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Directed by | |||
| Mel Gibson | |||
Writing credits | ||
| Benedict Fitzgerald | (screenplay) and | |
| Mel Gibson | (screenplay) | |
Produced by | |||
| Bruce Davey | .... | producer | |
| Mel Gibson | .... | producer | |
| Stephen McEveety | .... | producer | |
| Enzo Sisti | .... | executive producer | |
Original Music by | |||
| John Debney | |||
Cinematography by | |||
| Caleb Deschanel | (director of photography) | ||
Film Editing by | |||
| Steve Mirkovich | (recut) | ||
| John Wright | |||
Casting by | |||
| Shaila Rubin | |||
Production Design by | |||
| Francesco Frigeri | |||
Art Direction by | |||
| Pierfranco Luscrì | |||
| Daniela Pareschi | |||
| Nazzareno Piana | |||
Set Decoration by | |||
| Carlo Gervasi | |||
Costume Design by | |||
| Maurizio Millenotti | |||
Makeup Department | |||
| Martin Astles | .... | makeup effects sculptor | |
| Brian Blair | .... | makeup effects technician (as Bryan Blair) | |
| Greg Cannom | .... | makeup effects consultant | |
| Desideria Corridoni | .... | hair stylist | |
| Maria Teresa Corridoni | .... | key hair stylist | |
| Michael Del Rossa | .... | makeup effects technician (as Michael P. Delrossa) | |
| Justin Ditter | .... | wig maker | |
| Justin Ditter | .... | wig master | |
| Glen Eisner | .... | makeup effects technician | |
| Brandon Ellison | .... | makeup effects artist (as Brandon Reininger) | |
| Damian Fisher | .... | makeup effects technician (as D. Damien Fisher) | |
| Renato Francola | .... | additional makeup artist | |
| Chris Gallaher | .... | makeup effects artist | |
| Carla Indoni | .... | hair stylist | |
| Mark Killingsworth | .... | makeup effects artist | |
| John Kim | .... | makeup effects technician | |
| Mary Kim | .... | makeup effects unit production manager: Captive Audience Productions | |
| Veronika Kostrhounova | .... | assistant makeup artist | |
| Bob Kretschmer | .... | wig maker (as Robert Kretschmer) | |
| Kristen Lobstein | .... | makeup effects technician | |
| Harvey Lowry | .... | director of operations: makeup effects department | |
| Christopher Xavier Lozano | .... | prosthetic makeup artist | |
| Rosa Luciani | .... | hair stylist | |
| Maurizio Lupi | .... | hair stylist | |
| Vincenzo Mastrantonio | .... | makeup artist | |
| Brian Meck | .... | makeup effects technician | |
| Verena Mercenier | .... | makeup effects technician | |
| Mario Michisanti | .... | key makeup artist | |
| Kelley Mitchell | .... | makeup effects artist | |
| Vera Mitchell | .... | hair stylist: Mr. Caviezel | |
| Mark Nieman | .... | makeup effects technician | |
| Michael O'Brien | .... | makeup effects technician | |
| James Parr | .... | special makeup effects technician | |
| Gary Pawlowski | .... | makeup effects technician (as Gary R. Pawlowski) | |
| Art Pimentel | .... | mold department supervisor (as Arthur Pimentel) | |
| Robert Ramos | .... | makeup effects technician | |
| Antonello Resch | .... | assistant makeup artist | |
| Brian Sipe | .... | special makeup effects supervisor: Captive Audience Productions | |
| Christien Tinsley | .... | designer and creator: special makeup effects | |
| Christien Tinsley | .... | makeup and prosthetics: Mr. Caviezel | |
| Brian Van Dorn | .... | makeup effects technician (as Brian Vandorn) | |
| Keith VanderLaan | .... | special makeup effects designer and producer | |
| Gianna Viola | .... | hair stylist | |
| Kevin Wasner | .... | makeup effects artist | |
| Federico Carretti | .... | additional makeup artist (uncredited) | |
| Nathan Franson | .... | makeup effects technician: Captive Audience Productions (uncredited) | |
