It is the year 1250 B.C. during the late Bronze age. Two emerging nations begin to clash after Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband, Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. So they set off with 1,000 ships holding 50,000 Greeks to Troy. With the help of Achilles, the Greeks are able to fight the never before defeated Trojans. But they come to a stop by Hector, Prince of Troy. The whole movie shows their battle struggles and the foreshadowing of fate in this remake by Wolfgang Petersen of Homer's "The Iliad." Written by
Historians are sharply divided about whether or not the Trojan War actually occurred, and if it did, which archaeological site is actually Troy. Discoveries at the beginning of the 21st century provide new evidence of several armed battles in the right area at the right time, but definitive proof is hard to find, largely due to the historical practice of building one city on the ruins of another. Homer's Illiad (and similar epics depicting the Trojan War) were written hundreds of years after the Trojan War supposedly occurred, and are of little use in determining factual historical events because they include many mythological elements. One theory is that the Troy of Homer's lifetime was destroyed by an earthquake, and that the Illiad is a symbolic reinterpretation of that, since a horse is the symbol of the Greek god of earthquakes. The producers decided to eliminate all mythological elements from the story, giving the film an air of historical authenticity not present in the original works. See more »
When the Greek soldiers collect wood for the Trojan horse, bits come off the wood, revealing the white Styrofoam underneath. See more »
Men are haunted by the vastness of eternity. And so we ask ourselves: will our actions echo across the centuries? Will strangers hear our names long after we are gone, and wonder who we were, how bravely we fought, how fiercely we loved?
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First of all, there are no 'gods' in Troy so don't expect them. The story is quite good without them however, if you can just say 'cinematic license' and get over it. Brad Pitt does a credible job as a sensitive Achilles, but also an Achilles that knows that what's most important to him is glory and renown. The young boy that plays Patroclus (in the film he is Achilles cousin, not his lover) is very good and looks enough like Pitt that you believe they are related. Of course, He is, along with Achilles and Helen, one of only 3 blonde-haired people in the movie! Brad is beautifully buffed and we get to see most of that, so if you are female that is very good.
Sean Bean (Boromir from Fellowship of the Ring) does a nice job as Odysseus, even if his hair looks too modern and his heavy Yorkshire accent is distracting.
Helen -- oh dear, she can't act and her accent slips into heavy German rather than the cultured British it's supposed to be more times than not!
Eric Bana does a spectacular Hector and Peter O'Toole - well, even at his advanced age, he is still Peter O'Toole, brilliant as Priam and heart wrenching in a scene where he pleas for Achilles to let him bring Hector back inside the walls of Troy for a proper burial. I admit I cried and I was pleased with the way Achilles seemed to admire and even fear this frail old man, while knowing that he could kill him with one blow. O'Toole is worth seeing.
Orlando Bloom... since I loved him in Lord of the Rings, it wrenches my heart to say that in 'Troy' his facial expressions were horribly over acted. Did the director not view the rushes? If so, he should have told Bloom to turn it down, especially during some of his scenes with Helen. I was also not prepared to see him clinging to Hector's knees begging for life after running away from a hand to hand combat with Menelaus! To be honest, this Paris is a selfish, spoilt little rich prince who has been coddled by his family and knows nothing about courage or honor. It makes one wonder at Helen choosing him at all - even if he is very beautiful. Yes, Bloom looks pretty, who could deny that? But he has much to learn about acting. His saving graces for me seemed to be the opening body shot with Helen where we get to see him standing next to the bed, near naked and damp with sweat, and when he finally takes up a bow and arrow and reminds me of Legolas. It seems he's retained his archery skills from Lord of the Rings - a perfect stance, a beautiful pull to the corner of his mouth and a deadly release... but all that only serves to make you wonder why Paris couldn't use any other weapon well and why, when his brother and countrymen were going to war over his folly - he wasn't obliged to fight.
Worth seeing once at a matinee price - if only for the gorgeous choreographed battle with Pitt and Bana, the marvelous acting of O'Toole, and the scantily clad man-flesh. If none of these appeal to you, wait for the DVD.
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