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Title: The Passion of the Christ (2004)
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| Cast overview, first billed only: | |||
| Jim Caviezel | ... | ||
| Maia Morgenstern | ... | ||
| Christo Jivkov | ... | ||
| Francesco De Vito | ... | ||
| Monica Bellucci | ... |
Magdalen
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Mattia Sbragia | ... | |
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Toni Bertorelli | ... | |
| Luca Lionello | ... | ||
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Hristo Shopov | ... |
Pontius Pilate
(as Hristo Naumov Shopov)
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| Claudia Gerini | ... | ||
| Fabio Sartor | ... | ||
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Giacinto Ferro | ... | |
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Aleksander Mincer | ... |
Nicodemus
(as Olek Mincer)
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Sheila Mokhtari | ... |
Woman in Audience
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Lucio Allocca | ... |
Old Temple Guard
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A depiction of the last twelve hours in the life of Jesus of Nazareth, on the day of his crucifixion in Jerusalem. The story opens in the Garden of Olives where Jesus has gone to pray after the Last Supper. Betrayed by Judas Iscariot, the controversial Jesus--who has performed 'miracles' and has publicly announced that he is 'the Son of God'--is arrested and taken back within the city walls of Jerusalem. There, the leaders of the Pharisees confront him with accusations of blasphemy; subsequently, his trial results with the leaders condemning him to his death. Jesus is brought before Pontius Pilate, the Roman Governor of Palestine, for his sentencing. Pilate listens to the accusations leveled at Jesus by the Pharisees. Realizing that his own decision will cause him to become embroiled in a political conflict, Pilate defers to King Herod in deciding the matter of how to persecute Jesus. However, Herod returns Jesus to Pilate who, in turn, gives the crowd a choice between which prisoner ... Written by Anthony Pereyra {hypersonic91@yahoo.com}
This film is neither preachy nor pedantic, and was a welcome surprise for me. As a non-Christian who nevertheless respects the historical figure of Jesus Christ and the beauty of his philosophy and teachings, I found The Passion to be a powerful portrayal of much that I think is worthwhile about the Christ story. I know the film has been maligned for anti-semitic content (perhaps because Jews make mistakes in the film and are seen as persecutors instead of victims? - it could have been anybody!), and for various other problems - but let's face it - any movie portraying this subject was bound to face strong reactions. And kudos to Mel Gibson for not shying away from the subject by creating a sterile, gutless, Disney story out of what really was a good example of the everyday horror of life on the fringes of the Roman empire. Gibson invents a new genre with The Passion - that of historical horror.
The performances in this film are inspired. I felt that the film brought out the cowardice of the apostles very forcefully, and the courage and love of the two Maries in Jesus' life was palpable to the very end. The effect of Aramaic and Latin, with the moody soundtrack, was spellbinding. Again kudos to Mel Gibson for his courage and artistic integrity on the decisions involved in these elements of the film.
Final word - this is not a film for the whole family nor is it a feel-good film. Don't see it if you're not willing to confront the worst aspects of human nature up close. And don't go in looking for your own version of the story - it's not your film! This is what Mr. Gibson believes, and it's his own revelation, not necessarily to be shared by all.