| Photos (See all 144 | slideshow) | Videos (see all 9) |
Directed by | |||
| Wolfgang Petersen | |||
Writing credits(WGA) | ||
| Homer | (poem "The Iliad") | |
| David Benioff | (screenplay) | |
Produced by | |||
| Winston Azzopardi | .... | co-producer | |
| Barbara Huber | .... | associate producer | |
| Wolfgang Petersen | .... | producer | |
| Diana Rathbun | .... | producer | |
| Colin Wilson | .... | producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Roger Pratt | |||
Film Editing by | |||
| Peter Honess | |||
Casting by | |||
| Lucinda Syson | |||
Production Design by | |||
| Nigel Phelps | |||
Art Direction by | |||
| Julian Ashby | |||
| Jon Billington | |||
| Stephen Dobric | |||
| John King | (supervising art director) | ||
| Andy Nicholson | |||
| Adam O'Neill | |||
| Kevin Phipps | (supervising art director) | ||
| Cliff Robinson | |||
| Leslie Tomkins | (supervising art director) (as Les Tomkins) | ||
Set Decoration by | |||
| Anna Pinnock | |||
| Peter Young | |||
Costume Design by | |||
| Bob Ringwood | |||
Art Department | |||
| David Abbott | .... | stand-by carpenter: second unit | |
| Hideki Arichi | .... | junior draughtsman: marine | |
| Martin Asbury | .... | storyboard artist | |
| Alejandro Ayala | .... | construction intern | |
| Philip Babbage | .... | hod plasterer: Mexico | |
| Kenneth Bacon | .... | chargehand propman | |
| Charles Baldacchino | .... | props: Malta | |
| Ravi Bansal | .... | conceptual artist | |
| Celia Barnett | .... | art department researcher | |
| Frances Bennett | .... | mapmaker | |
| Les Benson | .... | chargehand propman | |
| Alice Biddle | .... | draughtsperson | |
| Alan Billam | .... | stand-by stagehand: second unit | |
| Dennis Bovington | .... | assistant construction manager | |
| Mark Brady | .... | stand-by carpenter | |
| Adam Brockbank | .... | concept artist | |
| Christopher Brown | .... | assistant construction manager: Mexico | |
| Alessio Buhagiar | .... | hod stagehand: Malta | |
| Frederick Buhagiar | .... | construction manager: Malta | |
| Colin Burgess | .... | stand-by props: second unit | |
| Julian Caldow | .... | conceptual artist | |
| Neal Callow | .... | stand-by art director | |
| Rob Cameron | .... | assistant set decorator (as Robert Cameron) | |
| Claudio Campana | .... | draughtsman | |
| Anthony Caron-Delion | .... | assistant art director | |
| Darryl Carter | .... | supervising carpenter | |
| Paul Catling | .... | concept artist | |
| Lawrence Cauchi | .... | props buyer: Malta | |
| Mick Chubbock | .... | plasterer | |
| Joe Ciantar | .... | hod carpenter: Malta | |
| Stuart Clark | .... | scenic artist | |
| James Clyne | .... | conceptual artist | |
| Ben Collins | .... | concept model maker | |
| Charles Cottrell | .... | stand-by painter (as Charlie Cottrell) | |
| Gary Crosby | .... | supervising painter | |
| Raymond Debono | .... | hod metal worker: Malta | |
| Anthony Paul Driver | .... | chargehand propman (as Anthony Driver) | |
| David Edwards | .... | hod carpenter: Mexico | |
| Raymond Ellul | .... | props: Malta | |
| John Field | .... | hod rigger: Malta | |
| Darren Fitzsimons | .... | sculptor | |
| Matthew Foster | .... | supervising props stand-by | |
| Kevin Fowler | .... | hod stagehand | |
| Mike Fowlie | .... | assistant property master (as Michael Fowlie) | |
| Dan Frye | .... | prop modeller | |
| James Gemmill | .... | head scenic artist | |
| Monica Goldschmidt | .... | graphic artist (as Monika Goldschmidt) | |
| Jorge Gonzalez | .... | property master: Mexico | |
| Bruce Gordon | .... | supervising sculptor | |
| Tony Graysmark | .... | construction manager: Mexico | |
| Alan Grenham | .... | hod painter | |
| Dave Gunn | .... | stand-by rigger | |
| Micky Guyett | .... | hod painter: Mexico (as Michael Guyett) | |
| David Haberfield | .... | hod scenic painter: Malta | |
| Emma Hanson | .... | sculptor | |
| Rosie Hardwick | .... | draughtsperson | |
| Toby Hawkes | .... | senior prop modeler | |
| Peter Hawkins | .... | propmaker | |
| Darren Hayward | .... | supervising carpenter | |
| Michael Hayward | .... | hod carpenter: Mexico | |
| Bernie Hearn | .... | supervising props stand-by (as Bernard Hearn) | |
| Paul Hearn | .... | chargehand propman | |
| Kathy Heaser | .... | assistant art department coordinator | |
| Gary Hedges | .... | hod carpenter | |
| Harry Heeks | .... | hod rigger: Mexico | |
| Norrie Henderson | .... | hod boat builder: Malta | |
| Oliver Hodge | .... | supervising propmaker | |
