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A modern-day musical about a busker and an immigrant and their eventful week in Dublin, as they write, rehearse and record songs that tell their love story.
In London, England, love blooms between an American college student, named Lisa, and a British glaciologist, named Matt, where over the next few months in between attending rock concerts, the two lovers have intense sexual encounters.
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his ... See full summary »
Honey is a sexy, tough music video choreographer who shakes up her life after her mentor gives her an ultimatum: sleep with him or be blacklisted within their industry.
Frank and Jack Baker are professional musicians who play small clubs. They play schmaltzy music and have never needed a day job. Times are changing and dates are becoming more difficult to ... See full summary »
Director:
Steve Kloves
Stars:
Jeff Bridges,
Michelle Pfeiffer,
Beau Bridges
A successful international conductor suddenly interrupts his career and returns alone to his childhood village in Norrland, in the far north of Sweden.It doesn't take long before he is ... See full summary »
Director:
Kay Pollak
Stars:
Michael Nyqvist,
Frida Hallgren,
Helen Sjöholm
Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate.
Director:
Claude Sautet
Stars:
Daniel Auteuil,
Emmanuelle Béart,
André Dussollier
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
An inside look at the world of ballet. With the complete cooperation of the Joffrey Ballet of Chicago, Altman follows the stories of the dancers, whose professional and personal lives grow impossibly close, as they cope with the demands of a life in the ballet. Campbell plays a gifted but conflicted company member on the verge of becoming a principal dancer at a fictional Chicago troupe, with McDowell the company's co-founder and artistic director, considered one of America's most exciting choreographers. Franco plays Campbell's boyfriend and one of the few characters not involved in the world of dance. Written by
Andrea Barney <andrea808@hotmail..com>
The DVD extras with some movies make the film seem better than it did just watching it. "The Company" is a good example.
I'd wondered, briefly, why star Neve Campbell also got producer credit. The DVD 'making of' documentary explains that the whole project was her idea; she'd been a dancer long before she took up acting, and wanted to combine the two. She chose Altman to direct, because of his skill at portraying relations and interactions among people in groups.
Altman did a fine job depicting dance, both rehearsals and performances. Campbell showed she can still dance. Malcolm McDowell gave a great performance as the acerbic company director. The Joffrey dancers were brilliant. Altman has created a dazzling cinematic album of what the world of dance is like at the beginning of the 21st century.
But the story arc was weak. This was no accident. In a recent (October 2004) interview, Altman said:
Question: "Why do you think you're drawn to stories about big groups of people sharing the same space? Did it have anything to do with growing up in such a large, close-knit family?"
Robert Altman: "Possibly. I don't know. That's a little too cerebral for me. I'm not much interested in stories anyway. I'm more interested in reactive behavior."
That sums up "The Company" very nicely. The movie is a montage of scenes of "reactive behavior" among realistic characters, and in this it is more like real life than a more structured story would have been.
Of course there is some story structure here, involving the creation of a new dance. This story is engaging, because the outside choreographer is a fey flake, and dance disaster seems foredoomed. But the dancers, being good soldiers, follow his orders diligently. And despite all expectations, at least all of my expectations, their climactic performance is superb.
But this story is not central to the movie. Again like life, it unfolds amidst all sorts of other organizational and interpersonal drama.
And for this reason the movie left me unsatisfied. Part of what I look for in movies, and in books, is a story arc: a beginning, a middle, and an end. I look for this precisely because life is rarely that neat. Many directors deliver this arc (and many more try to, and fail). Robert Altman chose not to try. He is free to do that, and I am free to rate this movie 7/10.
34 of 37 people found this review helpful.
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The DVD extras with some movies make the film seem better than it did just watching it. "The Company" is a good example.
I'd wondered, briefly, why star Neve Campbell also got producer credit. The DVD 'making of' documentary explains that the whole project was her idea; she'd been a dancer long before she took up acting, and wanted to combine the two. She chose Altman to direct, because of his skill at portraying relations and interactions among people in groups.
Altman did a fine job depicting dance, both rehearsals and performances. Campbell showed she can still dance. Malcolm McDowell gave a great performance as the acerbic company director. The Joffrey dancers were brilliant. Altman has created a dazzling cinematic album of what the world of dance is like at the beginning of the 21st century.
But the story arc was weak. This was no accident. In a recent (October 2004) interview, Altman said:
Question: "Why do you think you're drawn to stories about big groups of people sharing the same space? Did it have anything to do with growing up in such a large, close-knit family?"
Robert Altman: "Possibly. I don't know. That's a little too cerebral for me. I'm not much interested in stories anyway. I'm more interested in reactive behavior."
That sums up "The Company" very nicely. The movie is a montage of scenes of "reactive behavior" among realistic characters, and in this it is more like real life than a more structured story would have been.
Of course there is some story structure here, involving the creation of a new dance. This story is engaging, because the outside choreographer is a fey flake, and dance disaster seems foredoomed. But the dancers, being good soldiers, follow his orders diligently. And despite all expectations, at least all of my expectations, their climactic performance is superb.
But this story is not central to the movie. Again like life, it unfolds amidst all sorts of other organizational and interpersonal drama.
And for this reason the movie left me unsatisfied. Part of what I look for in movies, and in books, is a story arc: a beginning, a middle, and an end. I look for this precisely because life is rarely that neat. Many directors deliver this arc (and many more try to, and fail). Robert Altman chose not to try. He is free to do that, and I am free to rate this movie 7/10.