| Photos (See all 13 | slideshow) | Videos (see all 2) |
| Steve James | ... | Himself | |
| Stephen Fielding | ... | Himself | |
| Tonya Gregory | ... | Herself | |
| Bernice Hagler | ... | Herself | |
| Verna Hagler | ... | Herself | |
| Brenda Hickam | ... | Herself | |
| Doug Hickam | ... | Himself | |
| Judy James | ... | Herself |
Directed by | |||
| Steve James | |||
Produced by | |||
| Peter Gilbert | .... | co-producer | |
| Steve James | .... | producer | |
| Robert May | .... | executive producer | |
| Gordon Quinn | .... | producer | |
| Adam Singer | .... | producer | |
| Kathryn Tucker | .... | associate producer | |
Original Music by | |||
| Dirk Powell | |||
Cinematography by | |||
| Peter Gilbert | |||
| Dana Kupper | |||
| Gordon Quinn | |||
Film Editing by | |||
| William Haugse | |||
| Steve James | |||
Production Management | |||
| Adam Singer | .... | post-production supervisor | |
Sound Department | |||
| Tom Blakemore | .... | sound editor | |
| Jim Fetterley | .... | sound | |
| Bryen Hensley | .... | assistant sound editor | |
| Adam Singer | .... | sound | |
| Tom Yore | .... | sound | |
Visual Effects by | |||
| Heather Jones-Pryor | .... | fire editor (as Heather Jones) | |
| Michael Matusek | .... | digital intermediate colorist | |
Editorial Department | |||
| E. Gabriel Edvy | .... | assistant film editor | |
| Matthew Martin | .... | assistant editor | |
Music Department | |||
| Linda Cohen | .... | music supervisor | |
Other crew | |||
| Lizzy Calhoun | .... | intern | |
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| Heaven | Paragraph 175 | Baby Doll | Igby Goes Down | The Fighter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
I strongly suggest you see the documentary "Stevie" when it hits theaters. I saw a free special advance screening and it one blew me away. This one was long, over 2 hours. I expected to laugh at the messed up hicks when I heard it was a film about trailer trash. How unforgivably judgmental of me. instead of a shallow, exploitive Jerry Springer episode, I found myself wrapped up in the reality of their personal pain, regret, and hopelessness. I wish I could thank them all for shedding light on all the dark corners of their lives for us to see and gain insight. I was moved to tears several times (although I did have to laugh just as often). I felt a tremendous amount of shame for the internal suffering of those difficult people and situations we look down on, talk down to, ridicule, and ignore. I walked out of the movie with a better understanding than ever about what unconditional love and acceptance means. You have to see it.