| Arthur Holland | .... | supervising carpenter: Malta | |
| Michael Howlett | .... | hod boat builder: Malta | |
| Geoff Hubbard | .... | hod carpenter: Malta (as Martin Hubbard) | |
| Roger Hutt | .... | supervising plasterer | |
| Colin Jackman | .... | sculptor | |
| David Jones | .... | supervising plasterers laborer: Malta | |
| Mark Kimber | .... | dressing props | |
| Michael King | .... | props buyer | |
| Eva Kuntz | .... | art department assistant | |
| John Lanzer | .... | props buyer | |
| Andrew Laybats | .... | hod painter: Malta | |
| Jorge León | .... | assistant art director: Mexico (as Jorge Leon) | |
| Glenn Marsh | .... | property maker | |
| Paul Marsh | .... | prop modeller | |
| Jon Marson | .... | greensman | |
| Aleksandar Sasha Matic | .... | draughtsman | |
| Kate McColgan | .... | props coordinator | |
| Edward McFadden | .... | stand-by rigger: second unit | |
| Paul Mitchell | .... | hod rigger | |
| Jonathan Moore | .... | assistant sculptor | |
| Steve Morris | .... | stand-by plasterer: second unit | |
| Keith Muir | .... | hod stagehand: Mexico | |
| Cleo Nethersole | .... | drapes master (as Cletus Nethersole) | |
| Marco Niro | .... | art director: Mexico | |
| Eddie O'Neill | .... | stand-by stagehand | |
| Russel Oxley | .... | scenic artist (as Russell Oxley) | |
| Stephen Page | .... | supervising plasterer: Malta | |
| Andrew Palmer | .... | dressing props | |
| Julie Philpott | .... | draughtsman | |
| Miguel Pineda | .... | props buyer: Mexico | |
| Francis Poirier | .... | supervising sculptor | |
| Rachid Quiat | .... | assistant art director | |
| Francisco Ramirez | .... | greens: Mexico | |
| Christopher Reed | .... | hod rigger: Malta | |
| Amin Rharda | .... | assistant production buyer | |
| Malcolm Roberts | .... | construction manager | |
| Matthew Robinson | .... | assistant art director | |
| Annushka Russell | .... | art department runner | |
| Mel Sansom | .... | supervising rigger: Malta (as Melvyn Sansom) | |
| Dave Skinner | .... | hod rigger: Mexico (as David Skinner) | |
| Martin Smeaton | .... | head sculptor | |
| Alex Smith | .... | draftsperson | |
| Keith Smith | .... | hod stagehand: Malta | |
| Mike Sotheran | .... | supervising scenic painter: Malta (as Michael Sotheran) | |
| Alfred Spiteri | .... | hod plasterer: Malta | |
| Richard St. Clair | .... | supervising propmaker | |
| Jim Stanes | .... | graphic artist | |
| Robert Stannage | .... | props | |
| Ray Staples | .... | stand-by plasterer: second unit | |
| Kirstie Stephenson | .... | art department coordinator | |
| Gert Stevens | .... | conceptual artist | |
| Tom Still | .... | assistant art director | |
| Eric Strange | .... | chargehand propman | |
| Sophie Tarver | .... | propmaker | |
| Kevin Turner | .... | hod plasterer | |
| Robert Voysey | .... | assistant construction manager: Malta | |
| Clive Ward | .... | supervising painter: Malta | |
| Stephen Watts | .... | hod plasterer: Malta | |
| Terry Wells Jr. | .... | assistant property master | |
| Jake Wells | .... | chargehand propman | |
| Laurence Wells | .... | assistant property master | |
| Peter Wells | .... | supervising props stand-by | |
| Terry Wells | .... | property master | |
| William Wells | .... | dressing props | |
| Steve Westley | .... | dressing props | |
| Brian White | .... | stand-by plasterer | |
| Clive Wilson | .... | stand-by props: second unit | |
| Luis Amezquita | .... | greensman assistant (uncredited) | |
| Robert Philip Bonello | .... | rigger (uncredited) | |
| Mark Anthony Ellul | .... | assistant propmaker (uncredited) | |
| Thomas Jones | .... | foam technician (uncredited) | |
| Adam Kincaid | .... | art department assistant (uncredited) | |
| Jody King | .... | assistant sculptor (uncredited) | |
| Claire Levinson | .... | set dresser (uncredited) | |
| David London | .... | prop modeller (uncredited) | |
| Antonio Murer | .... | metal worker (uncredited) | |
| Edward Seychell | .... | props leather man: Malta (uncredited) | |
Sound Department | |||
| Rebecca Anastasi | .... | sound assistant: Malta | |
| Christopher Assells | .... | sound effects editor: director's cut (as Chris Assells) | |
| Harry Barnes | .... | foley editor | |
| Gregg Baxter | .... | co-supervising sound editor: director's cut | |
| Gregg Baxter | .... | supervising dialogue editor | |
| Nigel Bennett | .... | second assistant sound editor | |
| Jaya Bishop | .... | boom operator | |