| J.M. Logan | .... | special makeup effects artist (uncredited) | |
| Mario Michisanti | .... | facial hair designer (uncredited) | |
| Alberto Moccia | .... | hair stylist (uncredited) | |
| Maurizio Nardi | .... | additional makeup artist (uncredited) | |
| Mario Pegoretti | .... | hair stylist (uncredited) | |
| Michael Peterson | .... | lab makeup effects (uncredited) | |
Production Management | |||
| Vito Colazzo | .... | unit production manager | |
| Alfredo Ecolangeli | .... | assistant unit manager | |
| Federico Foti | .... | unit manager | |
| Rajeev Malhotra | .... | post-production supervisor | |
| Marco Olivieri | .... | unit manager: additional photography | |
Special Effects by | |||
| Daniel Acon | .... | special effects coordinator | |
| Renato Agostini | .... | special effects supervisor | |
| Fausto Baldinelli | .... | special effects blacksmith | |
| Peter A. Chevako | .... | mechanical engineer | |
| Massimo Cristofanelli | .... | special effects technician | |
| Anthony Francisco | .... | concept designer | |
| Chris Hampton | .... | special effects technician | |
| Jim Knell | .... | still photographer: Captive Audience Productions | |
| Marco Moneta | .... | special effects technician | |
| Michael O'Brien | .... | mold department/technician: Captive Audience Productions | |
| Franco Ragusa | .... | special effects foreman | |
| Colin D. Recchio | .... | mechanical engineer | |
| Timothy Rutherford | .... | special effects laborer | |
| Terry Sandin | .... | mechanical engineer (as Terry O.Sandin) | |
| Brian Van Dorn | .... | mold maker | |
| Chris Zega | .... | lab technician: Captive Audience | |
| Kenneth Cassar | .... | special effects technician (uncredited) | |
| Michele Mulkey | .... | special effects (uncredited) | |
| Brett Stern | .... | miniature set painter: Main Stay Productions (uncredited) | |
Visual Effects by | |||
| Marcus Andexler | .... | visual effects coordinator | |
| Linda Avitabile | .... | scheduling (as Linda McDonnel) | |
| Brian Battles | .... | Flame compositor | |
| Les Bernstien | .... | motion control operator (as Leslie Bernstien) | |
| Alec Boehm | .... | first assistant camera | |
| Cris Borgnine | .... | best boy electric | |
| Tom Bristow | .... | I/O manager | |
| Everett Burrell | .... | digital compositor | |
| Timothy Michael Cairns | .... | quality control supervisor: Efilm/Panavision (as Tim Cairns) | |
| Melissa Carter | .... | visual effects editor | |
| Bryan Cooke | .... | digital compositor (as Bryan A. Cooke) | |
| Mike Donahue | .... | systems engineer (as Michael Donahue) | |
| Christopher Edwards | .... | manager of operations (as Chris Edwards) | |
| Tom Gleason | .... | first assistant camera (as Thomas D. Gleason) | |
| Anthony 'Max' Ivins | .... | digital effects supervisor: LOOK! Effects | |
| Tim Jarvis | .... | effects technician | |
| Kelly Jones | .... | visual effects gaffer | |
| Ray Juncal | .... | model shop supervisor (as Ramon Juncal) | |
| Laurel Klick | .... | digital compositor | |
| J.M. Logan | .... | visual effects line producer | |
| Ted Rae | .... | visual effects supervisor | |
| Olivia Ramirez | .... | lead model maker (as Olivia St. Anne Ramirez) | |
| Drew Redford | .... | digital compositor | |
| Seth Saint Vincent | .... | best boy grip | |
| Aaron Sharp | .... | visual effects video assistant | |
| David B. Sharp | .... | camera rigging mechanical designer | |
| Michael Shelton | .... | digital paint artist | |
| Tefft Smith | .... | CG animator (as Teft Smith) | |
| Mark Sullivan | .... | matte artist | |
| Gabor Szitanyi | .... | visual effects editor | |
| Chris Taft | .... | digital intermediate services cordinator: EFilm/Panavision | |
