The story of a young, pregnant woman whose world falls apart when she loses her child in a hit and run accident. As her life unravels,Nathalie finds an unlikely protector in Henry, a down ... See full summary »
Michael and Jenna, having been a couple for three years, want to get married and start a family. These plans seem to be well on their way when Jenna announces that she's pregnant. But ... See full summary »
Two women embark on a road trip after they are brought together by circumstance. Rebecca (Portman) flees her hotel after a fight with her mother-in-law (Maura) and hails a taxi driven by Hanna (Lazlo).
Andrew Largeman is a semi-successful television actor who plays a intellectually disabled quarterback. His somewhat controlling and psychiatrist father has led Andrew ("Large") to believe that his mother's wheelchair bound life was his fault. Andrew decides to lay off the drugs that his father and his doctor made him believe that he needed, and began to see life for what it is. He began to feel the pain he had longed for, and began to have a genuine relationship with a girl who had some problems of her own. Written by
Zach Braff drew partially on knowledge from his mother, a psychologist, his stepfather, also a psychologist, and his step mother, a therapist, to give scenes involving mentions of psychiatrics and pharmaceuticals authenticity. See more »
When Andrew in speaking with Kenny the policeman, there is a rainstorm in the background. The rain is evident in the headlights of the police car, yet Andrew and Kenny appear to not be getting wet. See more »
Los Angeles Tower, this is Transworld 22 Heavy. We are going down! Repeat, engines two and... L.A. Tower, this is... Mayday! Mayday!
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Zach Braff has made it. Both script, directing and main acting, and everything is more than all right. This is a film without violence about people living ordinary extra-ordinary lives and it's much more interesting than extra-ordinary murders, which very, very few, even in the USA, encounter.
The "hero" has been going on tranquilizers for all his grown up-life and even before that. He's got no feelings left, not even for the death of his mother. Then he meets a girl, well acted indeed by Natalie Portman, who unlocks him slowly, saying the right things all the time without knowing it.
Hours after you've seen this, you realize that here was a crucial moment, this was a turning point and so on. The love story gets a little sentimental at the end, but still this is a film that lives long after you've seen it through.
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