| Photos (See all 87 | slideshow) | Videos (see all 4) |
Directed by | |||
| Ethan Coen | |||
| Joel Coen | |||
Writing credits(WGA) | ||
| Joel Coen | (screenplay) & | |
| Ethan Coen | (screenplay) | |
| William Rose | (movie "The Ladykillers") | |
Produced by | |||
| John Cameron | .... | co-producer | |
| Ethan Coen | .... | producer | |
| Joel Coen | .... | producer | |
| David Diliberto | .... | associate producer | |
| Robert Graf | .... | associate producer | |
| Tom Jacobson | .... | producer | |
| Barry Josephson | .... | producer | |
| Barry Sonnenfeld | .... | producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Roger Deakins | (director of photography) | ||
Film Editing by | |||
| Ethan Coen | (as Roderick Jaynes) | ||
| Joel Coen | (as Roderick Jaynes) | ||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Dennis Gassner | |||
Art Direction by | |||
| Richard L. Johnson | (supervising art director) (as Richard Johnson) | ||
Set Decoration by | |||
| Nancy Haigh | |||
Costume Design by | |||
| Mary Zophres | |||
Makeup Department | |||
| Paul LeBlanc | .... | hair designer (as Paul LeBlanc) | |
| Amy Schmiederer | .... | key makeup artist | |
| Ron Snyder | .... | assistant makeup artist | |
| Daniel C. Striepeke | .... | key makeup artist (as Daniel Striepeke) | |
| Linda Villalobos | .... | key hair stylist | |
| Bryan Whisnant | .... | assistant hair stylist | |
| David Beneke | .... | dental prosthetics (uncredited) | |
| Cleve Gunderman | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| John Cameron | .... | unit production manager | |
| Karen Ruth Getchell | .... | production supervisor | |
| Robert Graf | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Peter Dress | .... | second second assistant director (as Pete Dress) | |
| Betsy Magruder | .... | first assistant director | |
| Jonathan McGarry | .... | second assistant director | |
| Marc Newland | .... | dga trainee | |
| Donald Murphy | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| J. Todd Anderson | .... | ink and leads | |
| Paige Augustine | .... | assistant set decorator | |
| Dawn Brown | .... | set designer (as Dawn Brown Manser) | |
| Thomas E. Brown | .... | paint supervisor | |
| Dianne Chadwick | .... | graphic designer | |
| Curtis Corbitt | .... | property assistant (as Curt Corbitt) | |
| Chris Cummings | .... | art department coordinator | |
| Vincent D'Aquino | .... | greens gang boss | |
| James M. Davis | .... | general foreman (as Jim M. Davis) | |
| Val I. Deikov | .... | sculptor gang boss (as Val I. Drake) | |
| Lucy Jacobson | .... | art department assistant | |
| Scott G. Jones | .... | set dressing foreman | |
| Noelle King | .... | set designer | |
| Ritchie Kremer | .... | property master | |
| Barbara Lange | .... | art department assistant | |
| Leslie 'Tinker' Linville | .... | set dressing gang boss (as Leslie Linville) | |
| Annie Lukowski | .... | art department assistant (as Annie Lynch) | |
| Scott Lukowski | .... | illustrator | |
| Kevin Mangan | .... | greens coordinator | |
| Jon Nicholson | .... | on-set dresser | |
| Jeff Passanante | .... | construction coordinator | |
| Monica Perez | .... | assistant property master | |
| Sara Philpott | .... | set dressing coordinator | |
| James Van Houten | .... | lead sculptor | |
| Mark Weissenfluh | .... | leadman (as Mark C. Weissenfluh) | |
| Christina Ann Wilson | .... | assistant art director (as Christy Wilson) | |
| Richard J. Bell | .... | greens foreman (uncredited) | |
| Jack Blanchard | .... | set dresser (uncredited) | |
| Shane Buckallew | .... | plaster gang boss (uncredited) | |
| Richard Crain | .... | propmaker gang boss (uncredited) | |
| Oscar Delgadillo | .... | set dresser (uncredited) | |
| James Fernandez | .... | set dresser (uncredited) | |
| Anthony Klaiman | .... | set dresser (uncredited) | |
| Cameron Matheson | .... | set dresser (uncredited) | |
| Scott Owen | .... | set dresser (uncredited) | |
| James Passanante | .... | stand-by painter (uncredited) | |
| Jason Puga | .... | painter (uncredited) | |
| Eric S. Saperstein | .... | painter (uncredited) | |
