| Jennifer Love Hewitt | ... | Samantha Andrews | |
| Paul Nicholls | ... | Ian Wyndham | |
| Tom Wilkinson | ... | Taxi Driver | |
| Diana Hardcastle | ... | Claire | |
| Lucy Davenport | ... | Lottie | |
| Roy Sampson | ... | Dunbar | |
| Kevin Moore | ... | Hotel Employee | |
| Neville Phillips | ... | Concert MC | |
| Ben Ridgeway | ... | Teenage Boy | |
| Teo-Wa Vuong | ... | Enniko | |
| Terence Harvey | ... | Trahem | |
| Al Wilde | ... | Oliver | |
| Danny Babington | ... | Nigel | |
| Stewart Wright | ... | Mike | |
| Graham Turner | ... | Richard | |
| David Groves | ... | Teacher No. 1 | |
| Pippa Haywood | ... | Lavinia | |
| Anthony Milner | ... | Paddy | |
| Richard Saade | ... | Tom | |
| Susie Fairfax | ... | Teacher No. 2 | |
| Jessica Claire | ... | Barmaid | |
| Oscar James | ... | Superintendent | |
| Glynis Brooks | ... | Landlady | |
| Marc Finn | ... | Hitch | |
| Nelson Fletcher | ... | Frankie | |
| Susan Parkes | ... | Melinda Walters | |
| Robert Ziegler | ... | Conductor |
Directed by | |||
| Gil Junger | |||
Writing credits(WGA) | ||
| Christina Welsh | (written by) | |
Produced by | |||
| Laurie Borg | .... | co-producer (as Laurence Borg) | |
| Moritz Borman | .... | executive producer | |
| Jill Gilbert | .... | producer | |
| Jeffrey Graup | .... | co-executive producer | |
| Jennifer Love Hewitt | .... | producer | |
| Basil Iwanyk | .... | executive producer | |
| Gil Junger | .... | producer | |
| Gub Neal | .... | executive producer | |
| Robert F. Newmyer | .... | producer (as Bobby Newmyer) | |
| Jeffrey Silver | .... | producer | |
| Scott Strauss | .... | co-producer | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Giles Nuttgens | (director of photography) | ||
Film Editing by | |||
| William M. Anderson | (as William Anderson) | ||
| Padraic McKinley | |||
Casting by | |||
| Victoria Burrows | (casting director: US) | ||
| Priscilla John | |||
Production Design by | |||
| Joseph Bennett | |||
Art Direction by | |||
| Mark Raggett | |||
Set Decoration by | |||
| Rebecca du Pont de Bie | |||
Costume Design by | |||
| Odile Dicks-Mireaux | (as Odile Dicks-Mireauz) | ||
Makeup Department | |||
| Ameneh Mahloudji | .... | hair stylist | |
| Ameneh Mahloudji | .... | makeup artist | |
| Veronica McAleer | .... | key hair designer (as Veronica Brebner) | |
| Veronica McAleer | .... | key makeup artist (as Veronica Brebner) | |
| Tamara Mills | .... | makeup trainee | |
| Elizabeth Yianni-Georgiou | .... | hair stylist | |
| Elizabeth Yianni-Georgiou | .... | makeup artist | |
Production Management | |||
| Steve Gaub | .... | production supervisor | |
| Rachel Neale | .... | unit production manager | |
| Emma Zee | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Henry Forsyth | .... | third assistant director | |
| Olivia Lloyd | .... | second unit director | |
| Andrew McEwan | .... | co-second assistant director | |
| Deborah Saban | .... | first assistant director | |
| Rhys Summerhayes | .... | third assistant director | |
Art Department | |||
| Grant Armstrong | .... | stand-by art director | |
| Gary Gleeson | .... | head of department painter | |
| Maxie McDonald | .... | property master | |
| Harry Metcalfe | .... | construction manager | |
| Neil Murrum | .... | chargehand props | |
| Hattie Storey | .... | art department assistant | |
| Sarah Stuart | .... | assistant art director | |
Sound Department | |||
| Ben Barker | .... | assistant sound editor | |
| John Brady | .... | second boom operator | |
| Colin Cooper | .... | foley recordist | |
| Arthur Fenn | .... | boom operator (as Arthur Turner) | |
| Nick Foley | .... | adr recordist | |
| Jamie Gambell | .... | second boom operator | |
| Matthew Gough | .... | sound re-recording mixer | |
| Ben Greaves | .... | second boom operator | |
| Simon Hayes | .... | production sound mixer | |
| Max Hoskins | .... | supervising sound editor | |
| Robin Johnson | .... | sound assistant | |
| Mike Prestwood Smith | .... | sound re-recording mixer | |
| James Seddon | .... | dolby consultant | |
| Ruth Sullivan | .... | foley artist | |