| Christian Bourne | .... | second boom operator | |
| James Boyle | .... | sound effects designer | |
| Peter Burgis | .... | foley artist | |
| David E. Campbell | .... | sound re-recording mixer: director's cut (as Dave Campbell) | |
| Martin Cantwell | .... | supervising sound editor | |
| Ed Colyer | .... | sound mixer | |
| Paul Conway | .... | supervising adr & dialogue editor | |
| Felicity Cottrell | .... | foley artist | |
| Peter Dansie | .... | digital sound coordinator | |
| Tony Dawe | .... | production sound mixer | |
| Marc Deschaine | .... | supervising assistant sound editor: director's cut | |
| Mike Dowson | .... | sound re-recording mixer | |
| Scott Martin Gershin | .... | sound effects designer: director's cut (as Scott Gershin) | |
| Nerses Gezalyan | .... | sound mixer | |
| Matt Grimes | .... | sound editor | |
| Ashley Haller | .... | second assistant sound editor | |
| Howard Halsall | .... | dialogue editor | |
| Alistair Hawkins | .... | first assistant sound editor | |
| Dino Herrmann | .... | audio programmer | |
| Daniel S. Irwin | .... | dialogue editor: director's cut (as Daniel Irwin) | |
| Chris Jargo | .... | dialogue editor: director's cut | |
| Alex Joseph | .... | foley editor | |
| Neil Kingsbury | .... | sound mixer: second unit | |
| Mark Lafbery | .... | adr mixer | |
| Sue Lenny | .... | sound editor | |
| Sue Lenny | .... | sound effects editor | |
| Nathaniel Méchaly | .... | sound programmer | |
| Margit Pfeiffer | .... | sound effects editor: director's cut | |
| Barney Pratt | .... | second assistant sound editor | |
| Paul Preca Trapani | .... | boom operator: second unit | |
| Simon Price | .... | conform editor | |
| Alan Rankin | .... | sound effects editor: director's cut | |
| John T. Reitz | .... | sound re-recording mixer: director's cut (as John Reitz) | |
| Gregg Rudloff | .... | sound re-recording mixer: director's cut | |
| Steve Schwalbe | .... | sound editor | |
| Steve Schwalbe | .... | sound effects editor | |
| Paul Schwartz | .... | second boom operator | |
| Ann Scibelli | .... | sound effects designer: director's cut | |
| Branden Spencer | .... | supervising assistant sound editor: director's cut | |
| Wylie Stateman | .... | supervising sound editor | |
| Greg Steele | .... | adr mixer | |
| Nigel Stone | .... | dialogue editor | |
| Ruth Sullivan | .... | foley artist | |
| Mark Taylor | .... | sound re-recording mixer | |
| Jon Title | .... | sound effects editor: director's cut (as John Title) | |
| Denise Yarde | .... | sound assistant: UK | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Visual Effects by | |||
| Nicolas Aithadi | .... | sequence supervisor: MPC | |
| Vania Alban-Zapata | .... | digital effects artist: MPC | |
| Vania Alban-Zapata | .... | lead dynamics artist | |
| Marcus Alexander | .... | visual effects editorial: Framestore CFC | |
| Grahame Andrew | .... | digital effects artist: Lola | |
| Laya Armian | .... | visual effects coordinator: Warner Bros. | |
| Asregadoo Arundi | .... | compositor: MPC (as Arundi Asregadoo) | |
| Daria Ashley | .... | paint artist: Framestore CFC (as Dasha Ashley) | |
| Jonathan Attenborough | .... | lighting technical director: MPC | |
| Andrew Baggarley | .... | data wrangler: MPC | |
| Jason Baker | .... | technical director: Framestore CFC | |
| Murray Barber | .... | compositor: MPC | |
| Steve Barnes | .... | rotoscoper: MPC (as Steven Barnes) | |
| Judy Barr | .... | rotoscope artist: MPC | |
| Angela Barson | .... | compositing supervisor: MPC | |
| Angela Barson | .... | sequence supervisor: MPC | |
| Giles Bartlett | .... | camera technical director: Framestore CFC | |
| Gary E. Beach | .... | lead matchmover (as Gary Beach) | |
| Lyse Beck | .... | digital compositor: MPC | |
| Lizzie Bentley | .... | matte painter: MPC | |
| Rodrigo Bernardo | .... | systems engineer | |
| Carl Bianco | .... | technical director: Framestore CFC | |
| Alex Bicknell | .... | visual effects producer: Warners | |
| Agnès Billard | .... | camera technical director: Framestore CFC | |
| Paul Birkett | .... | rotoscope artist: MPC | |
| Michael Bogen | .... | digital compositor (director's cut) | |
| Charlie Bradbury | .... | sequence producer: MPC | |
| Charlie Bradbury | .... | visual effects production manager: MPC | |
| Paul Brannan | .... | data operator: MPC | |
| Paul Brannan | .... | render wrangler: MPC | |
| Steven Bray | .... | rotoscope artist: MPC | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Andre Brizard | .... | digital compositor: MPC (as Andre Brizzard) | |