| Bruce G. Smith | .... | paint foreman (uncredited) | |
| Mark Sparks | .... | propmaker gangboss (uncredited) | |
Sound Department | |||
| Marko A. Costanzo | .... | foley artist (as Marko Costanzo) | |
| Kelly Doran | .... | sound utility | |
| Mark Filip | .... | apprentice sound editor | |
| Eugene Gearty | .... | sound designer | |
| Lewis Goldstein | .... | supervising dialogue editor (as Lew Goldstein) | |
| Paul Hsu | .... | sound effects editor | |
| Kenton Jakub | .... | adr editor | |
| Randall L. Johnson | .... | boom operator (as Randy Johnson) | |
| Frank Kern | .... | foley editor | |
| Rick Kline | .... | sound re-recording mixer | |
| Peter F. Kurland | .... | production sound mixer (as Peter Kurland) | |
| George A. Lara | .... | foley supervisor (as George Lara) | |
| Hal Levinsohn | .... | dialogue editor | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Skip Lievsay | .... | supervising sound editor | |
| Cate Montana | .... | assistant sound editor | |
| Greg Orloff | .... | sound re-recording mixer | |
| Jeffrey Stern | .... | dialogue editor (as Jeff Stern) | |
| Paul Urmson | .... | sound effects editor | |
| Steven Visscher | .... | foley editor | |
| Brian Bowles | .... | dialogue editor (uncredited) | |
| Lewis Goldstein | .... | sound designer (uncredited) | |
| Eric Harwood | .... | sound re-recordist (uncredited) | |
| David Warzynski | .... | foley assistant (uncredited) | |
| David Warzynski | .... | foley librarian (uncredited) | |
Special Effects by | |||
| Peter Chesney Jr. | .... | special effects technician (as Pete Chesney) | |
| Peter Chesney | .... | special effects coordinator | |
| Tom Chesney | .... | special effects technician | |
| Bruce Allan Donnellan | .... | special effects foreman (as Bruce Donnellan) | |
| Joe Heffernan | .... | special effects technician | |
| Emmet Kane | .... | special effects technician | |
| Al Marangoni | .... | special effects foreman (as Albert Marangoni) | |
| Phil Notaro | .... | key set special effects foreman | |
| Steve Austin | .... | special effects technician (uncredited) | |
| Blair Foord | .... | special effects technician (uncredited) | |
| Shaun Glendenning | .... | special effects technician (uncredited) | |
| Thomas Pelton III | .... | special effects technician (uncredited) | |
| Michael Roundy | .... | special effects technician (uncredited) | |
| Mark Stanton | .... | special effects technician (uncredited) | |
| Sandra Stewart | .... | special effects technician (uncredited) | |
| Paul Vigil | .... | special effects technician (uncredited) | |
| John Zinskey | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Jeff Allen | .... | digital effects artist: ESC Entertainment | |
| Jesse Andrewartha | .... | digital effects artist: ESC Entertainment | |
| Steve Avoujageli | .... | digital effects artist: ESC Entertainment | |
| Mike Dalzell | .... | digital effects artist: ESC Entertainment | |
| Matt Dessero | .... | composite supervisor: ESC Entertainment | |
| Christina Drahos | .... | digital effects artist: ESC Entertainment | |
| Janeen Elliott | .... | digital effects artist: ESC Entertainment | |
| Mohen Leo | .... | digital effects supervisor: ESC Entertainment | |
| Kimberley Liptrap | .... | digital effects artist: ESC Entertainment | |
| Ed Mendez | .... | digital effects artist: ESC Entertainment | |
| Kira-Anne Pelican | .... | visual effects producer: ESC Entertainment | |
| Thomas Proctor | .... | digital effects artist: ESC Entertainment (as Tom Proctor) | |
| Steve J. Sanchez | .... | digital effects artist: ESC Entertainment | |
| Janek Sirrs | .... | visual effects supervisor | |
| Davi Stein | .... | digital effects artist: ESC Entertainment | |
| Ryan Michael Todd | .... | digital effects artist: ESC Entertainment | |
| Janet Yale | .... | visual effects producer: ESC Entertainment | |
| Tony Abejuro | .... | matchmover (uncredited) | |
| Matthew Adams | .... | digital compositor (uncredited) | |
| Jeremy Beadell | .... | digital operations manager (uncredited) | |
