Girl with a Pearl Earring (2003)

A young peasant maid working in the house of painter Johannes Vermeer becomes his talented assistant and the model for one of his most famous works.

Director:

Peter Webber

Writers:

Tracy Chevalier (novel), Olivia Hetreed (screenplay)

Stars:

Colin Firth, Scarlett Johansson, Tom Wilkinson

Nominated for 3 Oscars. Another 14 wins & 35 nominations.

Cast

Cast overview, first billed only:
Colin Firth	...	Johannes Vermeer
Scarlett Johansson	...	Griet
Tom Wilkinson	...	Pieter Van Ruijven
Judy Parfitt	...	Maria Thins
Cillian Murphy	...	Pieter
Essie Davis	...	Catharina Bolnes Vermeer
Joanna Scanlan	...	Tanneke
Alakina Mann	...	Cornelia Vermeer
Chris McHallem	...	Griet's Father
Gabrielle Reidy	...	Griet's Mother
Rollo Weeks	...	Frans
Anna Popplewell	...	Maertge
Anaïs Nepper	...	Lisbeth
Melanie Meyfroid	...	Aleydis
Nathan Nepper	...	Johannes

Storyline

This film, adapted from a work of fiction by author Tracy Chevalier, tells a story about the events surrounding the creation of the painting "Girl With A Pearl Earring" by 17th century Dutch master Johannes Vermeer. Little is known about the girl in the painting, it is speculated that she was a maid who lived in the house of the painter along with his family and other servants, though there is no historical evidence . This masterful film attempts to recreate the mysterious girl's life. Griet, played by Scarlett Johansson, is a maid in the house of painter Johannes Vermeer, played by British actor Colin Firth. Vermeer's wealthy patron and sole means of support, Van Ruijven, commissions him to paint Griet with the intent that he will have her for himself before it is finished. She must somehow secretly pose for the crucial painting without the knowledge of Vermeer's wife, avoid Van Ruijven's grasp, and protect herself from the cruel gossip of the world of a 17th century servant.

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Plot Keywords:

painter | maid | painting | girl | servant | 

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Taglines:

Discover the mystery behind the legend.

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Genres:

Biography | Drama | Romance

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Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content

Details

Official Sites:

Lions Gate Films [us] Pathé Distribution [fr]

Country:

UK Luxembourg

Language:

English

Release Date:

9 January 2004 (USA)

Also Known As:

Das Mädchen mit dem Perlenohrring

Filming Locations:

Amsterdam, Noord-Holland, Netherlands

Box Office

Opening Weekend:

$247,633 (Australia) (12 March 2004)

Gross:

$11,634,362 (USA) (30 April 2004)

Company Credits

Production Co:

Archer Street Productions, Delux Productions, Pathé Pictures International

Technical Specs

Runtime:

100 min

Sound Mix:

DTS Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Although Vermeer and the painting both are real historic figures, the screenplay is based on Tracy Chevalier's novel and therefore largely fictional or hypothetical. Only 36 Vermeer paintings are known to exist today, and none of the models have ever been positively identified. A poster of the painting in her bedroom inspired Chevalier to write her own version of how it came to exist based on the framework of Vermeer's known history. Chevalier sold the film rights and opted not to have any involvement in the film or screenplay, although after its release said she was pleased with the results.

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Goofs

When Griet and Vermeer look at the clouds standing in front of the window, it's winter (according to the scenes before and after this one). Nevertheless, you can hear the sounds of swallows squeaking. These birds are only in The Netherlands in summer.

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Quotes

[first lines]
Griet's Mother: Griet! Leave that.

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Connections

Referenced in Imagine Me & You (2005)

User Reviews

A cinematic homage to 17th Century Flemish painters (not just Vermeer). (minor spoilers)

Girl with a Pearl Earring is based on the novel by Tracy Chevalier, who tells the story of a forbidden love affair (pardon the cliché) between painting master, Johannes Vermeer (Colin Firth), and the only woman who seemed to appreciate his work, a timid young maid named Grit (Scarlett Johansson).

Grit is hired to work in the Vermeer household. Had you not known anything about Vermeer prior to viewing the film, it seems as though he is some deformed creature the family wishes to keep secret. The family always linger near the door to Vermeer's studio, as though something dangerous was contained within. And, as the story goes along, you might get the impression that he is a nasty fellow, the way everyone approaches the studio so delicately, careful not to disturb anything. Says one maid to Grit, he doesn't like people bothering him when he is working.

In a way, Johannes is a real bastard to his wife, children, and mother-in-law. As a painter, they're never sure whether he is going to get the commissions from the arrogant, but jolly rich patron Van Ruijven (Tom Wilkinson), or whether they'll be escaping debtors by fleeing in the middle of the night.

Grit is curious, and at the same time, smitten with Johannes Vermeer, probably because of the initial mystery. She gains an interest in Vermeer, and in a way, also becomes his painting apprentice, helping him to mix paints, making creative suggestions about the paintings, and so forth. Vermeer introduces her to a rather different world that Grit has never known. And the two for a silent bond, a love for each other. Johannes appreciate's Grits company as a comfortable contrast to his mother-in-law, children, and especially his wife, he only seem to try to discourage his silly hobbies.

But, Johannes and Grit cannot act on their feelings for each other, at least not aloud. Divorce was highly out of the question, for one thing. But second, Johanne's was dependent on the arrogant Van Rijn for his commissions, and Van Rijn wanted Grit. Disgusted as Johannes may have been, and only slightly able to protect her (you'll see what I mean in the finale), he can't totally reject his financer. Plus, there is the barrier of master and maid, presenting a rigid social structure. And for Grit, she can only play out her affair with Johannes vicariously through her boyfriend, the Butcher.

Even if the story is not grounded in fact, or is based on little fact, the story of how Vermeer's painting, The Girl With a Pearl Earring came to be is one that presents a little mystery and romance to a painting. You can find something to appreciate it, beyond just consideration of the artistic elements of lighting or coloring, etc. In fact, art is always more fun with an intriguing story behind it (consider the controversy behind Whistler's 'Peacock Room').

I thought the movie did a fantastic job of recreating 17th century Netherlands. But what you may not know without having seen many 17 century painting, is that nearly every scene in the movie is constructed from 17 th century paintings, of Vermeers, Frans Halls, Van Dyke, and many others. The entire movie is, as one other viewer coined it, a "cinematic painting," but not just because it is a movie about the beauty of one painting, but because it is a movie entirely constructed from paintings. It was really incredible how precise everything is. Lighting, placement of figures. The actors would have to walk around a room and then at one point, hit their points precisely (props and all) to capture that one moment reflected in the painting from which it was taken from. This is really a great film for the art direction alone.