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The Notebook (2004)

PG-13 | | Drama, Romance | 25 June 2004 (USA)
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A poor yet passionate young man falls in love with a rich young woman, giving her a sense of freedom, but they are soon separated because of their social differences.

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(screenplay), (adaptation) | 1 more credit »
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12 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tim Ivey ...
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Anthony-Michael Q. Thomas ...
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Renée Amber ...
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Geoffrey Knight ...
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Fin
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Sara Tuffington
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Andrew Schaff ...
Matthew Jamison III
Matt Shelly ...
Seabrook Boy

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Storyline

In a nursing home, resident Duke reads a romance story for an old woman who has senile dementia with memory loss. In the late 1930s, wealthy seventeen year-old Allie Hamilton is spending summer vacation in Seabrook. Local worker Noah Calhoun meets Allie at a carnival and they soon fall in love with each other. One day, Noah brings Allie to an ancient house that he dreams of buying and restoring and they attempt to make love but get interrupted by their friend. Allie's parents do not approve of their romance since Noah belongs to another social class, and they move to New York with her. Noah writes 365 letters (A Year) to Allie, but her mother Anne Hamilton does not deliver them to her daughter. Three years later, the United States joins the World War II and Noah and his best friend Fin enlist in the army, and Allie works as an army nurse. She meets injured soldier Lon Hammond in the hospital. After the war, they meet each other again going on dates and then, Lon, who is wealthy and ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Behind every great love is a great story.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sexuality | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

25 June 2004 (USA)  »

Also Known As:

Diario de una pasión  »

Box Office

Budget:

$29,000,000 (estimated)

Opening Weekend:

£309,507 (UK) (25 June 2004)

Gross:

$64,286 (USA) (31 October 2014)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Ryan Gosling (Noah) and Rachel McAdams (Allie) were both born in St. Joseph's Hospital in London, Ontario. See more »

Goofs

Vintage scene with modern wood: during the riverside rope swing scene (circa 1940) there is a momentary glimpse in the foreground of a "telephone pole" style dock piling. Such pilings existed then, but the wood's all-around light green coloration is distinctive of modern "treated" wood soaked in chromated copper arsenate (CCA). A 30's pole should have been brown or weathered-gray (or, if creosote-soaked, black). CCA-treated wood didn't become commercially available until at least 40 years after when the scene was meant to be. In the mid-late 2000's some municipalities began banning the green toxic wood preservative. See more »

Quotes

[first lines]
Nurse Selma: Excuse me. Come on, honey, let's get you ready for bed
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Connections

Referenced in Saturday Night Live: Ashton Kutcher/Gwen Stefani (2005) See more »

Soundtracks

Where or When
(1937)
Music by Richard Rodgers
Lyrics by Lorenz Hart
Performed by Aaron Zigman
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User Reviews

 
Shallow and sugar coated to the point of becoming disturbing
15 December 2007 | by (Sweden) – See all my reviews

It's not that I dislike romance anything but this has movie tries so hard to be some sort of acronym to the word "chick flick" that it ends up shooting you to death with it's intended love arrows. Now could it be that I can't relate the alleged lovers in this movie? I mean I wasn't born in the 30s, I'm not a soldier so I was never in any wars (haven't we seen enough WW2 stories by the way?) and of course I don't have any family as of yet. But surely the universal power love is something everyone can relate to? Especially when depicted by a movie that uses no other element to drive its plot. Think again, the definition of love shown in this film is so naive, sugar-coated and completely oblivious of anything in the real world that it makes Star Wars look like something from the Discovery channel.

The so called "couple" in this film are only in love because the movie says they are, not because there's any sort of chemistry between the actors and not because the characters themselves even act like. Even Allie's alleged interest in painting felt so tacked on shallow and fake it made my head hurt. Speaking of Allie, it actually infuriates me to see the character acting like she has absolutely no control over her libido because the sex is just about the only thing the couple seems to have in common, and the only thing, aside from arguing, that they enjoy doing together. And yet this movie is supposed to be oh so romantic.

It's by some small miracle that this movie got the raving reviews it did, luckily it seems most of those were given by teenage girls and their tool boyfriends (no Oscars or anything) so I don't have to completely give up on humanity yet. If one day your girlfriend suddenly shows up all lyrical about this movie and wants it to "share it with you" I'd strongly advise any guy to end that relationship pronto. Your girlfriend will obviously already have built up her own twisted fantasy of what a relationship should be like, a fantasy that no guy, live or dead, could possibly live up to. Stay away.


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