| Randy Bosh | .... | digital archivist: New Deal Studios (uncredited) | |
| Timothy Michael Cairns | .... | quality control supervisor: EFILM/Panavision (uncredited) | |
| Jen Cantwell | .... | paint/roto artist (uncredited) | |
| Trevor Cawood | .... | technical director: ESC Entertainment (uncredited) | |
| Michael Jared Clausen | .... | character animator: ESC Entertainment (uncredited) | |
| Thomas A. Davila | .... | president: ESC Entertainment (uncredited) | |
| Dan Dixon | .... | modeler (uncredited) | |
| Fabian Elmers | .... | digital effects artist (uncredited) | |
| Christopher J. Eng | .... | modeler: ESC Entertainment (uncredited) | |
| Ken Faiman | .... | virtual cinematography (uncredited) | |
| Brian Freisinger | .... | lead modeler: ESC Entertainment (uncredited) | |
| Ed Fuller | .... | visual effects editor: ESC Entertainment (uncredited) | |
| Matthew Gratzner | .... | miniature effects supervisor: New Deal Studios, Inc. (uncredited) | |
| Jericho Green | .... | modeler (uncredited) | |
| Lyndal Heathwood | .... | paint/roto artist (uncredited) | |
| Allen Hemberger | .... | color & lighting (uncredited) | |
| Ryan Hopkins | .... | visual effects technical director (uncredited) | |
| Tristan Ikuta | .... | digital effects artist (uncredited) | |
| Ntana Key | .... | digital intermediate color assistant (uncredited) | |
| Jason Kisvarday | .... | model maker (uncredited) | |
| Derek Krauss | .... | digital paint & rotoscope artist (uncredited) | |
| Oystein Larsen | .... | visual effects technical director (uncredited) | |
| Mike Leben | .... | motion control operator (uncredited) | |
| Kevin Lin | .... | quality control coordinator, digital intermediate: Efilm/Panavision (uncredited) | |
| Lisa Maher | .... | visual effects producer: CIS Hollywood (uncredited) | |
| Andres Martinez | .... | visual effects (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Olivier Maury | .... | research and development: ESC Entertainment (uncredited) | |
| Neil Michka | .... | animator (uncredited) | |
| Tadao Mihashi | .... | visual effects: ESC Entertainment (uncredited) | |
| Seth F. Miller | .... | roto/paint artist: ESC Entertainment (uncredited) | |
| Noah Mizrahi | .... | character animator (uncredited) | |
| Natalya Lissa Mortimer | .... | 3D texture painter (uncredited) | |
| Andrew Pearce | .... | senior software manager (uncredited) | |
| Steve Rheinfrank | .... | CGI modeler (uncredited) | |
| Jose Samson | .... | modeler (uncredited) | |
| Joey Santana | .... | assistant visual effects editor: ESC Entertainment (uncredited) | |
| Janelle Schneider | .... | texture painter (uncredited) | |
| Steven J. Scott | .... | digital intermediate colorist: EFilm (uncredited) | |
| Lesley Tsina | .... | production coordinator: LIDAR Services VFX (uncredited) | |
| Nowell Valeri | .... | matchmove artist: ESC Entertainment (uncredited) | |
| Matthew A. Ward | .... | pre-visual animation lead (uncredited) | |
| Matthew A. Ward | .... | shot designer (uncredited) | |
| Scott Williston | .... | lead miniature painter (uncredited) | |
Stunts | |||
| Danny Downey | .... | stunts | |
| Jery Hewitt | .... | stunt coordinator | |
| Jeff Imada | .... | stunts | |
| Hiro Koda | .... | stunts | |
| Jennifer Lamb | .... | stunts | |
| Brandon Molale | .... | stunts | |
| Allen Robinson | .... | stunts | |
| Charles Grisham | .... | stunt double (uncredited) | |
| Hiro Koda | .... | stunt double: Tzi Ma (uncredited) | |
| Kurt D. Lott | .... | utility stunts (uncredited) | |
| Darrin Prescott | .... | stunts (uncredited) | |
| Kevin Reid | .... | utility stunts (uncredited) | |
| Allen Robinson | .... | stunt double: Tom Hanks (uncredited) | |
| Tony Snegoff | .... | utility stunts (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Rachel Tenner | .... | casting associate | |
| Elena Cizmaric | .... | casting assistant (uncredited) | |
| Tracy Dixon | .... | extras casting (uncredited) | |
| Sarah Tackett | .... | additional casting (uncredited) | |
Costume and Wardrobe Department | |||
| Vicente Aguilar | .... | tailor | |
| Leo Arellanes | .... | tailor | |