| Will Broadbent | .... | lighting artist: MPC | |
| Gary Brozenich | .... | CG supervisor: MPC | |
| William Burdis | .... | lighting artist: MPC (as Bill Burdis) | |
| Andy Burrow | .... | scanning manager | |
| Cathy Burrows | .... | compositor: MPC (as Catherine Burrow) | |
| Amedeo Califano | .... | rotoscoper: MPC | |
| Jordi Cardus | .... | lighting technical director: MPC | |
| Chas Cash | .... | 3D Animator: Cinesite | |
| Tim Catchpole | .... | matchmover: MPC | |
| Klaudija Cermak | .... | digital compositor: MPC | |
| Martin Chamney | .... | sequence supervisor: MPC | |
| Andrew Chapman | .... | senior technical director: Framestore CFC | |
| Gordon Chapman | .... | technical director: Framestore CFC | |
| Edward Xi Chen | .... | data operator | |
| Alessandro Cioffi | .... | digital compositor: MPC | |
| Kirsty Clark | .... | digital compositor: MPC (as Kirsty Lamb) | |
| Dani Cohen | .... | digital compositor: Cinesite | |
| Dan Copping | .... | technical director: Framestore CFC | |
| Joe Cork | .... | matchmover: Lola | |
| Kate Cuffin | .... | paint artist: Framestore CFC | |
| Padraic Culham | .... | compositor (director's cut) (as Padraig Culham) | |
| Aimee Dadswell | .... | visual effects coordinator: Cinesite | |
| Ken Dailey | .... | visual effects producer: Cinesite | |
| Haslina Dasley | .... | modeller: Framestore CFC | |
| Nick Davis | .... | visual effects supervisor | |
| Martin R. Davison | .... | digital compositor: Cinesite (as Martin Davison) | |
| Michael Degtjarewsky | .... | digital compositor (director's cut) | |
| Jerome Dewhurst | .... | di engineer | |
| Gavin Digby | .... | digital compositor: MPC | |
| Alex Doyle | .... | camera technical director: Framestore CFC | |
| Dan Duran | .... | digital artist (as Daniel Walton) | |
| Julia Egerton | .... | compositor: Framestore CFC | |
| Michael Elson | .... | head of production: MPC | |
| Michael Elson | .... | sequence producer: MPC | |
| Nick Epstein | .... | render support | |
| Richard Etchells | .... | online film editor | |
| Joe Eveleigh | .... | render wrangler | |
| Ellie Faustino | .... | matchmover: MPC | |
| Andy Feery | .... | digital effects artist: MPC | |
| Sharon Fitzgerald | .... | senior visual effects producer: Framestore CFC | |
| Steven Forrester | .... | additional visual effects editor: Framestore CFC | |
| Mark Freund | .... | visual effects supervisor (director's cut) | |
| Juan Jesús García | .... | digital matte artist: MPC | |
| Matthew Gidney | .... | lead technical director: Framestore CFC (as Matt Gidney) | |
| Julien Goldsbrough | .... | compositor: MPC | |
| David Gordon | .... | technical director: Framestore CFC | |
| Jeff Gordon | .... | system support engineer | |
| Kim Gordon | .... | rotoscoper: MPC | |
| Dave Griffiths | .... | visual effects programmer: MPC | |
| Alex Guri | .... | rotoscope artist: MPC | |
| John Haddon | .... | software developer | |
| Jonathan Hairman | .... | compositor: Framestore CFC | |
| Robert Hall | .... | rotoscope artist: MPC (as Rob Hall) | |
| Dan Harrod | .... | compositor: Cinesite | |
| Andrew Harvey | .... | visual effects programmer: MPC | |
| Rob Harvey | .... | visual effects supervisor: Lola | |
| Nic Hatch | .... | previs supervisor | |
| Rachael Haupt | .... | matte painter: MPC | |
| Maureen Healy | .... | digital compositor (director's cut) | |
| Kieron Helsdon | .... | lighting artist: MPC | |
| Kieron Helsdon | .... | visual effects artist: MPC | |
| Richard Hince | .... | motion capture supervisor: Artem Digital | |
| Sean Hince | .... | motion capture team leader: Artem Digital | |
| Martin Hobbs | .... | visual effects producer: MPC | |
| Kay Hoddy | .... | paint artist: Framestore CFC | |
| Phillip Hoffman | .... | visual effects coordinator (director's cut) | |
| Robin Hollander | .... | roto/prep supervisor | |
| Vlad Holst | .... | technical director: Framestore CFC | |
| Rudi Holzapfel | .... | compositing supervisor: MPC | |
| Garrett Honn | .... | digital compositor: MPC | |
| Graham Hopkins | .... | technical director: Framestore CFC | |
| Jason Horley | .... | digital matte artist: Framestore CFC | |
| Russell Horth | .... | digital compositor: Framestore-CFC | |
| Max Horton | .... | digital colourist | |
| Pete Howlett | .... | rotoscope artist: MPC | |
| Shih-hao Jason Huang | .... | digital compositor (director's cut) (as Jason Huang) | |
