| Jennifer Beals | ... | Sloan McBride | |
| Keri Lynn Pratt | ... | Jenny | |
| Molly Hagan | ... | Diane | |
| Traci Lords | ... | Mira (as Traci Elizabeth Lords) | |
| David Bowe | ... | Jay | |
| Karim Prince | ... | Gavin | |
| Kristina Anapau | ... | Tara Quinn | |
| Johnathon Schaech | ... | Trevor | |
| Arabella Field | ... | Celia | |
| Michael Makri | ... | Jacques | |
| Dennis Neal | ... | Detective | |
| John Lehr | ... | 1st AD | |
| Spencer Redford | ... | Libby | |
| Kari Ruth | ... | Female Celebrity | |
| Philip Pavel | ... | Male Executive | |
| Felicia Day | ... | Call Girl | |
| Breck Bruns | ... | Young Jenny | |
| Jenica Bergere | ... | Maggie | |
| Diana Carreno | ... | Dancer | |
| Joanna Collins | ... | Dancer | |
| Allison Kyler | ... | Dancer | |
| Sarah Christine Smith | ... | Dancer | |
| Lisa Joann Thompson | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| Sabrina Culver | ... | Carla Wyle (uncredited) | |
Directed by | |||
| Jonathan Craven | |||
Writing credits(WGA) | ||
| Karen Stillman | (written by) | |
Original Music by | |||
| Bruce Roberts | |||
| David Tobocman | |||
Cinematography by | |||
| Walt Lloyd | |||
Film Editing by | |||
| Micky Blythe | |||
Casting by | |||
| Susan Glicksman | |||
Production Design by | |||
| Candi Guterres | |||
Art Direction by | |||
| Bryce Holtshousen | |||
Set Decoration by | |||
| Bryan Venegas | |||
Costume Design by | |||
| Salvador Pérez Jr. | |||
Makeup Department | |||
| Sherry Heart | .... | key hair stylist | |
| Daphne Lawson | .... | assistant hair stylist | |
| Kim Perrodin | .... | assistant makeup artist | |
| Susan Reilly LeHane | .... | key makeup artist | |
| Theraesa Rivers | .... | assistant hair stylist | |
| Sabine Roller | .... | assistant makeup artist | |
| Tegan Taylor | .... | assistant makeup artist | |
Production Management | |||
| Randy Sutter | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Mev Blount | .... | dga trainee | |
| Kristin Killey | .... | second assistant director | |
| Carl Lawrence Ludwig | .... | first assistant director | |
Art Department | |||
| Frank Addotta | .... | construction coordinator | |
| Treven Bedwell | .... | property master | |
| Joe Bergman | .... | swing gang | |
| Linda Bracero | .... | art department coordinator | |
| Amelia Drake | .... | assistant property master | |
| Rob Henning | .... | set dresser | |
| Robert Henning | .... | swing gang (as Rob Henning) | |
| Stacy L. Henning | .... | swing gang | |
| Bret Kane | .... | lead man | |
| Joseph F. McGowan | .... | set dresser | |
| Joseph B. Sullivan | .... | construction labor | |
Sound Department | |||
| Gary Alexander | .... | supervising sound re-recording mixer | |
| Ed Casares | .... | boom coordinator (as Eddie Casares) | |
| David C. Eichhorn | .... | sound supervisor (as David Eichorn) | |
| Steve Evans | .... | boom coordinator (as R. Steven Evans) | |
| Kevin Fisher | .... | sound effects editor | |
| Tommy Goodwin | .... | foley mixer | |
| Robert L. Harman | .... | sound re-recording mixer (as Robert Harman) | |
| Allen Hurd | .... | sound recordist | |
| Kathryn Madsen | .... | adr supervisor | |
| Jacqueline Marie McLaughlin | .... | utility sound (as Jacqueline McLaughlin) | |
| Mack Melson | .... | sound mixer | |
Special Effects by | |||
| Frank Ceglia | .... | special effects supervisor | |
Stunts | |||
| John Cade | .... | stunt coordinator | |
| John Cade | .... | stunts | |
| Diana R. Lupo | .... | stunts (as Diana Lupo) | |
| Gloria O'Brien | .... | stunts (as Gloria O'Brien-Fontenot) | |
Camera and Electrical Department | |||
| Walter Byrnes | .... | grip | |
| Jeff Graham | .... | first assistant camera | |
| Owen Hablutzel | .... | best boy grip | |
| David A. Harp | .... | camera operator | |
| Steve Kagan | .... | lamp operator | |
| Kim Kono | .... | lamp operator | |
| Michael Manzoni | .... | grip | |
| Niles McElroy | .... | lamp operator | |
| Katie Nilson | .... | lamp operator | |
| Chris Reddish | .... | best boy | |
| Patrick Reddish | .... | gaffer | |
| Carey Simmons | .... | grip | |
| Tim Speed | .... | lamp operator | |
| Dan Squires | .... | camera loader | |
| Mary F. Stankiewicz | .... | camera loader | |
| Randy Tambling | .... | key grip | |
| Brooks Tomb | .... | lamp operator | |
| William D. Wynn | .... | dolly grip | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
| Catherine Cox | .... | casting associate | |
Costume and Wardrobe Department | |||
| Kristen Anacker | .... | key costumer | |
| Artemio Carpio | .... | costumer | |
| Lisa Hyde | .... | set costumer | |
| Devon Patterson | .... | costume supervisor (as Devon P.F. Patterson) | |
Editorial Department | |||
| Richard Glazerman | .... | assistant editor | |
| John C. Robinson | .... | colorist | |
Music Department | |||
| Terri Fricon | .... | music supervisor (as Terry Fricon) | |
| Don Sanders | .... | music editor | |
| David Tobocman | .... | score mixer | |
Transportation Department | |||
| Corey Askins | .... | transportation coordinator | |
| Timothy 'Toes' Erwin | .... | picture car coordinator | |
| Jim Knake | .... | transportation co-captain | |
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| Strangers on a Train | Eye for an Eye | The Bodyguard | Freeway | Fracture |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section |
I saw this on VH1 the other night with the new title "They Shoot Divas, Don't They?" Whether that was to distinguish it from the pretty bad movie, "Slow Burn" with James Spader and Minnie Driver, or to tie-in with VH1's "Divas" I leave for you to decide. It is a pretty standard psycho with an agenda flick that happens to be set in the music business. Jennifer Beals plays Sloan McBride, a Cher-like diva on the brink of turning 40 and desperate to have another hit in a market driven by teen Britney wannabes. Through a series of seeming coincidences, she gets a new personal assistant who is the abovementioned psycho with an agenda. The body count is pretty low-- just two or three, I think-- and the splatter is kept to a minimum (it is a movie for TV, after all), but it's reasonably well plotted and directed and it does seem to at least have a passing acquaintance with the contemporary music biz. Beals is the best thing about it though. It's worth seeing.