| Wyatt Bartlett | .... | set costumer | |
| Lori DeLapp | .... | costume supervisor (as Lori De Lapp) | |
| Jenny Eagan | .... | costumer | |
| Diana Edgmon | .... | costumer | |
| Alix Hester | .... | costumer | |
| Annie Hill | .... | costumer (as Annie Garrity) | |
| Tasha Le Mel | .... | costumer | |
| Maria Lorenzana | .... | costume assistant (as Maria Labbe) | |
| Andrew Slyder | .... | set costumer | |
| Christine Wada | .... | costumer | |
| Jenny Eagan | .... | assistant to costume designer (uncredited) | |
| Dana Embree | .... | costumer (uncredited) | |
| Giselle Spence | .... | seamstress (uncredited) | |
Editorial Department | |||
| Terra Bliss-Alvarez | .... | digital intermediate producer (as Terra Bliss) | |
| Emily Calederone | .... | post-production assistant | |
| Catherine Farrell | .... | post-production coordinator | |
| Katie Mcquerrey | .... | first assistant editor (as Katie McQuerrey) | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Steven J. Scott | .... | color timer (as Steve Scott) | |
| Ian Silverstein | .... | assistant editor | |
| Neil A. Stelzner | .... | associate film editor | |
| Judith Babcock | .... | post-production coordinator (uncredited) | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
| Jeff Schweikart | .... | post-production assistant (uncredited) | |
Music Department | |||
| Jill Berliner | .... | music legal services (as Jill Berliner Esq.) | |
| Fernand Bos | .... | music editor | |
| T-Bone Burnett | .... | executive music producer (as T Bone Burnett) | |
| Carter Burwell | .... | conductor | |
| Carter Burwell | .... | orchestrator | |
| Keefus Ciancia | .... | associate music producer: hip-hop | |
| Michael Farrow | .... | music scoring mixer | |
| Danny Ferrington | .... | period music instruments | |
| Tony Finno | .... | music preparation | |
| Rickey Grundy | .... | choir leader | |
| Peewee Hill | .... | musician: bass guitar | |
| Todd Kasow | .... | music editor | |
| William Kennedy | .... | musician: drums | |
| Debra MacCulloch | .... | music legal services | |
| Linda Maiden | .... | soloist: "Let the Light from the Lighthouse Shine On Me" singer | |
| Tony Maiden | .... | musician: guitar and vocals | |
| Bill Maxwell | .... | associate music producer: gospel music | |
| Howard McCrary | .... | soloist: "Let the Light from the Lighthouse Shine On Me" singer | |
| Sam McCrary | .... | musician: bass vocals | |
| Sydney Negley | .... | soundtrack coordinator | |
| Sandra Park | .... | musician contractor | |
| Dean Parker | .... | assistant to composer | |
| Mike Piersante | .... | music engineer | |
| Louis Price | .... | soloist: "Let the Light from the Lighthouse Shine On Me" singer | |
| Chris Robertson | .... | music clearances | |
| Ivy Skoff | .... | soundtrack production manager | |
| Sharon Yamada | .... | concert master | |
| Seth Boggess | .... | assistant score engineer (uncredited) | |
| Kevin Mitchell | .... | support: soundtracks (uncredited) | |
| John Moses | .... | musician: clarinetist (uncredited) | |
| Timmy Olmstead | .... | assistant engineer (uncredited) | |
| Jason Stasium | .... | digital score recordist (uncredited) | |
Transportation Department | |||
| Paul Ripple | .... | transportation dispatcher | |
| Timothy P. Ryan | .... | transportation captain (as Tim Ryan) | |
| Don Tardino | .... | transportation coordinator | |
| Paulie DiCocco | .... | driver: Tom Hanks (uncredited) | |
Other crew | |||
| Janine L. Aines | .... | animal trainer | |
| Randall Balsmeyer | .... | title designer | |
| Greg Burkart | .... | additional assistant accountant (as Greg Burkhart) | |
| Jules Carideo | .... | production coordinator | |
| Gloria Castro | .... | alteration fitter | |
| J. John Corbett | .... | title designer | |
| Jenny DeArmitt | .... | production secretary (as Jenny Dearmitt) | |
| Yoshi Enoki Jr. | .... | key assistant location manager | |
| Rachael Lin Gallaghan | .... | assistant production coordinator | |
| Ed Godfrey | .... | assistant location manager: Mississippi | |
| Allan Graf | .... | football coordinator | |
| Jason Cooper Hall | .... | assistant to producers | |