| John Teska | .... | CG animator | |
| Tracy Thomas | .... | visual effects assistant (as Tracy A. Thomas) | |
| Lola Tiger | .... | visual effects video assistant (as Helga Salmena) | |
| Mike Uguccioni | .... | digital compositor | |
| Keith VanderLaan | .... | visual effects designer and producer: Captive Audience Productions | |
| Pam Vick | .... | digital compositor (as Pam K. Vick) | |
| Michael M. Walsh | .... | digital compositor | |
| Mark H. Weingartner | .... | motion control supervisor | |
| Derek Bird | .... | digital compositor (uncredited) | |
| Andy Bowman | .... | motion control technician (uncredited) | |
| Michael Butterfield | .... | post production assistant (uncredited) | |
| Patrick Clancey | .... | digital opticals (uncredited) | |
| Eric Ehemann | .... | animator (uncredited) | |
| Zack Fox | .... | visual effects production assistant (uncredited) | |
| Sam Greenmun | .... | model maker (uncredited) | |
| Alexa Hann | .... | post production assistant (uncredited) | |
| Eric Hann | .... | visual effects assistant (uncredited) | |
| Chris Hopkins | .... | digital compositor: Captive Audience (uncredited) | |
| Perry M. Kimura | .... | digital intermediate: EFilm/Panavision (uncredited) | |
| Kevin Lin | .... | quality control Combustion paint artist, digital intermediate: Efilm/Panavision (uncredited) | |
| Kevin Lin | .... | quality control coordinator, digital intermediate: Efilm/Panavision (uncredited) | |
| Paul Maples | .... | motion control operator (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Brian A. Metcalf | .... | digital compositor (uncredited) | |
| Christopher James Miller | .... | visual effects pre-production: Mainstay Productions (uncredited) | |
| Bret Mixon | .... | digital rotoscope (uncredited) | |
| Kenneth Nakada | .... | digital matte painter: Captive Audience (uncredited) | |
| Marian Rudnyk | .... | digital artist (uncredited) | |
| Thomas Tannenberger | .... | digital compositor (uncredited) | |
| Alpheus Underhill | .... | best boy grip: visual effects unit (uncredited) | |
| Paolo Verrucci | .... | telecine colorist dailies (uncredited) | |
| Mark H. Weingartner | .... | visual effects director of photography (uncredited) | |
| Kurt Wiley | .... | digital effects artist (uncredited) | |
| Chris Zapara | .... | digital artist (uncredited) | |
Stunts | |||
| Giorgio Antonini | .... | stunts | |
| Mauro Antonini | .... | stunts | |
| Paolo Antonini | .... | stunts | |
| Alessandro Borgese | .... | stunts | |
| Omero Capanna | .... | stunts | |
| Danilo Capuzi | .... | stunts | |
| Federico Ciuffolini | .... | stunts (as Frederico Ciuffolini) | |
| Bruno Di Luia | .... | stunts | |
| Edoardo Finocchi | .... | stunts | |
| Ionut Iftimoaie | .... | stunts (as Iftimoaie Ionut) | |
| Riccardo Mioni | .... | stunts | |
| Stefano Maria Mioni | .... | stunt coordinator (as Stefano Mioni) | |
| Alessandro Novelli | .... | stunts | |
| Emiliano Novelli | .... | stunts | |
| Angelo Ragusa | .... | stunts | |
| Gabriele Ragusa | .... | stunts | |
| Tatiana Romanova | .... | stunts | |
| Rocco Russo | .... | stunts | |
| Franco Maria Salamon | .... | stunt supervisor | |
| Paolo Susani | .... | stunts | |
| Massimiliano Ubaldi | .... | stunt double: Judas | |
| Claudio Zucchet | .... | stunts | |
| Massimiliano Bianchi | .... | stunt rigger (uncredited) | |
| Brandon Ellison | .... | stunt double (uncredited) | |
Casting Department | |||
| Kate Carlin | .... | voice casting | |
| Michela Forbicioni | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Giuseppe Avallone | .... | assistant costume designer | |
| Luca Canfora | .... | wardrobe | |
