| Photos (See all 32 | slideshow) | Videos (see all 6) |
| Robert Redford | ... | Wayne Hayes | |
| Helen Mirren | ... | Eileen Hayes | |
| Willem Dafoe | ... | Arnold Mack | |
| Alessandro Nivola | ... | Tim Hayes | |
| Matt Craven | ... | Agent Ray Fuller | |
| Melissa Sagemiller | ... | Jill Hayes | |
| Wendy Crewson | ... | Louise Miller | |
| Larry Pine | ... | Tom Finch | |
| Diana Scarwid | ... | Eva Finch | |
| Elizabeth Ruscio | ... | Cindy Mack | |
| Gwen McGee | ... | Agent Kathleen Duggan | |
| Sarah Koskoff | ... | Lane Hayes | |
| Graciela Marin | ... | Graciela | |
| Mike Pniewski | ... | Detective Kyle Woodward | |
| Geoff McKnight | ... | John Dewitt | |
| Tom Arcuragi | ... | Foodland Manager (as Tom E. Arcuragi) | |
| Audrey Wasilewski | ... | Foodland Cashier | |
| Peter Gannon | ... | Agent Elkins | |
| Jacqi Loewy | ... | Agent Crew | |
| Matt Miller | ... | Another Agent | |
| Mark Emery Moore | ... | Agent Sullivan | |
| Joel Nunley | ... | Waiter (as Joel S. Nunley) | |
| Ted Manson | ... | Robert Gidden | |
| rest of cast listed alphabetically: | |||
| Tony Amen | ... | Customer in Supermarket (uncredited) | |
| Jackie Goldston | ... | Reporter (uncredited) | |
| CB Hackworth | ... | Reporter (uncredited) | |
| Alex Houvouras | ... | Reporter (uncredited) | |
| John W. Iwanonkiw | ... | FBI Driver (uncredited) | |
| William Kania | ... | Subway Patron (uncredited) | |
| Jackson Nunn | ... | Subway Passanger (uncredited) | |
| Sarah E. Spencer | ... | Reporter (uncredited) | |
| Nathan Wright | ... | Airport Passenger (uncredited) | |
| John Yost | ... | FBI Agent (uncredited) | |
Directed by | |||
| Pieter Jan Brugge | |||
Writing credits | ||
| Pieter Jan Brugge | (story) and | |
| Justin Haythe | (story) | |
| Justin Haythe | (screenplay) | |
Produced by | |||
| Pieter Jan Brugge | .... | producer | |
| Jawal Nga | .... | associate producer | |
| Jonah Smith | .... | producer | |
| Dara Weintraub | .... | line producer | |
| Palmer West | .... | producer | |
Original Music by | |||
| Craig Armstrong | |||
Cinematography by | |||
| Denis Lenoir | |||
Film Editing by | |||
| Kevin Tent | |||
Casting by | |||
| Victoria Thomas | (as Vicki Thomas) | ||
Production Design by | |||
| Chris Gorak | |||
Art Direction by | |||
| Paul Huggins | |||
Set Decoration by | |||
| Marthe Pineau | |||
Costume Design by | |||
| Florence-Isabelle Megginson | |||
Makeup Department | |||
| Jane Galli | .... | makeup department head | |
| Virginia G. Hadfield | .... | hair department head (as Virginia Hadfield) | |
| Taylor Knight | .... | makeup assistant: Atlanta | |
| Gary Liddiard | .... | makeup artist: Mr. Redford | |
| Tena Parker | .... | hair stylist: Mr. Redford (as Tena Parker-Liddiard) | |
| Judy Ponder-Patton | .... | key makeup artist | |
| Michael Riley | .... | hair assistant: Atlanta | |
| Denise Tunnell | .... | makeup artist | |
| Patty Bell | .... | makeup artist (uncredited) | |
Production Management | |||
| Kimberly Rach | .... | production supervisor | |
| Dara Weintraub | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Alison C. Rosa | .... | second assistant director | |
| John Rusk | .... | first assistant director | |
Art Department | |||
| James Brothers | .... | on-set dresser | |
| Matthew Butler | .... | key greensman: Atlanta | |
| Christopher Didiot | .... | set dresser | |
| David Dreyer | .... | set dresser | |
| Daniel B. Foster | .... | lead man | |
| Brian Avery Galligan | .... | assistant property master | |
| Sammy Ray Hill | .... | greens person | |
| Michelle Ihnot | .... | set dresser | |
| Gregory Jones | .... | greensman: Pittsburgh | |
| Kenneth J. Kellers | .... | leadman: Pittsburgh | |
| Lauri Mancuso | .... | scenic painter | |
