Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
Keith Bennets mother passed away a year ago, and he feels like he has moved on with his life, until one morning his mothers jewelry shows up on Keiths bathroom sink. The same jewelry she ... See full summary »
This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ... See full summary »
Dr. Sullivan Travis "Dr. T." is a wealthy Dallas gynecologist for some of the wealthiest women in Texas who finds his idealist life beginning to fall apart starting when his wife, Kate, ... See full summary »
Lawyer Rick Magruder has a one-night-stand affair with caterer Mallory Doss. He becomes hooked on her, and when he learns her nut-case father Dixon is threatening her, he puts the weight of... See full summary »
Robert Downey Jr.
Lost in his constant search for a mother he never knew and a father who spent his life as a petty criminal, James Franco as Adam Blande updates the James Dean mythical figure in this ... See full summary »
An inside look at the world of ballet. With the complete cooperation of the Joffrey Ballet of Chicago, Altman follows the stories of the dancers, whose professional and personal lives grow impossibly close, as they cope with the demands of a life in the ballet. Campbell plays a gifted but conflicted company member on the verge of becoming a principal dancer at a fictional Chicago troupe, with McDowell the company's co-founder and artistic director, considered one of America's most exciting choreographers. Franco plays Campbell's boyfriend and one of the few characters not involved in the world of dance. Written by
Andrea Barney <andrea808@hotmail..com>
When Antonelli lists the names of dancers who had died of AIDS, the names are all of real-life men. The first dancer he mentions, Eddie Stierle, was a lead Joffrey dancer and promising choreographer who died in 1991 at the age of 23; Stierle's mother attended the premiere of The Company (2003). The "Bob" who Antonelli lists was Robert ("Bob") Joffrey, the founder of The Robert Joffrey Ballet dance troupe depicted in this movie and the longtime professional and romantic partner of Gerald Arpino, who was the basis for the Antonelli character. See more »
At about 1:10 while counting during a rehearsal, Harriet skips the 6th count of 8. See more »
Wonderful, engrossing movie, with much authenticity
﻿THE COMPANY shows several slices of lives (that of the company, and those of various other characters) over a period of a few months or so. So many things happen during that time: large, small, hugely significant, totally mundane, sad, frustrating, thrilling, indifferent. Through it all, there is so much beauty, emotion and human reality. There is also a LOT of wonderful dance, and fascinating, very authentic, glimpses at preparation for, and creation of, real professional ballet performances.
Anyone needing a continuous, linear, 'a, to b, to climax and neat ending' plot will not find that here. The movie has its own rhythms, and was completely engrossing throughout for me, as well as entertaining. I love traditional, straightforwardly plotted movies (good ones, that is, of which there are many), but this movie is its very own animal, and it's wonderful. It is absolutely the most honest, true-to-real-life movie ever made about the life, work and culture of a professional ballet company (not that they are all alike, but there is much that is universal) and some of the people (friends, family, audience members, etc.) who interact with it at times. And, what a treat to have a 'ballet movie' with authentic, good-to-excellent professional dancers in realistic stage performances. (CENTER STAGE was mostly sickeningly ridiculous, and the audition scenes in SAVE THE LAST DANCE were EMBARRASSINGLY bad--they even misspelled Juilliard--oy!)
Always, audience members need to open themselves up, and try to experience a movie (or any piece of art/entertainment) on its own terms. You may like it or not, think it succeeds or not. But you don't go to TERMINATOR 3 expecting it to operate like an intimate, quiet, nuanced character study, and then condemn it because it didn't meet those expectations. With this movie, you just have to relax and accept that you'll be seeing assorted moments, just various pieces and details of lives, and let go of the idea that they'll form into a finite "story" (shouldn't be too hard for Altman fans). For me, the pieces were fascinating enough to make the whole extremely rewarding and beautiful.
By the way, I did find myself caring very much about the characters in THE COMPANY, although differently than I might about the characters in a more traditionally-plotted movie. The characterizations are very real, not "actor-ish," from those who *are* actual actors, as well as those who are not. So many beautiful sequences, but one that really struck me as I watched was as Ry (Campbell's character) arrives home late, after an exciting, triumphant night, prepares for bed, and begins to cry. This sequence is alternated with scenes of one of the male dancers alone in a studio, listening to music, moving to it, trying to begin choreographing a dance.
This is really a wonderful movie, and I hope there are enough people around who appreciate and enjoy this kind of thing, for more such movies to be made. Kudos to Mr. Altman, Ms. Campbell, and all the others involved.
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