| Ted Swanscott | .... | adr mixer | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects coordinator | |
| Mark Haddenham | .... | special effects senior technician | |
| Graham Hills | .... | special effects technician | |
Visual Effects by | |||
| Brian Jennings | .... | visual effects supervisor | |
| Mitch Paulson | .... | digital preview colorist | |
| Chuck Toussieng | .... | visual effects | |
Stunts | |||
| Ray De-Haan | .... | stunt driver | |
| Jim Dowdall | .... | stunt driver | |
| Steve Griffin | .... | stunt driver | |
| Paul Heasman | .... | stunt driver | |
| Derek Lea | .... | stunts | |
| Lee Sheward | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Sonny Burdis | .... | best boy | |
| Ian Clark | .... | focus puller | |
| Adam Dale | .... | aerial director of photography | |
| Brandon Evans | .... | rigging gaffer | |
| John Ellis Evans | .... | clapper loader | |
| Avelino Fernandez | .... | electrician | |
| Scott Holland | .... | video operator | |
| Henry Landgrebe | .... | clapper loader | |
| Gavin MacArthur | .... | video playback assistant | |
| Vince McGahon | .... | Steadicam operator | |
| Luke Myslowski | .... | grip | |
| Peter Myslowski | .... | key grip | |
| David Smith | .... | gaffer | |
| Alf Tramontin | .... | Steadicam operator | |
| J. Glyn Williams | .... | first assistant camera: aerial unit (uncredited) | |
Casting Department | |||
| Faith Allbeson | .... | casting assistant | |
| Orla Maxwell | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Annie Crawford | .... | wardrobe supervisor | |
| Dave Croucher | .... | costumes | |
Editorial Department | |||
| Conor Mackey | .... | assistant editor | |
| Mark Sanger | .... | first assistant editor | |
| Jason Wheeler | .... | negative cutter | |
| Christopher Womack | .... | first assistant editor | |
Music Department | |||
| Sophie Cornet | .... | music editor: temp music | |
| Terry Davies | .... | conductor | |
| Terry Davies | .... | orchestrator | |
| Paul Englishby | .... | musical director | |
| Adrian Johnston | .... | orchestrator | |
| Tony Lewis | .... | music editor | |
| Steve Parr | .... | music mixer | |
| Steve Parr | .... | music recordist | |
| Maggie Rodford | .... | music supervisor | |
| Alison Wright | .... | music supervisor | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| Dom Kelly | .... | musician: oboe (uncredited) | |
Transportation Department | |||
| Gary Birmingham | .... | unit transportation manager | |
| Martin Birmingham | .... | driver: paul nicholls | |
| John Hollywood | .... | driver: jennifer love hewit | |
| Lee Isgar | .... | driver: Gil Junger | |
Other crew | |||
| Linda Benjamin | .... | executive | |
| Glen Campbell | .... | unit nurse | |
| Gavin Charlton | .... | sous chef | |
| Melanie Claus | .... | production coordinator | |
| Sue Field | .... | script supervisor | |
| David House | .... | stand-in: Paul Nicholls | |
| Jim Jaffe | .... | product placement | |
| Martin Joy | .... | assistant location manager | |
| Charlie Lemmer | .... | stand-in: Jennifer Love Hewitt | |
| Marc Lieberman | .... | assistant: Bobby Newmyer | |
| Alice Lusher | .... | assistant: Gub Neal | |
| Simon Marsden | .... | location manager | |
| Maggie Moran | .... | assistant to producer | |
| Chris Morgan | .... | location scout | |
| Victoria Morgan | .... | assistant production coordinator | |
| Geraldine Patten | .... | assistant: Gil Junger | |
| Lee Robertson | .... | assistant location manager | |
| Matthew Sanders | .... | unit publicist | |
| Keleigh Slaight | .... | assistant: Basil Iwanyk | |
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| As It Is in Heaven | Running on Empty | Across the Universe | Sliding Doors | Blue Juice |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I attended the Sarasota Film Festival recently. "If Only" was the opening night film there, but I passed on the initial screening. However, it generated great buzz from those who saw it, so I caught the second screening of the film at the festival, and I must say I was stunned at how good this film was.
