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The Company (2003)

 -  Drama | Music | Romance  -  20 May 2004 (Germany)
6.2
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Ratings: 6.2/10 from 4,978 users   Metascore: 73/100
Reviews: 123 user | 112 critic | 32 from Metacritic.com

Ensemble drama centered around a group of ballet dancers, with a focus on one young dancer (Campbell) who's poised to become a principal performer.

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(story), (story), 1 more credit »
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Title: The Company (2003)

The Company (2003) on IMDb 6.2/10

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Cast

Cast overview, first billed only:
...
...
...
Barbara E. Robertson ...
Harriet (as Barbara Robertson)
...
Edouard
...
Susie
Marilyn Dodds Frank ...
Mrs. Ryan
John Lordan ...
Mr. Ryan
Mariann Mayberry ...
Stepmother
...
Stepfather
Yasen Peyankov ...
Justin's Mentor
Davis C. Robertson ...
Alec - Joffrey Dancer (as Davis Robertson)
Deborah Dawn ...
Deborah - Joffrey Dancer
John Gluckman ...
John - Joffrey Dancer
David Gombert ...
Justin - Joffrey Dancer
Edit

Storyline

An inside look at the world of ballet. With the complete cooperation of the Joffrey Ballet of Chicago, Altman follows the stories of the dancers, whose professional and personal lives grow impossibly close, as they cope with the demands of a life in the ballet. Campbell plays a gifted but conflicted company member on the verge of becoming a principal dancer at a fictional Chicago troupe, with McDowell the company's co-founder and artistic director, considered one of America's most exciting choreographers. Franco plays Campbell's boyfriend and one of the few characters not involved in the world of dance. Written by Andrea Barney <andrea808@hotmail..com>

Plot Summary | Add Synopsis

Genres:

Drama | Music | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

20 May 2004 (Germany)  »

Also Known As:

A Companhia  »

Filming Locations:

 »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$4,339 (Hong Kong) (9 July 2004)

Gross:

$12,525 (Hong Kong) (9 July 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| | (8 channels)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Ballets Shown :
  • Light Rain: Choreography by Gerald Arpino


  • Tensile Involvement: Choreography by Alwin Nikolais


  • Suite Saint-Saëns: Choreography by Gerald Arpino


  • My Funny Valentine: Choreography by Lar Lubovitch


  • Creative Force: Choreography by Laura Dean


  • Trinity: Choreography by Gerald Arpino


  • Strange Prisoners: Choreography by Davis C. Robertson


  • La Vivandi È Re Pas De Six: Choreography by Arthur Saint-Leon;transcribed by Ann Hutchinson Guest


  • White Widow: Choreography by Moses Pendleton and Cynthia Quinn


  • Momix The Blue Snake: Choreography by Robert Desrosiers


See more »

Goofs

At about 1:10 while counting during a rehearsal, Harriet skips the 6th count of 8. See more »

Quotes

Alberto Antonelli: Thinking about the motion isn't being the motion.
See more »

Crazy Credits

After the closing credits begin rolling, the dancers continue to take their final bows, and the audience continues to applaud. See more »

Connections

Referenced in O Lucky Malcolm! (2006) See more »

Soundtracks

Creative Force
Music by John Zeretzke
Featured Music Selection: "Ray One"
Performed by John Zeretzke and M.B. Gordy III
By arrangment with Zeretzke Music
See more »

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User Reviews

 
The Long Hello
26 June 2004 | by (Virginia Beach) – See all my reviews

Lets hope that Altman makes films for another 20 years and that he stays as adventuresome as he currently is.

In 'The Long Goodbye' Altman invented a rather new camera stance, literally asking the actors to improvise staging and having the camera discovering them.

It took a few decades for him to get back to such experiments with 'Gosford.' Now he takes it even further with perhaps the purest problem in film cinematography: how do you film dance?

Forget that this features Campbell in a vanity role: she is good enough and doesn't detract. Forget about any modicum of plot: there isn't any. And unlike 'Nashville' or the similarly selfreferential 'Player' there is no cynical commentary.

The commentary itself is selfreferential this time. Yes, this time the center of the film is how 'Mr A' orchestrates movement and images. This is most of all about himself, and is far, far more intelligent and subtle than say, 'Blowup.'

But along the way, you get possibly the best dance experience on film. That's because they've been able to use many cameras. There are not as many as 'Dancer in the Dark,' but each camera dances, engages with the dance and the dance of people and objects around the dance. So we get four layers of dance: the actual ballet, the orchestration of people around the production, the dancing cameras (enhanced by non-radical appearing radical editing) and the dance within the mind of Mr A who encourages, follows and captures them all.

Ted's Evaluation -- 3 of 3: Worth watching.


12 of 18 people found this review helpful.  Was this review helpful to you?

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