Rafael is the best salesman in the biggest department store of Madrid. He is a fascinating man; all his colleagues fell in love with him. He tries to live a high-standard life. He is ... See full summary »
A remake of the 1955 comedy, the story revolves around a Southern professor who puts together a group of thieves to rob a casino. They rent a room in an old woman's house, but soon she discovers the plot and they must kill her, a task that is more difficult than it seems. Written by
All the musical instruments were re-created by guitar maker Danny Ferrington, because, according to him, the owners of authentic antique instruments refused to lend them for the film. The strange "triple guitar" is a "harpolyre," but because it wasn't invented until the 1830s, it isn't historically correct for the Professor's spurious Renaissance band. The long-necked guitar-like instrument is a theorbo, played in late Renaissance and early Baroque music to accompany singing, provide color, and backup the Basso Continuo. Ferrington built it from scratch. See more »
At the beginning of the movie, we are looking through the eyes of Lump Hudson when a member of the other team approaches him. Before the ball is snapped, the crew is reflected in the other player's helmet. See more »
This is not as bad a bad movie as many other would seem to want you to believe. It does not really bear comparison to the original because it has been made differently and updated for a modern audience. Tom Hanks, contrary to other comments I have seen here, is quite excellent in the lead role. His hammy, Poe-esquire disguise, is clearly compensating for the lack of intellectual gravity to which he so anxiously aspires. And, although I understand that Hanks did not watch the original prior to filming, it is a neat coincidence then that he chose to insert false teeth (see Alistair Simm in the original). The supporting characters are nicely fleshed out with some helpful introductory vignettes and although some of the film comes across as a little too "Uncle Tom's Cabin" at times; I think we can forgive the Cohens. There are some great laugh out loud moments of pure slapstick and some nice subtle touches of more gentle humour. This does not stack up against some of the more lauded of the Cohen's work - Fargo - Barton Fink - but it is an enjoyable and worthwhile slice of cinematic time. Beware of plenty of (uneccesary) bad language.
71 of 115 people found this review helpful.
Was this review helpful to you?