A magician meets a weird girl and offers her to work together in his magic show. It's only until a year later that he starts to know her personally and develops a feeling towards her despite her own problems.
Since 1978, Anvil has become one of heavy metal's most influential yet commercially unsuccessful acts. In 2006, after a fledging European tour Anvil sets out to record their thirteenth album and continue to follow their dreams.
Steve 'Lips' Kudlow,
This is an Amazon Studios test movie, a rough draft of a film. Lottie loves magic but when her best friend and 11 fellow royals are kidnapped by a vengeful sorcerous, it's up to Lottie, a ... See full summary »
This documentary follows 8 teens and pre-teens as they work their way toward the finals of the Scripps Howard national spelling bee championship in Washington D.C. All work quite hard and practice daily, first having to win their regional championship before they can move on. Interviews include the parents and teachers who are working with them. The competitors not only work hard to get to the finals but face tremendous pressure as the original group of over 250 competitors is whittled down and the words they must spell get ever more difficult. Written by
Spellbound won the Emmy for Cultural/Artistic Programming and Jeffrey Blitz was a nominee for directing. See more »
While interviewing Harry in his room the boom mic is deliberately shown after Harry asks "Is that thing edible?" See more »
I think Ted's got the advantage of parents, who think he's great irregardless.
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Special thanks to The Blitz Family, The Arenivar Family, The Brigham Family, The DeGideo Family, The Kadakia Family, The Lala Family, The Lieberman Family, The Natarajian Family, The Pagels Family, The Stagg Family, The Stoecker Family, The Thampy Family, The White Family, Linda Loeffler & Family and all the participants of The National Spelling Bee. See more »
Doesn't it matter what the words mean more than the letters in them? Wouldn't it do a precocious kid more good to pour over Shakespeare or Jane Austen or Hemingway or even Harry Potter than to turn the pages of a dictionary or be drilled by a parent on how to spell obscure words like "lycanthrope" and "cephalalgia" (or the supremely ironic last word in the final shown here, "logorrhea") which the parents themselves can't even pronounce? When little showoff Harry Altman stumbles and comically grimaces over the word "banns," it seems to me he might be doing better not in the contest, perhaps, but in life to read more books, so he'd become familiar with the custom of "posting the banns," which isn't so obscure as the film and Harry make out, if you've gathered a wide acquaintance with marital customs through reading.
But there is after all a higher significance in all this. America is a self-made country and English in some queer sense is a self-made language, and these general points play into the significance of this surprisingly moving and thought-provoking little film. It's not only the suspense and emotion Spellbound evokes or its fairly tight documentary organization but such more general themes as social mobility and the accessibility of certain sports that make this otherwise conventional movie rise above the ordinary and explain why it's worthy of theatrical distribution and not just a slot on PBS. What would this be like in Italian? That's a language, like some others, whose spellings are so phonetic that a contest like this wouldn't make much sense. But English spellings really don't make much sense. English poses unique problems. The Italian columnist Beppe Severgnini is wrong to have written that it's because we're terrible spellers that spelling bees excite us. An Italian just can't understand. If you say an Italian word, ninety-eight percent of the time (if you're Italian) you know how to spell it. In English, we've got all those tiny vowel differences and remnants of Germanic gutturals and all those endless words from Arabic and Persian and Greek and a hundred other languages that we've transliterated by a hundred different unrelated systems. Why should `Darjeeling,' which so ironically almost stumps the Indian-American Neil Kadakia, be spelled that way and not darjiling or dardjeeling, or who knows what? It's because English spelling had no strict rules till the late nineteenth century; English went through so many growing pains from Chaucer to Shakespeare to Dryden to Jane Austen; because we still have no consistent phonetic system; and because our language has all those endless half-assimilated loan words from other cultures and tongues, that spelling in English is a nightmare and a kind of art, and a truly expert young speller is a real entity worth the chimerical task of seeking him or her out each year.
Spelling bees are a matter of rote knowledge, but success in them can sometimes involve some inspired guessing, and this is shown by the fine tuning contestants are allowed in the DC competition when they ask what language or culture the word comes from. Despite the strong element of memorization, the event attracts and finds ambitious, bright, even rather intellectual kids: lots of hard work maybe, but also some kind of raw brainy talent we don't by any means all have: inspiration and perspiration, the old combination.
The new immigrants in Spellbound are a major force. There are not one but two Indian-Americans in the eight the filmmaker has carefully singled out for special focus, and one of those wins. There's the Mexican girl whose father (so movingly) feels fulfilled, his whole life's journey made worthwhile, just because she has qualified; and he can't even speak English. And there's Ashley, the Black girl from the DC projects who didn't get a trophy or much recognition but dreams, nay prays, to be the winner. And even the boy from rural Tennessee who says there are hardly any other smart kids in his school qualifies as some kind of outsider who magically comes home, and gets put in his place in a complex way, like an Oklahoma valedictorian in the freshman class at Harvard, when he gets to compete in the national spelling bee. .Spellbound itself isn't a profound movie, but it has heart. Like the German WWII film Die Brucke (The Bridge) it shows a group of kids up close and personal and then follows them into battle where one by one they fall, till the last remains, and gets "logorrhea" right (I didn't -- I had to use Spell Check again even though I guessed it right the first time), and becomes champion. And in the emotion of trying so hard and then getting knocked out by one wrong letter, Spellbound illustrates sportsmanship and being all you can be and the joy of competiton and the agony of defeat. It's about poise and maturity and just being a kid. And it's a close, intense analysis of an event a phenomenon, really with more ramifications than we ever realized, till we see it. Spellbound is pretty universal in its appeal and by any accounts it's a wonderful little documentary.
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