| Nathan Hughes | .... | digital matte artist: Framestore CFC | |
| Laurent Hugueniot | .... | TD supervisor: Framestore CFC | |
| Adam Inglis | .... | colorist | |
| Zoe Izzard | .... | data operator | |
| Elie Jamaa | .... | technical director | |
| Gilbert James | .... | sequence producer: MPC | |
| Suzanne Jandu | .... | digital compositor: MPC | |
| Chas Jarrett | .... | visual effects supervisor: MPC | |
| Lorraine Johnson | .... | scanning manager | |
| Simon Johnson | .... | scanning: Cinesite | |
| Drew Jones | .... | executive producer: Framestore CFC | |
| Jon Jones | .... | animator: Cinesite | |
| Theo Jones | .... | technical director: Framestore CFC | |
| Tim Jones | .... | visual effects artist: MPC | |
| Sarah Juniper | .... | digital paint & roto artist | |
| Barry Kane | .... | lighting artist: MPC | |
| Barry Kane | .... | rendering technical director: MPC | |
| Lucinda Keeler | .... | data operator: Framestore CFC | |
| Patrick Keenan | .... | digital compositor (director's cut) | |
| Tim Ketzer | .... | lighting artist: MPC (as Tim 'Eagle-Eye' Ketzer) | |
| Uzma Khalid | .... | lighting artist: MPC | |
| Greg King | .... | digital effects artist: MPC | |
| Jens Klein | .... | previsualisation artist | |
| Jens Klein | .... | visual effects production assistant | |
| Ryan Knowles | .... | rotoscope artist | |
| Ryan Knowles | .... | visual effects runner | |
| Alec Knox | .... | CGI lighting supervisor: Framestore CFC | |
| Carsten Kolve | .... | crowd simulation research and development: MPC | |
| Carsten Kolve | .... | crowd simulation technical director: MPC | |
| Vicky Kwan | .... | matchmover: MPC | |
| Paul Ladd | .... | visual effects coordinator | |
| Serena Lam | .... | rotoscope artist: MPC | |
| Ben Lambert | .... | senior technical director: Framestore CFC | |
| Douglas Larmour | .... | digital compositor: MPC (as Doug Larmour) | |
| Stuart Lashley | .... | digital compositor: MPC | |
| Jennifer Law-Stump | .... | digital compositor (director's cut) (as Jennifer Law) | |
| Chris Lawrence | .... | technical director: Framestore CFC | |
| Christopher Learmonth | .... | visual effects editor: Cinesite | |
| Philippa Leathers | .... | data operator | |
| Grant Legassick | .... | rotoscoper: MPC | |
| Alex Lemke | .... | compositor: Framestore CFC | |
| Phillip Leonhardt | .... | digital compositor | |
| Bruno Lesieur | .... | lighting artist: MPC | |
| Luke Letkey | .... | rotoscope artist: MPC | |
| Jarrod Linton | .... | lighting artist: MPC | |
| Jarrod Linton | .... | previs | |
| David Lloyd | .... | render engineer: MPC | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Charlotte Loughnane | .... | sequence producer: MPC | |
| Diego Vazquez Lozano | .... | digital compositor | |
| Diego Vazquez Lozano | .... | rotoscoper: MPC | |
| Adam Lucas | .... | technical director: Framestore CFC | |
| Alex MacDonald | .... | cablecam operator | |
| Steve MacPherson | .... | head of technology | |
| Tony Man | .... | rotoscope artist: MPC | |
| Julian Mann | .... | head of research and development: MPC | |
| Julian Mann | .... | sequence supervisor: MPC | |
| Rebecca Manning | .... | data operation assistant: Framestore CFC | |
| Gary Marshall | .... | render wrangler: MPC | |
| Zebedee Massey | .... | matchmover | |
| Christoph Matthiesen | .... | lighting artist: MPC | |
| Marian Mavrovic | .... | digital compositor: MPC | |
| David Mayhew | .... | camera technical director: Framestore CFC | |
| Jason Mayo | .... | technical director: Framestore CFC | |
| Doug McCarthy | .... | motion capture staff | |
| Merrin McLeod | .... | compositor: Cinesite | |
| Alasdair McNeill | .... | rotoscope artist: MPC | |
| Dan McRae | .... | digital lab | |
| Matt Melis | .... | digital compositor (director's cut) | |
| Craig Mepham | .... | lighting artist: MPC | |
| Evonne Merlicek | .... | digital effects artist | |
| Adrian Metzelaar | .... | compositor: Framestore CFC | |
| Ellie Meure | .... | paint artist: Framestore CFC | |
| Sarah Micallef | .... | visual effects coordinator: Framestore CFC | |
| Jessica Millar | .... | matchmover: MPC (as Jessica Braun) | |
| Brett Miller | .... | sequence supervisor: MPC | |
| Paolo Mitton | .... | camera technical director: Framestore CFC | |
| Steve Moncur | .... | sequence supervisor: MPC | |
| Andrew Morley | .... | sequence supervisor: MPC | |
| Ben Morris | .... | CG supervisor: Framestore CFC | |
| Mike Morrison | .... | data operator | |
| Josh Mossotti | .... | digital compositor (director's cut) | |