| Swift Moseley | .... | key greensman | |
| Mark Nave | .... | carpenter | |
| Gregg Perez | .... | set dresser | |
| Lance Totten | .... | set dresser | |
Sound Department | |||
| Christopher Assells | .... | sound effects editor | |
| Douglas Axtell | .... | sound | |
| Lon Bender | .... | supervising sound editor | |
| John Bires | .... | sound engineer | |
| Bryan Bowen | .... | sound effects editor | |
| Bob Bowman | .... | first assistant sound editor | |
| Harry Cohen | .... | sound effects editor | |
| Gary Coppola | .... | sound re-recording mixer: temp | |
| Mick Davies | .... | sound utility | |
| Marc Fishman | .... | sound re-recording mixer | |
| Randy Kelley | .... | sound effects editor | |
| David Kudell | .... | assistant sound editor | |
| Tony Lamberti | .... | sound re-recording mixer | |
| Paul Longstaffe | .... | dialogue editor | |
| Anna MacKenzie | .... | supervising sound editor | |
| Michael McNerney | .... | foley mixer | |
| Carey Milbradt | .... | foley mixer | |
| Chris Navarro | .... | adr recordist | |
| Todd Niesen | .... | sound effects editor | |
| Unsun Song | .... | sound recordist | |
| Paul P. Soucek | .... | sound editor | |
| Peter Staubli | .... | sound effects editor | |
| Greg Steele | .... | adr mixer | |
| Karen Vassar | .... | foley editor | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Lisa Reynolds | .... | special effects assistant | |
| Bob Shelley | .... | special effects | |
Visual Effects by | |||
| Cosmas Paul Bolger Jr. | .... | visual effects producer | |
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor | |
| Heather Ignarro | .... | visual effects coordinator | |
| Tommy Tran | .... | digital effects artist | |
| Toby Wilkins | .... | Inferno artist | |
Stunts | |||
| Gavin Buhr | .... | stunts | |
| Charles Croughwell | .... | stunt coordinator (as Charlie Croughwell) | |
| Dan Shea | .... | stunt double | |
Casting Department | |||
| Nicole Abellera | .... | casting assistant | |
| Janelle Cochrane | .... | casting associate: Atlanta | |
| Kim Coleman | .... | casting associate | |
| Shirley Fulton Crumley | .... | location casting | |
| Patrick Ingram | .... | extras casting assistant | |
| Lori Maloney | .... | extras casting: Atlanta | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Nancy Mosser | .... | extras casting director | |
| Nancy Mosser | .... | location casting | |
| Karen Faith Rothwell | .... | casting assistant | |
| Marty Cherrix | .... | extras casting: Noth Caroline (uncredited) | |
Costume and Wardrobe Department | |||
| Daniel George | .... | set costumer | |
| Nan McCulloch | .... | set costumer | |
| Stephen K. Randolph | .... | costumer: Mr. Redford | |
| Linda N. Robinson | .... | costume dyer | |
| Stephanie Siemens | .... | costume supervisor | |
| Sanford Slepak | .... | costume shopper | |
| Sanford Slepak | .... | costumer | |
Editorial Department | |||
| David Berman | .... | apprentice editor | |
| Charles Bunn | .... | assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Carlos M. Castillón | .... | apprentice editor | |
| Michael Hatzer | .... | color timer | |
| Richard B. Molina | .... | assistant editor: avid | |
| Jami Philbrick | .... | post-production assistant | |
| Alexis Seymour | .... | first assistant editor | |
| Lonnie A. Mathes | .... | post-production assistant (uncredited) | |
Music Department | |||
| David Donaldson | .... | music programmer | |
| Matt Dunkley | .... | conductor | |
| Matt Dunkley | .... | orchestrator | |
| Geoff Foster | .... | score recordist | |
| Christine H. Luethje | .... | music editor | |
| Nick Mera | .... | music preparation | |
| Roy Prendergast | .... | music editor | |
| Julia Michels | .... | executive in charge of music (uncredited) | |
Transportation Department | |||
