engineer: Canada | |
| Alain Lévy | .... | post-synchronization | |
| Antoine Morin | .... | sound editor: Canada | |
| Guy Pelletier | .... | dialogue editor: Canada | |
| Francis Péloquin | .... | boom operator | |
| Hans Peter Strobl | .... | sound re-recording mixer | |
| Benoit Touchette | .... | sound coordinator | |
| Raymond Vermette | .... | supervising sound editor | |
Visual Effects by | |||
| Luc Augereau | .... | visual effects producer | |
| Laurent Desbrueres | .... | digital color grader | |
| Justine Gasquet | .... | matte painter | |
| François Vagnon | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Claude Antoniades | .... | electrician | |
| Luis Armando Arteaga | .... | first assistant camera | |
| Lionel Bailly | .... | electrician | |
| Frédérique Barraja | .... | still photographer | |
| Simon Blanchard | .... | second assistant camera | |
| Stéphane Degnieau | .... | first assistant camera | |
| Xavier Embry | .... | best boy grip | |
| Xavier Embry | .... | grip | |
| Bruno Glasberg | .... | electrician | |
| Dominique Legueux | .... | key grip | |
| Nathan Miller | .... | camera operator | |
| Pascal Pajaud | .... | gaffer | |
| Jean-Baptiste Perrin | .... | electrician | |
| Bruno Roza | .... | grip | |
| Grégoire Tomat | .... | camera trainee | |
Casting Department | |||
| Célina Blanc | .... | casting: children | |
| Carine Jean-Marie | .... | casting: children | |
Costume and Wardrobe Department | |||
| Anne Bastien | .... | costumer | |
Editorial Department | |||
| Aline Conan | .... | color timer | |
| Mathieu Denis | .... | assistant editor: Canada (as Mathieu L. Denis) | |
| Pascale Dubé | .... | post-production coordinator: Canada | |
| Melanie Gauthier | .... | post-production coordinator: Canada | |
| Sylvie Lambert | .... | post-production administrator | |
| Natacha Louis | .... | color timer | |
| Bruno Patin | .... | color timer | |
Other crew | |||
| Valerie Arbib | .... | production secretary (as Valérie Arbib) | |
| Emilie Barbault | .... | assistant script supervisor | |
| Laure Darie | .... | production secretary | |
| Françoise Della Libera | .... | administrator | |
| Michel Flaesch | .... | animal trainer | |
| François Guerrar | .... | press attache | |
| Sylvie Koechlin | .... | script supervisor | |
| Guillaume Lips | .... | digital grader | |
| James Mammeri | .... | assistant administrator | |
| Pierre Reyssat | .... | production assistant | |
| Stéphane Talagrand | .... | location scout | |
| Hélène Vietti | .... | production assistant | |
| Recent Posts (updated daily) | User |
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| Should I watch with my boyfriend.... | TracesOfLove |
| *SPOILER ALERT* Ending question. | somaoe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
This story is derived from a story by Chekov (not the Star Trek one, by the way) and the movie was very, very, very "talky". And while the quality of the film's production is there (this is why it earns a 5--for acting, direction and cinematography that are just fine), the story itself just seemed dull and lethargic. Plus, I found I really didn't like anyone--the title character seemed like a direction-less nymph, her boyfriend an insufferable "artist" who just needed to grow up, and the rest of the family just seemed like a bunch of phonies I felt no connection to in any way. And everyone just seemed to talk and talk and argue and then talk again! About the only thing going for this film to lift if above mediocrity is the very nude body of the title character in the first minutes of the film--this was tough not to notice (and this makes this movie inappropriate for kids, as well).