| Giovanni Casalnuovo | .... | first assistant costume designer (as Gianni Casalnuovo) | |
| Tiziana Magris | .... | wardrobe | |
| Valentina Monticelli | .... | assistant costume designer | |
| Marina Roberti | .... | key set costumer | |
| Nadia Salvatore | .... | set costumer | |
| Lucilla Simbari | .... | key set costumer | |
| Barbara Spoletini | .... | set costumer (as Barbara Spolentini) | |
| Mariano Tufano | .... | assistant costume designer | |
| Piermatteo Giacalone | .... | assistant costumer (uncredited) | |
Editorial Department | |||
| Laura Alecci | .... | assistant editor: film, Italy | |
| Robert Ashe Jr. | .... | editor: promo reel | |
| Steve Bowen | .... | digital color timer | |
| Giorgio Conti | .... | assistant editor: avid, Italy | |
| Pasquale Cuzzupoli | .... | color consultant: dailies | |
| Barbara Dunning | .... | first assistant film editor | |
| Ben Estrada | .... | digital colorist assistant | |
| Juliet Hirata | .... | editorial production assistant | |
| William Hoy | .... | additional editor | |
| Suzanne LeAnce | .... | editorial supervisor | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Mark Perzely | .... | assistant editor: avid | |
| Danny Rafic | .... | assistant editor | |
| Lorene Simpson | .... | digital intermediate producer | |
| Liberata Zocchi | .... | assistant editor: film, Italy | |
| Rick Grayson | .... | apprentice editor (uncredited) | |
| Jeffrey P. Kloth | .... | supplier: film editing equipment (uncredited) | |
| Jim Passon | .... | film color timer (uncredited) | |
| Jeff Schweikart | .... | post-production assistant (uncredited) | |
| Craig Tanner | .... | assistant editor (uncredited) | |
Music Department | |||
| Peter Afterman | .... | music supervisor | |
| Ron Allen | .... | featured performer | |
| Wolfgang Amadeus | .... | music scoring engineer | |
| Jeff Atmajian | .... | orchestrator | |
| Frank Bennett | .... | orchestrator | |
| Chris Bleth | .... | featured performer | |
| Lesli Carroll | .... | orchestrator | |
| Jessica Clements | .... | assistant music supervisor | |
| Chris Cozens | .... | auricle control systems | |
| Lola Debney | .... | music co-coordinator | |
| Brad Dechter | .... | orchestrator | |
| Andrew Dudman | .... | scoring crew | |
| Terry Edwards | .... | choir director | |
| Ahmed El-Eshmer | .... | featured performer | |
| Pedro Eustache | .... | featured performer | |
| Olga FitzRoy | .... | scoring crew (as Olga Fitzroy) | |
| Isobel Griffiths | .... | music contractor: orchestra and choir | |
| Karen Han | .... | featured performer | |
| Jan Hendrickse | .... | featured performer | |
| Rick Hyslop | .... | featured performer | |
| Hosam Ibrahim | .... | theme music | |
| Nick Ingman | .... | conductor | |
| Jake Jackson | .... | score recordist | |
| Peter Jeffreys | .... | featured performer | |
| Sean W. Karp | .... | music mixer | |
| Sean W. Karp | .... | music recordist | |
| Shannon Kingsbury | .... | featured performer | |
| Jack Lenz | .... | composer: additional music | |
| Aaron Martin | .... | featured performer | |
| Aaron Martin | .... | music coordinator | |
| Lévon Minassian | .... | featured performer (as Levon Minassian) | |
| Jen Monnar | .... | music editor (as Jennifer Monnar) | |
| Naser Mousa | .... | featured performer | |
| Shawn Murphy | .... | score mixer | |
| Sam Okell | .... | scoring crew (as Sam O'Kell) | |
| Simon Rhodes | .... | scoring engineer | |
| Michael T. Ryan | .... | supervising music editor | |
| Dan Savant | .... | music producer: orchestra and choir music | |
| Lisbeth Scott | .... | vocal coach | |
| Gingger Shankar | .... | featured performer | |
| Steven L. Smith | .... | music preparation | |