| Elizabeth Himelstein | .... | dialect coach (as Liz Himmelstein) | |
| Ryan Hintz | .... | second assistant accountant | |
| Drew P. Houpt | .... | production office assistant (as Drew Houpt) | |
| Nancy G. James | .... | craft service (as Nancy James) | |
| Thomas Johnston | .... | script supervisor (as Tom Johnston) | |
| Kathy Kelehan | .... | title producer | |
| Cheryl Kurk | .... | production accountant | |
| David R. Lawson | .... | medic | |
| James Lin | .... | location manager | |
| Jackie Martin | .... | animal trainer (as Jackie Kaptan) | |
| Amy McKenzie | .... | assistant: Mr. Hanks | |
| Ted Meyer | .... | production office assistant | |
| Cristie Miele | .... | animal trainer | |
| Murray Miller | .... | location manager: Mississippi | |
| Patricia Mary Murphy | .... | serious matters | |
| Monica Perez Gelbman | .... | post-production accountant: Trevanna Post | |
| Taylor Phillips | .... | key set production assistant | |
| Kara Place | .... | set production assistant | |
| Sooki Raphael | .... | assistant: Mr. Hanks | |
| Ferguson Reid | .... | medic (as Dr. Ferguson Reid MD) | |
| Ian Savage | .... | assistant: Messrs. Coen | |
| Meghan Schafer | .... | animal trainer (as Meghan Schaeffer) | |
| Beatrice Scott | .... | assistant: Ms. Hall | |
| Cheryl Shawver | .... | animal trainer | |
| Todd Spears | .... | payroll accountant | |
| Louise Spencer | .... | unit publicist (as Louise A. Spencer) | |
| Clay Valenti | .... | assistant location manager: Los Angeles | |
| Karen Yokomizo | .... | first assistant accountant | |
| Emma Baksi | .... | assistant: Marlon Wayans (uncredited) | |
| Jon Donahue | .... | photo double: Mr. Hanks (uncredited) | |
| Jon Donahue | .... | stand-in: Mr. Hanks (uncredited) | |
| Ben Dukes | .... | stand-in: Mr. Hurst (uncredited) | |
| Jennifer Zolten Freed | .... | post-production accountant: Trevanna Post (uncredited) | |
| Michael Gerald | .... | stand-in (uncredited) | |
| Daphne A. Guichard | .... | set medic (uncredited) | |
| Seth William Hansen | .... | additional set production assistant: second unit (uncredited) | |
| Rob Kalmbach | .... | production assistant (uncredited) | |
| Dave McComb | .... | construction accountant (uncredited) | |
| George A. Parker | .... | technical supervisor: preview (uncredited) | |
| Scott Pitman | .... | production secretary (uncredited) | |
| Keith Potter | .... | production assistant (uncredited) | |
| Anthony Reynolds | .... | stand-in: JK Simmons (uncredited) | |
| Ryan Schnizlein | .... | systems administrator (uncredited) | |
| Buzz Visconti | .... | first aid (uncredited) | |
| Troy Waters | .... | marine coordinator (uncredited) | |
| George M. White | .... | production assistant (uncredited) | |
Thanks | |||
| Mr. Hand | .... | special thanks | |
| Joe Pecknik | .... | special thanks (as Joe Peknik) | |
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| The Ladykillers | The Good Thief | The A-Team | Freeway | The Boondock Saints |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Is there a Hollywood tandem that is more misinterpreted or under appreciated than the director brother team of Ethan and Joel Coen? Over the years, their filmography has included an eclectic group of entries that have introduced us to some of the strangest characters this side of a David Lynch television special. Remember how weird Barton Fink was when we first me him? How strange was the musical number featuring the Dude in The Big Lebowski? And was there any better way of watching Raising Arizona than alone and under an influence? Add to the mix their more popular entries like O Brother Where Art Thou, Fargo and Blood Simple, and you have a brother team that has given us one unique vision after another for the past 20 years. In fact, their style has attracted some of Hollywood's A-list talent including Jeff Bridges, George Clooney and Nicholas Cage. So when their 2004 film remake of The Ladykillers was announced, it was not much of a surprise that none other than Mr. Revered Tom Hanks attached himself to the project in the starring role.
