A young Hungarian girl struggles to find her place in the world when she's reunited with her parents in the USA years after she was left behind during their flight from the communist country in the 1950s.
This film, adapted from a work of fiction by author Tracy Chevalier, tells a story about the events surrounding the creation of the painting "Girl With a Pearl Earring" by 17th century Dutch master Johannes Vermeer. Little is known about the girl in the painting, it is speculated that she was a maid who lived in the house of the painter along with his family and other servants, though there is no historical evidence. This masterful film attempts to recreate the mysterious girl's life. Griet, played by Scarlett Johansson, is a maid in the house of painter Johannes Vermeer, played by British actor Colin Firth. Vermeer's wealthy patron and sole means of support, Van Ruijven, commissions him to paint Griet with the intent that he will have her for himself before it is finished. She must somehow secretly pose for the crucial painting without the knowledge of Vermeer's wife, avoid Van Ruijven's grasp, and protect herself from the cruel gossip of the world of a 17th century servant. Written by
45 minutes into the movie, when Griet is walking in the snow, two Dutch sentences can be heard: "Hier, deze kant uit, Eva hier!" (Here, this way, Eva here!), and: "Hee voorzichtig nou. Ja, hee. Kijk uit! Zeg ik dat nou..." (Hey be careful. Hey. Watch it! I told you so...). See more »
When Vermeer is showing Griet how to grind pigments, he says, "You grind it with a mortar, like this." A mortar is the bowl part of a mortar and pestle; the grinding implement he's using is a pestle (on a flat surface instead of in a mortar). See more »
Wide-eyed, hard-working young woman in Holland circa 1665 leaves home for a job as scullery maid to a painter and his family; quickly, she becomes the artist's secret assistant and muse, eventually posing for Vermeer's famous title-named portrait. Stunning art direction, lively pacing and an absorbing narrative all make up for a few key performances which seem too modern, and minor instances where the editing isn't as sharp as one might hope. The maid's many entrances and exits are repetitive, but Scarlett Johansson proves to be a very intuitive actress who excels in a role with very little dialogue. Quite good overall, with a finale that smartly leaves the breathless viewer wondering...asking...wanting more. ***1/2 from ****
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