| Keith Thompson | .... | featured performer | |
| Martin Tillman | .... | featured performer | |
| Tanja Tzarovska | .... | featured performer (as Tanya Tsarouska) | |
| John Van Tongeren | .... | score synth programmer | |
| Mike Watts | .... | orchestrator | |
| Margaret Yen | .... | associate music supervisor | |
| Kevin Crehan | .... | music editor (uncredited) | |
| John Debney | .... | soundtrack producer (uncredited) | |
| Mel Gibson | .... | soundtrack producer (uncredited) | |
| Rick Hendrix | .... | musician (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| Gingger Shankar | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Daniele Abeille | .... | transportation coordinator | |
| Fabio Orfanó | .... | driver: Mr. Gibson | |
| Massimiliano Rocchetti | .... | transportation captain | |
Other crew | |||
| Andrea Alunni | .... | facilities manager | |
| Luca Alunni | .... | assistant facilities manager | |
| Cecilia Alvarenga | .... | production coordinator (as Celcilia Alvarenga) | |
| Carlo Antonioni | .... | horse master | |
| Stefano Antonioni | .... | groom | |
| Carmen Yadira Avila | .... | assistant: Ted Rae | |
| Eleonora Baldwin | .... | script supervisor | |
| Stephen Bauer | .... | gym trainer | |
| Milena Bono | .... | accommodation coordinator | |
| Anna Cannella | .... | set production assistant | |
| Giorgio Catalano | .... | production accountant | |
| Vicki Christianson | .... | chief operating officer: Icon | |
| Bob Corna | .... | set production assistant (as Robert Corna) | |
| Stefano De Leonibus | .... | office security | |
| Daniel de Rossi | .... | production assistant: Italy (as Daniel De Rossi) | |
| Nicola Di Marzio | .... | office production assistant | |
| Francesco Di Silvio | .... | location manager | |
| Francesca Di Vella | .... | set production assistant | |
| Francis Dokyi | .... | key office production assistant (as Francis B.K. Dokyi) | |
| Philip Farah | .... | muppeteer | |
| Bill Feightner | .... | vice president of technology | |
| Alessandro Fiorito | .... | accountant | |
| Maria Fiorito | .... | accountant | |
| Alessandra Fortuna | .... | set production assistant | |
| Jennifer Fukasawa | .... | assistant: Mr. McEveety | |
| William J. Fulco | .... | consultant: theology | |
| William J. Fulco | .... | translator: Aramaic/Latin | |
| Alessandro Giuseppini | .... | cast liaison | |
| Kenneth E. Grassi | .... | production coordinator: Captive Audience Productions | |
| Paul Green | .... | executive vice president: Icon | |
| Michal Gregus | .... | assistant: Keith VanderLaan | |
| Gary J. Gross | .... | production consultant: Captive Audience Productions (as Gary Gross) | |
| Joshua Haber | .... | assistant: Mr. Gibson | |
| Yvonne Jimenez | .... | assistant: Mary Kim | |
| Mark Joseph | .... | marketing | |
| Sharon Kelly-Russo | .... | production coordinator: Captive Audience Productions | |
| Samba Koschak | .... | interpreter: Mr. Deschanel | |
| Harvey Lowry | .... | operations manager: Captive Audience Productions | |
| Tim Lyne | .... | business and legal affairs intern | |
| Daniela Macrillo | .... | assistant payroll | |
| Salvatore Magnisi | .... | cast and crew payroll | |
| Gianni Marini | .... | groom | |
| Pasquale Martino | .... | wrangler coordinator | |
| Jim Meenaghan | .... | business and legal affairs | |
| Evelina Meghnagi | .... | dialogue coach | |
| Paolo Merosi | .... | set production assistant | |
| Kevin Michaels | .... | chiropractor | |
| Jan Michelini | .... | key set production assistant (as Jan 'Lightning Boy' Michelini) | |
| Jonathan Morris | .... | theological advisor | |
| Claudia Moscatello | .... | location coordinator | |
