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The Company (2003)
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Overview
User Rating:
Release Date:
5 February 2004 (Netherlands) morePlot:
Ensemble drama centered around a group of ballet dancers, with a focus on one young dancer (Campbell) who's poised to become a principal performer. full summary | add synopsisAwards:
2 nominations moreNewsDesk:
(10 articles)
id Software Bought By Parent Company of Bethesda, Zenimax (From MTV Multiplayer. 24 June 2009, 9:09 AM, PDT)
The Company Movie Review
(From MoviesOnline. 25 May 2009, 8:00 PM, PDT)
User Comments:
The Long Hello more (117 total)Cast
(Cast overview, first billed only)| Neve Campbell | ... | Loretta 'Ry' Ryan | |
| Malcolm McDowell | ... | Alberto Antonelli | |
| James Franco | ... | Josh | |
| Barbara E. Robertson | ... | Harriet (as Barbara Robertson) | |
| William Dick | ... | Edouard | |
| Susie Cusack | ... | Susie | |
| Marilyn Dodds Frank | ... | Mrs. Ryan | |
| John Lordan | ... | Mr. Ryan | |
| Mariann Mayberry | ... | Stepmother | |
| Roderick Peeples | ... | Stepfather | |
| Yasen Peyankov | ... | Justin's Mentor | |
| Davis C. Robertson | ... | Alec - Joffrey Dancer (as Davis Robertson) | |
| Deborah Dawn | ... | Deborah - Joffrey Dancer | |
| John Gluckman | ... | John - Joffrey Dancer | |
| David Gombert | ... | Justin - Joffrey Dancer |
Additional Details
MPAA:
Rated PG-13 on appeal for brief strong language, some nudity and sexual content.Parents Guide:
View content advisory for parentsRuntime:
Canada:112 min (Toronto International Film Festival) | USA:112 min | Argentina:112 minLanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
Iceland:L | France:U | Portugal:M/12 | Australia:PG | Brazil:12 | Germany:o.Al. | Netherlands:AL | Singapore:NC-16 | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:12A | USA:PG-13 (re-rating on appeal) | Argentina:Atp | USA:R (original rating) (certificate #39884) | Canada:PG (Ontario)Fun Stuff
Trivia:
Whilst developing the screenplay with Barbara Turner, producer-star Neve Campbell kept referring to it as "Altmanesque". She didn't for a minute think that Altman would be interested, especially as he was just coming off the back of the successful Gosford Park (2001). She was very surprised then to learn that Altman was a personal friend of Turner's for many years. moreGoofs:
Revealing mistakes: When Ry gets out of the bath behind the screen, it's clear she's wearing a body stocking. moreSoundtrack:
Tensile Involvement moreFAQ
This FAQ is empty. Add the first question.more (117 total)
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Lets hope that Altman makes films for another 20 years and that he stays as adventuresome as he currently is.
In 'The Long Goodbye' Altman invented a rather new camera stance, literally asking the actors to improvise staging and having the camera discovering them.
It took a few decades for him to get back to such experiments with 'Gosford.' Now he takes it even further with perhaps the purest problem in film cinematography: how do you film dance?
Forget that this features Campbell in a vanity role: she is good enough and doesn't detract. Forget about any modicum of plot: there isn't any. And unlike 'Nashville' or the similarly selfreferential 'Player' there is no cynical commentary.
The commentary itself is selfreferential this time. Yes, this time the center of the film is how 'Mr A' orchestrates movement and images. This is most of all about himself, and is far, far more intelligent and subtle than say, 'Blowup.'
But along the way, you get possibly the best dance experience on film. That's because they've been able to use many cameras. There are not as many as 'Dancer in the Dark,' but each camera dances, engages with the dance and the dance of people and objects around the dance. So we get four layers of dance: the actual ballet, the orchestration of people around the production, the dancing cameras (enhanced by non-radical appearing radical editing) and the dance within the mind of Mr A who encourages, follows and captures them all.
Ted's Evaluation -- 3 of 3: Worth watching.