I will admit to not having seen the original Ladykillers starring Alec Guinness, but I don't think I am at a loss due to this oversight. The 2004 edition stars Hanks as Professor G.H Dorr, a refined gentleman with a southern droll that enlists the aide of four other misfits in effort to steal money from the Riverside casino vault. Their plan is simple. First, Dorr rents a room from an elderly black woman (Irma P. Hall), and then under the guise of a band practice, the group beings to tunnel from the basement of the house to the casino's counting room. Simple right? Not with this cast of morons, and never ever ever in a Coen film.
To understand the obstacles, we must first understand the dynamics of the group. There is the explosives expert, Garth (J.K. Simmons) who seems both confident and careless at the same time. There is The General (Tzi Ma), a chain-smoking Asian responsible for tunneling to the riverside. We have the token black guy in Gawain (Marlon Wayans) and finally, the dunce Lump (Ryan Hurst) who is hired more for his brawn than his brain. Together, they complete a team of would-be criminals that couldn't be more different in their personalities or character traits than the cast of Survivor All-Stars.
The heist in itself is ingenious, but before long, the intangible comes into play in the character of Irma P. Halls' Marva Munson. Marva is a church going individual who doesn't stand for foul language, violence or even smoking. The thought of a group of men hiding out in her basement seems to intrigue her, and her interest in their matters will soon lead to a discussion within the group on how best to deal with Ms. Munson.
The rest of the movie, without spoiling it for you wanna-seers, surrounds the groups efforts to dig the tunnel and steal the money all the while trying to hide their intended scheme from the curious old lady up the stairs.
In the hands of the Coen's, The Ladykillers shaped up to be one of this years must sees. Unfortunately, the end result left much of the audience trying to gauge their eyes out or at the very least, scratching their heads wondering where it all went wrong. But it's not for lack of trying. Neither is it one specific thing that brought the movie down to a two star rating. The story was interesting if not original, and the black humor of the Coen's was present in every other scene. Garth's problem with IBS (Irritable Bowel Syndrome) was a bit too hokey for my tastes, but generally, it does look like everyone was having fun.
The issue might be in the director's indecision as to the type of movie he was trying to make. Was it a heist film? A comedy? It would almost have worked as a good family type caper had it not been for the Gawain character that spews off mother f****ers often enough to issue the film a Restricted rating. This lack of a truly defined direction left me with a feeling that all the ideas were just thrown into a melting pot and this was the result. There are good scenes and bad, but the end result leaves a stale taste in your mouth (which could have been the popcorn, I must concede).
One thing that did take my notice is the films' deaths. And there are a handful. The Coen's have always brought us memorable demises (remember the Wood Chipper in Fargo?), and in Ladykillers, as the members fall to the hands of their own greed one by one, they are offed in a way that made me laugh and was unique enough to go on their wall of accomplishments alongside the flood in O Brother Where Art Thou or Dan Hedaya in Blood Simple.
So if I was forced to watch the film history of the Coen's, I would have to put this film towards the bottom just above Intolerable Cruelty. Tom Hanks may have tried to stretch our his dynamically changing characters film-to-film just one step too far. His southern drawl and eccentric Professor G.H Dorr may not be one of the characters that he looks fondly upon when we are doing Hank's retrospectives 25 years from now. And if he doesn't why should we?