| Cariddi Nardulli | .... | assistant: Mr. Gibson | |
| Alexei O'Brien | .... | operations manager: Captive Audience Productions | |
| Andrea Passalacqua | .... | location manager | |
| Mimma Pietragalla | .... | location accountant | |
| Sabina Piscopo | .... | set production assistant | |
| Ilaria Pizzilli | .... | set production assistant | |
| Raphael Poggi | .... | set production assistant | |
| Antonio Pupillo | .... | security officer | |
| Roberto Radicchi | .... | office production assistant | |
| Sharon Richardson | .... | nurse | |
| Silvia Riolo | .... | production secretary | |
| Stefano Riolo | .... | office production assistant | |
| Patrizia Roletti | .... | assistant production coordinator | |
| Janna Rykova | .... | payroll | |
| Davide Sacchetti | .... | set production assistant | |
| Michele Santantonio | .... | office production assistant | |
| Attilia de Mario Sartor | .... | nurse | |
| Giancarlo J. Sini | .... | production accountant (as Giancarlo Sini) | |
| Massimiliano Sisti | .... | production assistant | |
| Stefania Sisti | .... | production office assistant | |
| Antonio Spoletini | .... | extras coordinator | |
| Silvano Spoletini | .... | extras coordinator | |
| Valentina Testa | .... | production assistant | |
| Vincenzo Testa | .... | location manager supervisor | |
| Amy Tillman | .... | business and legal affairs | |
| Maurizia Tranchina | .... | minor permits | |
| Sonia Troiani | .... | set production assistant | |
| Aldo Urzini | .... | armorer | |
| Stefano Veneruso | .... | set production assistant | |
| Bruno Verdirosi | .... | personal trainer: Mr. Caviezel | |
| Matteo von Norman | .... | production liaison: extras (as Matteo Von Normann) | |
| Bonnie F. Watkins | .... | assistant: Mr. Davey | |
| Cassidy Watkins | .... | assistant: Mr. Caviezel | |
| Brandon Ellison | .... | photo double: Jim Caviezel (uncredited) | |
| Jeffrey P. Kloth | .... | technician (uncredited) | |
| Christopher Xavier Lozano | .... | stills photography (uncredited) | |
| Timothy Scott Ralston | .... | studio projectionist (uncredited) | |
| Francesco Scopelliti | .... | facility maintenance (uncredited) | |
| Gerry Taylor | .... | location projectionist: dailies (uncredited) | |
Thanks | |||
| Tom Allen | .... | thanks | |
| Bob Angelotti | .... | thanks | |
| Raymond Arroyo | .... | thanks | |
| Paul Lauer | .... | thanks | |
| Charles Morton | .... | thanks | |
| Alan Nierob | .... | thanks | |
| David Rose | .... | thanks | |
| A. Larry Ross | .... | thanks | |
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| Jesus | Star Wars: Episode III - Revenge of the Sith | Andrei Rublev | The Last Temptation of Christ | The Lord of the Rings: The Return of the King |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The second the movie was over, I was dumbstruck, and I wasn't the only one. When the movie ended I thought there would be a big round of applause but when I turned around I saw that about half the audience was still in their seats. I looked at a couple of people, some were speachless and most were crying. Nonetheless I didn't hear a word. When I thought about it, i realized an applause would have been ridiculous.
When someone asked me how the movie was I was going to say it was amazing, but that wouldn't have done the movie justice. The movie was an extremely moving, emotional experience.
The cast was absolutely flawless, Jim Caviezel gave a powerful performance as Jesus, Maia Morgenstern as Mary brought me to tears, and even though Monica Bellucci spoke only a few lines, her performance and beauty astonished me. The score was incredible. It had a middle-eastern feel to it, and was timeless and beautiful.