Emily (Jennifer Love Hewitt) and Peter (Paul Nicholls, British newcomer) are a young couple living together in London. Peter is a British businessman, Emily, an American, is an aspiring singer. The film opens with some sweet, light hearted comedy as we are introduced to the couple. However, when the two have issues many young couples deal with, they are left on a bad note when suddenly tragedy strikes and their relationship is ended. It is very hard to get in to more detail without giving away too much of the film, but let's just say, we are treated to a touching dramatic story of a romance as we see what a unique opportunity could bring and how we should never take for granted what we say or do in relationships because of what can happen in life.
When you run in to a film of this nature, you always wonder about whether the film will try too hard to pull the heart strings to manipulate an emotional reaction, but the movie is so great at avoiding that. The film is genuinely touching with outstanding, intelligent writing, moving and serious with nice sprinkles of humor when appropriate, and very well paced direction. The acting, to me though, is the biggest shocker. I'd never heard of Paul Nicholls before, but he is a very charming presence. Another reviewer mentioned Hugh Grant, and that is spot on. He is a very charismatic young actor and could develop in to a star down the road. Tom Wilkinson, a staple in very strong independent films ("In the Bedroom" being his favorite of mine though "The Full Monty" has always been near the top of my list as well), graces the movie with another good performance in a supporting role. The biggest standout to me though has to be Jennifer Love Hewitt. I've seen a few of her films, and while she was attractive and charismatic at times, I was fairly unimpressed with her ability as she was usually glossy and two dimensional. I had major doubts about her ability to actually be a lead in a good dramatic film, which is why I skipped this before the great festival buzz, but I have to say, she was perfect. Her physical attributes are more subdued in this film, sure she is pretty, but she has to actually carry this film on her skills as an actress and she pulls it off. She shows range, nails some very emotional scenes, and does something that is the key to pulling off this type of role, which is make you care about what happens to her character. Her happiness comes across as genuine, as does her excitement at a major event that occurs in the film, as does her pain. The performances by Hewitt and Nicholls are what make the climax of the film so dramatic and emotional. This film should advance Hewitt's career beyond the type of run of the mill Hollywood fare that she has based her movie career on so far. She shows great potential as a good leading lady in more serious films which, frankly, is the last thing I expected going in to this film.
"If Only" is independently produced, it is not a studio film, which is why it was showing at the festival as it is making the rounds looking for U.S. distribution. As is often the case, these types of films allow the discove ry of great newcomers (Nicholls) and the chance for more established actors to stretch themselves outside their previous mainstream work (Hewitt) in hopes of making a small film that beats out the major studio work with quality in writing, acting and directing and this film has accomplished that goal. I hope that this film finds the success it deserves down the road; it was the surprise, and treat, of the festival for me and many others in attendance. It is a beautiful love story and an extremely effective film at keeping you involved in the development of the characters for the full two hours. Thumbs up from me and keep an eye out for it.