Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
Dr. Sullivan Travis "Dr. T." is a wealthy Dallas gynecologist for some of the wealthiest women in Texas who finds his idealist life beginning to fall apart starting when his wife, Kate, ... See full summary »
This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ... See full summary »
Keith Bennets mother passed away a year ago, and he feels like he has moved on with his life, until one morning his mothers jewelry shows up on Keiths bathroom sink. The same jewelry she ... See full summary »
During a future ice age, dying humanity occupies its remaining time by playing a board game called "Quintet." For one small group, this obsession is not enough; they play the game with living pieces ... and only the winner survives.
Lost in his constant search for a mother he never knew and a father who spent his life as a petty criminal, James Franco as Adam Blande updates the James Dean mythical figure in this ... See full summary »
An inside look at the world of ballet. With the complete cooperation of the Joffrey Ballet of Chicago, Altman follows the stories of the dancers, whose professional and personal lives grow impossibly close, as they cope with the demands of a life in the ballet. Campbell plays a gifted but conflicted company member on the verge of becoming a principal dancer at a fictional Chicago troupe, with McDowell the company's co-founder and artistic director, considered one of America's most exciting choreographers. Franco plays Campbell's boyfriend and one of the few characters not involved in the world of dance. Written by
Andrea Barney <andrea808@hotmail..com>
The Malcolm McDowell character, Alberto Antonelli, is heavily based on The Robert Joffrey Ballet's longtime artistic director, Gerald ("Jerry") Arpino. Like Arpino, Antonelli is an Italian American former dancer who has gone on to run a prominent Chicago dance company (the chastising speech that Antonelli gives to an Italian-American audience while receiving an award was taken nearly verbatim from an awards speech of Arpino's). Many of Antonelli's turns of phrase in the script were taken from Arpino's speech patterns, as was his habit of watching rehearsals while sitting backwards in a white, open-backed chair that was reserved only for him. See more »
At about 1:10 while counting during a rehearsal, Harriet skips the 6th count of 8. See more »
Some of the dances are tiny religious experiences. The film doesn't look nearly as good as some of Altman's others, but there are flashes of awesome beauty: a topless male dancer alone in a room with golden beams of light, and Neve Campbell in her bath. The movie looks at the queeny pretensions of the boys (and their fathers), the dancers' sex lives (who are more '60s than their instructor knows), and the company leader, played by Malcolm McDowell, whose occasional flakiness is caught by one black dancer. I couldn't help but think of McDowell as an Altman self-criticism: an elderly director working with small budgets, prone to artiness, who champions art as being organic, who rounds up a large crew of performers and calls them "babies." The day-in-the-life shapelessness of the movie didn't at all bother me, though one character, who asks to stay in a dancer's apartment, is dropped pretty quickly. And James Franco is in it. 9/10
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