| Peter Muyzers | .... | pre-visualization technical director: MPC | |
| Dan Neal | .... | digital matte painter: MPC | |
| Jonathan Neill | .... | CG supervisor: Cinesite (as Jon Neill) | |
| Catherine Nelson | .... | digital compositor | |
| Lee Nelson | .... | digital compositor (director's cut) | |
| Roxanne Newsham | .... | matchmover: MPC | |
| Sarah Norton | .... | digital compositor: MPC | |
| Rich Nosworthy | .... | render wrangler | |
| Jim O'Hagan | .... | digital compositor (director's cut) | |
| Paul O'Shea | .... | digital compositor | |
| Cenay Oekmen | .... | lighting artist: MPC | |
| Steve Parsons | .... | visual effects | |
| Isaac Partouche | .... | lighting artist: MPC | |
| Isaac Partouche | .... | motion capture supervisor: MPC | |
| Stuart Partridge | .... | compositor: Cinesite | |
| Tom Partridge | .... | visual effects Avid operator: Framestore CFC | |
| Lorna Paterson | .... | visual effects coordinator: Framestore CFC | |
| Alex Payman | .... | compositor: Framestore CFC | |
| Geoff Pedder | .... | digital effects artist: MPC | |
| Geoff Pedder | .... | technical director: crowd simulation/lighting: MPC | |
| Hannah Peirce | .... | compositor: MPC | |
| Craig Penn | .... | lighting artist: MPC | |
| Venetia Penna | .... | scanning: Cinesite | |
| Nikki Penny | .... | visual effects producer: Warners | |
| Adrian Pinder | .... | render wrangler: MPC | |
| Mark Pinheiro | .... | rotoscoper: MPC | |
| Bob Poirier | .... | associate visual effects producer (director's cut) (as Bobby Poirier) | |
| Dolores Pope | .... | digital compositor (director's cut) | |
| Tim Pounds-Cornish | .... | assistant visual effects editor | |
| Samy Ben Rabah | .... | programmer: Framestore-CFC | |
| David Radcliffe | .... | rotoscoper: MPC | |
| Ollie Rankin | .... | crowd simulation technical director | |
| Ollie Rankin | .... | lighting artist: MPC | |
| Matt Redhead | .... | 3D technical assistant: Cinesite | |
| Saul Reid | .... | junior technical director | |
| Mark Richardson | .... | compositing supervisor: Lola | |
| Rob Richardson | .... | render support | |
| Michael Ridgwell | .... | rotoscope artist: MPC | |
| Martin Riedel | .... | digital compositor: MPC | |
| Gary Roberts | .... | motion capture | |
| Dave Robinson | .... | systems engineer | |
| Duncan Robson | .... | animator: Framestore CFC | |
| César Romero | .... | digital compositor (director's cut) | |
| Sue Rowe | .... | visual effects supervisor: Cinesite | |
| Rajat Roy | .... | digital compositor | |
| Rajat Roy | .... | rotoscoper: MPC | |
| Matthew Sagar | .... | sequence producer: MPC | |
| Afonso Salcedo | .... | digital effects artist | |
| Afonso Salcedo | .... | render support | |
| Mark Sanger | .... | visual effects editor: Warner Bros. | |
| Elsa Santos | .... | digital artist: Framestore CFC | |
| Elsa Santos | .... | technical director: Framestore CFC | |
| Jeremy Sawyer | .... | data operator | |
| Eduardo 'Lalo' Schmidek | .... | digital effects artist: MPC (as Eduardo Schmidek) | |
| John Schoonraad | .... | prosthetic crew | |
| Alex Schott | .... | lighting technical director: MPC | |
| Alex Schott | .... | texture and matte paint artist: MPC | |
| David Scott | .... | rotoscope artist: MPC | |
| Alexander Seaman | .... | lighting artist: MPC (as Alex Seaman) | |
| Dan Seddon | .... | senior technical director: Framestore CFC | |
| Aatesh Shah | .... | systems engineer: Framestore CFC | |
| Kevin Shepherd | .... | lighting artist: MPC | |
| Matina Skouteri | .... | digital lab operator | |
| John Slattery | .... | compositor: Cinesite | |
| Daniel Smollan | .... | render support | |
| Jason Snyman | .... | animator: Cinesite | |
| Mark Spevick | .... | lead matchmover: MPC | |
| Piotr Stanczyk | .... | software engineer | |
| Jon Stanley | .... | senior systems engineer | |
| Alexander L. Stephan | .... | senior technical director: Framestore CFC (as Alex Stephan) | |
| Jon Stern | .... | visual effects producer (director's cut) | |
| Penn Stevens | .... | render wrangler: MPC | |
| Maria Stroka | .... | film recording producer | |
| Lee F. Sullivan | .... | lighting technical director: MPC | |
| Blake Sweeney | .... | crowd simulation technical director | |
| Blake Sweeney | .... | digital effects artist: MPC | |
| Kat Szuminska | .... | compositing supervisor: MPC | |
| Kat Szuminska | .... | sequence supervisor: MPC | |
| Giuseppe Tagliavini | .... | digital compositor: MPC | |