| Janet Perrotti | .... | driver | |
| Cindi Randall | .... | transportation captain | |
| Pamela C. Ray | .... | driver | |
| Marc Scott | .... | transportation coordinator | |
| Windi Robinson | .... | driver: cast trailer (uncredited) | |
Thanks | |||
| Jeroen Krabbé | .... | special thanks | |
| Michael Mann | .... | special thanks | |
| Alan J. Pakula | .... | dedicatee | |
| Hannah Pakula | .... | special thanks | |
| Billy Weber | .... | special thanks | |
| Bryce Guy Williams | .... | special thanks | |
| Edward Zwick | .... | special thanks (as Ed Zwick) | |
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| Intermission | Toto the Hero | Munich | Kings & Queen | Big Fish |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Wayne and Eileen Hayes appear to be the ideal couple. They have a successful business, live in a wealthy Pittsburgh suburb, and have two well-adjusted grown children. But when Wayne is kidnapped at gunpoint and held for ransom by a former employee, cracks in their armor begin to show. Based on the kidnapping of a Dutch industrialist, Pieter Jan Brugge's The Clearing shows two different takes on the American dream.
Robert Redford plays Wayne, a self-made car-rental executive who has become emotionally estranged from his wife and children. Willem Dafoe plays Arnold Mack, an unemployed man who sees himself as a failure and is unable to handle the success of his one-time employer. The film tells parallel stories that operate in different time frames, a unique device that deepens the puzzle. One thread revolves around Wayne, handcuffed and held at gunpoint by Arnold, being led through an area near the Great Smoky Mountains. The other revolves around Eileen (Helen Mirren) and her interactions with FBI investigator Ray Fuller (Matt Craven) who has set up his unit as a control center inside the Hayes home while the couple's children look on.
Redford is outstanding as the intense business tycoon, and Mirren gives one of her best performances, portraying a tightly controlled suburbanite wife who refuses to panic even when her husband misses a dinner party she told him to be on time for. She keeps going even when it is obvious that something has gone wrong -- swimming in her pool, holding a birthday party for her grandchild, and waiting before calling the police because she thinks that her husband may have left her. Eileen discovers through the FBI search of phone records that her husband has continued seeing another woman, a relationship he'd told her was broken off. She visits Wayne's mistress (Wendy Crewson), and retains her composure, showing emotion only in the way that she purses her lips. Always self-assured, she wants to know only where their trysts had taken place and what gifts he had brought her.
As Wayne and his abductor walk through the forest, they engage in conversations about their lives and about opportunity in America. Wayne says that he made himself what he is today, and that Arnold had the same opportunity but failed. Both play a cat-and-mouse game, but treat each other with grudging respect, and it is clear that they've both paid a price. Wayne admits that his he has lost the love of his wife because of his overindulgence in his work, and the lack of attention he paid to his children. He tells Arnold, "I love my wife... we have two beautiful kids, and I'm just getting to know them."
The Clearing is a quiet, thoughtful film that slowly builds suspense that is not released until the very end. Although there are some contrivances in the plot, the acting is superb throughout and the film works as a psychological thriller, a meditation on loss and regret, and a character study of two flawed but loving people who have forgotten how to express their joy in living.