Most aspects of the movie were perfect to me. Instead of a squeaky clean version of the life of Jesus it was a realistic and heartbreaking portrayal of his final hours. The Aramaic, Latin and Hebrew languages, and wonderful cinematography made you really feel like you were in first century Jerusalem. The flashbacks truly had an emotional impact on me.
While watching this movie I forgot about everything else in the world. Mel Gibson did an incredible job as a director and he truly was brave for taking on this project despite all the controversy.
As for the two main concerns of most people, the ultra-violence, and the alleged anti-semetism these are my views on the two.
Everything people are saying about the violence is true. It is brutal, gory, and quite possibly the most violent work in cinematic history. This R-Rating is very well justified and an NC-17 would have made sense. If you are the type of person that cannot bear violence, this is definately not the movie for you. Some scenes of torture last about 10 minutes when you feel you've seen enough after 30 seconds. But, the violence I feel was absolutely necessary. The movie is about the suffering/passion of Jesus, and turning the camera away would not have an impact on you. The movie shows what Jesus actually went through for all of mankind's sins (according to Christianity). Mel Gibson did not exagerate the violence or make it look like horror movie or Kill Bill violence. As Jay Leno said on his show the other night, when Jesus was hit it felt like WE were being hit as opposed to other violent movies were you feel like YOU are the one hitting the person. I don't think anyone can say that every single hit upon Jesus didn't affect him/her somehow.
As for the anti-semetism in the movie, I didn't find it was as bad as everyone is making it out to be. The thing that made me see why people were criticizing Mel Gibson for was that instead of spreading the blame somewhat on the Jewish high priests (Sanhedrin) and mostly on Pilate, 99% of the blame was put on the Sanhedrin, which seemed false to me considering that historically it is known that Pilate was a vicious monster, and in the movie he seems like a gentle person and reluctant to crucify Jesus. I simply didn't buy the fact that Pilate would be so nice. The movie can be considered anti-first-century-Romans, and anti-Sanhedrin, but I did not feel the movie was attacking the Jewish religion, or the entire Jewish people. But the movie is not anti-semitic for these reasons: 1. It is made evident that it was Jesus' prophecy and destiny is to die. He could probably have escaped from Gethsemane or even the cross (if he truly had ''powers''). He was born to die, and there is no blame to be placed on anyone. If anything, the Romans of that time are portrayed horribly (though realistically), and they are the ones that made him suffer tremendously before his death. 2. Basically all the ''Good Guys'' in the movie are Jewish. Jesus himself was a Jew, Mary was, The man that helped Jesus carry the cross was Jewish, Veronica the woman that brought Jesus water and wiped his face was, and many Jews were screaming in the crowd against the torture and crucifixion of Jesus. (Personally, I don't know why Pilate was portrayed so nicely. It's not like the Jews had the ultimate power. It was ultimately HIS decision to have Jesus crucified.)
An aspect of the film that intrigued me was the character of Satan, and the demons in the movie. When I first found out Satan was in the movie, I was scared it would be a red man with horns and a pitchfork, but he/she is portrayed subtly. Everything about him/her was very Eerie.
Mel Gibson deserves a lot of respect for making this film. He made the movie the way HE thought it was and though most historians or even religious figures would not agree completely to what happened, it is a general idea as to what those final hours were. When reading the new testament or hearing the story of Jesus, it's hard to understand what it was actually like for Jesus to go through all that pain, and what it was like for Mary to watch her son get tortured and crucified. The movie really put things in perspective for me.
Some people are criticizing him for adding things never written in the gospels such as demons harassing Judas Iscariot, most scenes with Satan, and the torture from Gethsemene to the Jewish court, but he had to fill the blanks in the Gospels with what he thought might have happened.
In conclusion, not everyone will like this movie. Some will love it, and some will hate it. But, I think that if you can endure the extreme violence and torture you should at least see it before you judge it. My opinion: 10/10