An eccentric, if not charming Southern professor and his crew pose as a band in order to rob a casino, all under the nose of his unsuspecting landlord: a sharp old woman.
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Rafael is the best salesman in the biggest department store of Madrid. He is a fascinating man; all his colleagues fell in love with him. He tries to live a high-standard life. He is ... See full summary »
Director:
Álex de la Iglesia
Stars:
Guillermo Toledo,
Mónica Cervera,
Luis Varela
Jimmy the Tulip's (Willis) quiet new life is shaken up by his old pal Oz (Perry), whose wife (Henstridge) has been kidnapped by a Hungarian mob. The Tulip and his wife Jill (Peet) spring into action.
A remake of the 1955 comedy, the story revolves around a Southern professor who puts together a group of thieves to rob a casino. They rent a room in an old woman's house, but soon she discovers the plot and they must kill her, a task that is more difficult than it seems. Written by
lcheala@imdb.com
"Come, Let Us Go Back to God"
Written by Thomas A. Dorsey (as Thomas Dorsey)
Performed by The Soul Stirrers
Courtesy of Specialty Records, Inc./Fantasy, Inc. See more »
Certainly, the Cohens have enough decency to know when a task should be left undone, and when that task is the re-creation and improvement of a comedy classic,they know better than to regurgitate old gags infused with modern flair, or do they?
I will admit that I did enjoy this novel retelling of the Mackendrick classic. I enjoyed Hank's brilliant, earnest, and flawless delivery. I also enjoyed Irma P. Hall's sincerity. I enjoyed the score, the locale, the warm-lazy essence of Mississippi, and the mythological progression of events that is so common in the Cohens' films. Most of all, I enjoyed the charm of this film more-so than its predecessor.
Of course, in deference, the originators deserve their due praise, but this is certainly no simple remake--it's a retelling. Retellings don't need to improve, dazzle, or impress by comparison--they simply are what they are, and this was enjoyable.
57 of 80 people found this review helpful.
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Certainly, the Cohens have enough decency to know when a task should be left undone, and when that task is the re-creation and improvement of a comedy classic,they know better than to regurgitate old gags infused with modern flair, or do they?
I will admit that I did enjoy this novel retelling of the Mackendrick classic. I enjoyed Hank's brilliant, earnest, and flawless delivery. I also enjoyed Irma P. Hall's sincerity. I enjoyed the score, the locale, the warm-lazy essence of Mississippi, and the mythological progression of events that is so common in the Cohens' films. Most of all, I enjoyed the charm of this film more-so than its predecessor.
Of course, in deference, the originators deserve their due praise, but this is certainly no simple remake--it's a retelling. Retellings don't need to improve, dazzle, or impress by comparison--they simply are what they are, and this was enjoyable.