| Matheus Nachtergaele | ... | Dunga | |
| Jonas Bloch | ... | Isaac | |
| Leona Cavalli | ... | Lígia | |
| Dira Paes | ... | Kika | |
| Chico Díaz | ... | Wellinton Kanibal | |
| Conceição Camaroti | ... | Aurora | |
| Magdale Alves | ... | Dayse | |
| Jones Melo | ... | Padre | |
| rest of cast listed alphabetically: | |||
| Taveira Júnior | ... | Taxi Driver | |
| Everaldo Pontes | |||
| Cosme Soares | |||
Directed by | |||
| Cláudio Assis | |||
Writing credits(in alphabetical order) | ||
| Hilton Lacerda | ||
Produced by | |||
| Cláudio Assis | .... | producer | |
| Marcello Ludwig Maia | .... | executive producer (as Marcello Maia) | |
| Paulo Sacramento | .... | producer | |
Original Music by | |||
| Jorge Du Peixe | |||
| Lúcio Maia | |||
Cinematography by | |||
| Walter Carvalho | |||
Film Editing by | |||
| Paulo Sacramento | |||
Production Design by | |||
| Renata Pinheiro | |||
Art Direction by | |||
| Renata Pinheiro | |||
Set Decoration by | |||
| Dani Vilela | (set decoration) | ||
Costume Design by | |||
| Renata Pinheiro | |||
Production Management | |||
| Dedete Parente Costa | .... | production manager | |
Sound Department | |||
| Osman Assis | .... | boom operator | |
| Louis Robin | .... | sound | |
| Armando Torres Jr. | .... | sound re-recording mixer | |
Special Effects by | |||
| Kapel Furman | .... | special effects crew (as André Kapel) | |
| Kapel Furman | .... | special effects makeup (as André Kapel) | |
Camera and Electrical Department | |||
| Walter Carvalho | .... | camera operator | |
Other crew | |||
| Cindy Duarte | .... | production assistant | |
| Recent Posts (updated daily) | User |
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| Violent scene | ksf-2 |
| Type of camera used | nathanjohnson32 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Brazil section |
Cláudio Assis won several awards at festivals for his feature debut, "Amarelo Manga" aka "Mango Yellow". His mosaic about some very troubled lives starts intriguing, and the talented, versatile cast (Matheus Nachtergaele, Chico Diaz, Dira Paes, Jonas Bloch and Leona Cavalli) keeps our attention till the end. However, Assis fails on the same aspects as other pretense "provocateurs", such as Sérgio Bianchi ("Chronically Unfeasible") and Larry Clark ("Kids" seemed to have some honesty, but "Ken Park" is one of the most unnecessary flicks ever made): excessive nudity (I actually think there should be MORE nudity in films, since nudity should be treated as natural by everybody; but this movie is a great example of how nudity should not be presented), too much visual and verbal masturbation for pure shock factor. I'm far from being a prude and that's why I admire directors like Todd Solondz, Lars von Trier, Pedro Almodóvar and Gregg Araki, just to name a few, who know how to provoke without being shallow, unlike Cláudio.
People like Tata Amaral, Jorge Furtado, Beto Brant (and let's not even mention the internationally acclaimed Hector Babenco, Walter Salles and Fernando Meirelles), have made thought-provoking, intelligent films, without being gratuitous or shallow. They are the real provocateurs in Brazilian cinema, something that Assis and Sérgio Bianchi haven't proved to be, yet. There's more to a provocateur than "sex and stomach": wit is essential to the mixture, Mr. Assis. 3/10.