| Ljubica Temelkoska | .... | camera technical director: Framestore CFC | |
| Jon Thum | .... | visual effects supervisor: Framestore CFC | |
| Chris Thunig | .... | digital matte artist: MPC | |
| Jan Toensmann | .... | digital compositor: Cinesite | |
| Jensen Toms | .... | lighting technical director: MPC | |
| Gavin Toomey | .... | compositing supervisor: Framestore CFC | |
| Davide Tromba | .... | lighting artist: MPC | |
| Katie Tucker | .... | digital effects producer: Framestore CFC | |
| Katie Tucker | .... | visual effects line producer: Framestore CFC | |
| Abbie Tucker-Williams | .... | visual effects producer: Lola | |
| Ben Turner | .... | digital compositor | |
| James Turner | .... | visual effects artist: MPC | |
| Jan Urbanowski | .... | camera technical director: Framestore CFC | |
| Thomas Urbye | .... | online film editor | |
| John Van Hoey Smith | .... | rotoscope artist | |
| Paola Varvaro | .... | digital cleanup artist | |
| Giuliano Dionisio Vigano | .... | roto/prep supervisor (as Giuliano Dionisio Vigano') | |
| Oskar Wahlberg | .... | senior technical director: Framestore CFC | |
| Tara Walker | .... | digital lab operator | |
| Ian Ward | .... | lighting techical director: MPC (as Ian T. Ward) | |
| Neil Weatherley | .... | technical director: Framestore CFC (as Neil Weatherly) | |
| Joern Weisspfennig | .... | digital effects artist: MPC | |
| Andrew Whitehurst | .... | senior technical director: Framestore CFC | |
| Bob Wiatr | .... | digital compositor (director's cut) | |
| Sheila Wickens | .... | compositor: MPC (as Sheila Gorman) | |
| Stephen Willey | .... | systems engineer | |
| Jason Williams | .... | matchmover: MPC (as Jason Hannen-Williams) | |
| Gina Willis | .... | visual effects coordinator: Warner Bros. | |
| Oliver Winwood | .... | render wrangler: Cinesite | |
| Aubrey Woodiwiss | .... | digital clean-up | |
| Annabel Wright | .... | digital lab operator | |
| Tim Zaccheo | .... | digital effects artist: Lola | |
| George Zwier | .... | compositor: Framestore CFC | |
| Keith Barton | .... | senior technical support: Cinesite (uncredited) | |
| Howard Berry | .... | visual effects runner: MPC (uncredited) | |
| Lee Chidwick | .... | digital I/O (uncredited) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
| Dianne Gordon | .... | data operator: Framestore CFC (uncredited) | |
| Elysia Greening | .... | titles support (uncredited) | |
| Jan Hogevold | .... | visual effects producer: Framestore CFC (uncredited) | |
| Sian Lawson | .... | biomechanist (uncredited) | |
| Brendan Lonergan | .... | armour painter/finisher (uncredited) | |
| Courtney Vanderslice | .... | head of production: Cinesite (uncredited) | |
| Kathy Wise | .... | digital systems manager (uncredited) | |
Animation Department | |||
| Jason Snyman | .... | animator | |
Casting Department | |||
| Alejandro Ayala | .... | extras casting coordinator | |
| Louis Elman | .... | adr voice casting | |
| Bonello Gordon | .... | extras casting | |
| Janet Hirshenson | .... | casting consultant: USA | |
| Jane Jenkins | .... | casting consultant: USA | |
| Edward Mercieca | .... | casting: Malta | |
| Berenice Percival | .... | casting assistant | |
| Reg Poerscout-Edgerton | .... | casting assistant | |
| Lucinda Syson | .... | casting: UK | |
| Julio Toledo | .... | extras casting | |
| Michelle Lewitt | .... | casting associate: USA (uncredited) | |
| Russell Sharp | .... | life casting (uncredited) | |
| Jocelyn E. Thomas | .... | casting assistant: USA (uncredited) | |
Editorial Department | |||
| Marcus Alexander | .... | digital intermediate production coordinator | |
| Jonathan Brayley | .... | pre-visualization editor | |
| Mark Cullis | .... | editor trainee | |
| Rus Ekkel | .... | additional trainee assistant editor | |
| John Ensby | .... | color timer | |
| Steve Farman | .... | negative cutter | |
| Simon Harris | .... | assistant editor | |
| Peter Hunt | .... | color timer | |
| Jonathan Lucas | .... | supervising first assistant editor | |
| Keith Shaw | .... | colorist: mastering | |
| Christine Vasquez | .... | digital intermediate project manager: director's cut | |
| Jane Winkles | .... | first assistant editor | |
| James Winnifrith | .... | assistant editor: film | |
| Jan Yarbrough | .... | senior digital intermediate colorist: director's cut | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Ramiro Belgardt | .... | music editor | |
| Dick Bernstein | .... | music editor | |
