Anna Foster has never had an ordinary life. At eighteen years old, she is the most protected girl in America; she is the First Daughter. Frustrated with her overprotective father, the ... See full summary »
A tribute to Andy Warhol's scene in Jorgen Leth's '66 Scenes From America', featuring NYC actor/author Macaulay Culkin, who is also a member of the pizza-themed Velvet Underground tribute band The Pizza Underground.
The advocate for a young Iranian refugee held in detention. Amir Ali claims to be an Iranian student persecuted by the government but the Department of Immigration dispute his identity. ... See full summary »
Mary is a good Christian girl who goes to a good Christian high school where she has good Christian friends, mainly Hilary Faye, and a perfect Christian boyfriend, Dean. Her life seems perfect, until the day that she finds out that Dean may be gay. After "seeing" a vision of Jesus in a pool, she does everything in her power to help him turn straight, including offering up her virginity. But none of it helps because Dean's caught and sent to a "degayification" center and Mary ends up pregnant. It's during her time of need that she becomes real friends with the school's set of "misfits," including Cassandra, the school's only Jewish girl; Roland, Hilary Faye's wheelchair-bound brother, and Patrick, the skateboarder son of the school's principal, Pastor Skip; whilst Hilary Faye turns her into a social outcast. Written by
As Pastor Skip enters the school library to talk to Hilary Faye and the Christian Jewels about Mary, there is a READ poster featuring R.E.M. visible over his shoulder. Michael Stipe is the lead singer of R.E.M. and also co-produced the film. See more »
When Mary and Cassandra are helping with the Prom preparations, Patrick helps Mary fold the banner, and it's all crumpled, in the next shot when Patrick is holding it, it is perfectly folded. See more »
I've been born again my whole life... accepting Jesus.
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This film exceeded my already high expectations. The director and screenwriter have delivered an amazingly acute study of high school dialogue and interaction, while simultaneously exploring the polarizing landscape of evangelical Christianity in America and still delivering consistent laughs from start to finish.
The acting is superb. Martin Donovan (who routinely shines in Hal Hartley's films) here nimbly deconstruct his familiar grim sociopath persona to depict one of the most nuanced anti-heroes ever seen in a teen film. Jena Malone continues and deepens her fine work from Donnie Darko, creating one of the most moving teen heroines in memory. Eva Amurri is an inspired bit of casting as the multi-faceted school rebel who's full of surprises. And... it's true, Macaulay Culkin can act-- and even carries more than one scene with his understated comic timing
The storyline itself often leans on contrivance, but the situations presented ring true with an emotional depth rarely granted to pre-adult characters, and none of the events will seem off the wall to anyone familiar with modern adolescence or this particular religious subculture.
The film is blisteringly funny, unusually sharp in its look at different types of people and their individual frailties, and sweet-- possibly even, despite what else you may have read elsewhere, too sweet. The ending is the softest spot in the movie, but draws effectively on the hard-won empathy for each character to float to a graceful (ahem, pun intended) stop.
To be perfectly honest, as a reviewer who grew up in a very similar environment, I have to say that if the filmmakers could be accused of any distortion of the truth, it is in making their 'villains' *too* sympathetic, too keenly aware of their own flaws, and, in the end, too readily aware of a larger world around them to accurately reflect the worst elements of this belief system. All of the less-sympathetic characters in this film could be drawn from a documentary (yes, even Hilary Faye!)... if, that is, the documentary chose to edit out their least savory moments.
Of course, there are many good-hearted, well-meaning evangelicals in the world, and they are ably represented by characters such as Mary's mother, who makes mistakes, but who thinks more with her heart than her dogma. But the indignant critics who are so intent on finding a mote in the director's eye, because he dares to show how twisted some of their fellow believers might be, might stop for a minute to wave a hand in front of their own face, or their neighbor's, where they may just find a log they've been trying to ignore.
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