| Stephen Coleman | .... | music librarian | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Marc Gebauer | .... | scoring technician | |
| Jim Henrikson | .... | supervising music editor | |
| James Horner | .... | conductor | |
| James Horner | .... | orchestrator | |
| Edward Karam | .... | orchestrator (as Eddie Karam) | |
| Randy Kerber | .... | orchestrator | |
| Rick Kline | .... | music re-recording mixer | |
| Jon Kull | .... | orchestrator | |
| Jason Lloyd | .... | scoring crew | |
| David Marquette | .... | score recordist | |
| Barbara McDermott | .... | assistant music editor | |
| Bryan Pezzone | .... | musician: piano | |
| Conrad Pope | .... | orchestrator | |
| Roy Prendergast | .... | music editor (director's cut) | |
| Simon Rhodes | .... | music recording mixer | |
| Peter Rotter | .... | orchestra contractor | |
| Jay Selvester | .... | scoring crew | |
| Steven L. Smith | .... | music preparation | |
| James Thatcher | .... | musician: French horn | |
| Sylvia Wells | .... | scoring supervisor | |
| Jonathan Williams | .... | musician: cello | |
| Gabriel Yared | .... | composer: additional music (director's cut) | |
| Simon Changer | .... | music editor: temp score (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
Thanks | |||
| Johann Benét | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
I finally got to see this movie in the bargain theaters here in El Paso on Labor Day. I originally hadn't thought much about the movie, but as time went on it had left the regular theaters here in town and I realized that I'd wished I'd gone to see it. I remember hearing several outside critics blasting the movie as horrible and wanted to judge for myself. I'm very glad I finally saw this movie.
This movie is not the usual Clash of the Titans/Jason and the Argonauts type of movie where the gods are constantly shown and portrayed as more important and powerful than the lowly humans. In fact, this movie completely ignores the so-called gods and instead places the focus where it belongs -- on the warriors themselves. I have studied the Iliad as well as other stories surrounding the mythical Trojan War since my days as an elementary school geek obsessed with mythology and Dungeons & Dragons. Instead of being targeted toward that audience this film demystifies the Trojan War and treats it in a manner in which it could have actually happened. We see that the elders who continually refer to their so-called gods come across as fools. One of the most telling lines is when Hector (Eric Bana) refers to the fact that Apollo did not strike down Achilles (Brad Pitt) for desecrating the statue. It is very telling that Hector seems to doubt the gods he has been taught to worship.
I have been a longtime critic of Brad Pitt as a second-tier talent who became famous only because of his looks, but in this film he surprised me. He is the TRUE star of the film. Achilles is easily the most interesting and entertaining character. I applaud Brad Pitt's effort in making his character a tragic hero. Achilles acknowledges that he is NOT the son of a goddess and is not immortal or invulnerable. The movie basically shows us how a rumor can blossom into a legend unto itself. Achilles' legend BECOMES immortal. He even refers to this in my favorite scene when he is inspiring his men and starts the invasion heavily outnumbered and still triumphs. Later in the same scene he scoffs at the so-called gods the Greeks and Trojans worship by decapitating the statue. I found this scene symbolic of the movie itself. The gods are nothing to both the characters and audience.
Instead of supernatural powers and impossible feats we're treated to realism. Even Achilles' death is more realistic than in the myth. In the myth Paris does kill Achilles with an arrow, but because he has no battle skills his hand is actually guided by Apollo.
If there was one thing I did not like in this film it was the transformation of Paris into some kind of hero. Paris was a coward in the original myth and I saw no reason to transform him into an overnight hero in the movie. I guess Orlando Bloom fans wouldn't be able to bear seeing him as the bad guy and were given the uninspired transformation of Paris into a better archer than Robin Hood.
While this movie was nowhere near the epic masterpiece that the producers had hoped or that it was advertised as, it did not deserve the bad publicity it received from critics. I applaud the makers of this film and look forward to buying it on DVD.