| Videos (see all 3) |
| Gina Philips | ... | Karen Baldwin | |
| Tom Sizemore | ... | Pierce | |
| Jenny Mollen | ... | Wendy Baldwin | |
| Randall Batinkoff | ... | Jeff | |
| Frances Bay | ... | Nanna | |
| Marc Lynn | ... | Sheriff | |
| Hayley McFarland | ... | Young Karen | |
| Krystal Rohrer | ... | Young Wendy | |
| Martin Joswick | ... | Messenger | |
| Carlene Moore | ... | Secretary #1 | |
| Cynthia Alvarado | ... | Secretary #2 |
Directed by | |||
| Rubi Zack | |||
Writing credits(in alphabetical order) | ||
| Alex Barder | ||
| Jim Suthers | ||
| Michael Tabb | ||
| Rubi Zack | ||
Produced by | |||
| Alex Barder | .... | producer | |
| Michael Brausen | .... | associate producer | |
| Mark Headley | .... | co-producer | |
| Lawrence Silverstein | .... | producer | |
| Michael Tabb | .... | associate producer | |
| Randolf Turrow | .... | line producer | |
| Rubi Zack | .... | producer | |
Original Music by | |||
| John Massari | |||
Cinematography by | |||
| Mark Woods | |||
Film Editing by | |||
| John Coniglio | |||
Casting by | |||
| Shannon Makhanian | |||
Production Design by | |||
| Max Epstein | |||
Art Direction by | |||
| Lindsey Moran | |||
Costume Design by | |||
| Oneita Parker | |||
Makeup Department | |||
| Laura Leppanen | .... | assistant hair stylist | |
| Laura Leppanen | .... | assistant makeup artist | |
| Keston Ridley | .... | assistant hair stylist | |
| Keston Ridley | .... | assistant makeup artist | |
| Linda Sammut | .... | key hair stylist | |
| Linda Sammut | .... | key makeup artist | |
| Galaxy San Juan | .... | assistant hair stylist | |
| Galaxy San Juan | .... | assistant makeup artist | |
Production Management | |||
| Randolf Turrow | .... | unit production manager (as Randy Turrow) | |
Art Department | |||
| Shane T. French | .... | on-set dresser | |
| Erick Garibay | .... | property master | |
| Kevin Jak | .... | lead scenic artist | |
| Greg Lang | .... | set dresser | |
Sound Department | |||
| Robert Carr | .... | sound re-recording mixer | |
| Bradley Clouse | .... | assistant sound editor (as Brad Clouse) | |
| Michael Colomby | .... | sound re-recording mixer | |
| Terry Garcia | .... | assistant sound editor | |
| Ray Guillory | .... | boom operator | |
| Ben Jacob | .... | sound mixer (as Itamar Ben-Jacob) | |
| Michael Lyle | .... | foley artist | |
| Steve Mann | .... | sound editor | |
| John Massari | .... | post-production sound supervisor | |
| John Massari | .... | sound designer | |
| Kimberly R. McCord-Wilson | .... | adr supervisor (as Kimberly McCord-Wilson) | |
| Kimberly R. McCord-Wilson | .... | dialogue supervisor (as Kimberly McCord-Wilson) | |
| Matthew J. Mondrick | .... | foley mixer (as Matthew Mondrick) | |
| Richard Partlow | .... | foley artist | |
| Paul Stevenson | .... | foley artist | |
| Christina Tucker | .... | adr mixer | |
Visual Effects by | |||
| Mark Intravartolo | .... | visual effects | |
Stunts | |||
| Sam Ayers | .... | stunt double: Tom Sizemore | |
| Helena Barrett | .... | stunts | |
| Cheryl Bermeo | .... | stunts | |
| Dan Flannigan | .... | stunts | |
| Steven Istock | .... | stunt coordinator | |
| Michael R. Long | .... | stunt rigger | |
| Carl Anthony Nespoli | .... | stunts (as Carl Nespoli) | |
| Dana Reed | .... | stunts | |
Costume and Wardrobe Department | |||
| Julia Austerman | .... | wardrobe supervisor | |
| Chantal Filson | .... | seamstress | |
| Chantal Filson | .... | wardrobe supervisor | |
Editorial Department | |||
| Darol Michael Carr | .... | on-line editor (as Mikey Carr) | |
| Rick Fields | .... | additional editor | |
| Marc Fisher | .... | on-line editor | |
| Kim Schneider | .... | colorist | |
Music Department | |||
| John Massari | .... | music mixer | |
| John Massari | .... | music recordist | |
| John Massari | .... | music supervisor | |
| John Massari | .... | orchestrator | |
Transportation Department | |||
| Ed Adams | .... | driver | |
| Keith Gubitz | .... | driver | |
| John Ober | .... | driver | |
| Tony Ruiz | .... | transportation coordinator | |
Other crew | |||
| Ron Bissland | .... | script supervisor | |
| Mary E. Brown | .... | assistant production coordinator | |
| Kody Busch | .... | assistant: Mr. Sizemore | |
| Ryan Colston | .... | office assistant | |
| Christopher de Barros | .... | production assistant | |
| Nancy E. Degan | .... | horse trainer (as Nancy Degan) | |
| Melanie E. Gonzalez | .... | production coordinator | |
| Mark Headley | .... | location manager | |
| Raymond Hernandez | .... | production assistant | |
| Samuel Hernandez | .... | production assistant | |
| Kevin Jak | .... | set medic | |
| Tom Lewis | .... | production attorney | |
| John Massari | .... | midi programmer | |
| Debbie Nodella | .... | production auditor | |
| Lisa Parker | .... | script supervisor | |
| Chris Petoyan | .... | set teacher (as Chris Astoyan) | |
| Lissette Pinon | .... | assistant: Ms. Philips | |
| Eric Scofield | .... | title designer | |
| Marina Slavutsky | .... | production accountant | |
| Brandon Waite | .... | office production assistant | |
| Bryon Ward | .... | set teacher | |
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| Stir of Echoes | The Slayer | Hush...Hush, Sweet Charlotte | The Ring | Single White Female |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
A movie has to be really bad for me to fail to see some redeeming quality in it. This is that movie. It has no redeeming qualities. None. The acting is bad. The story (or lack of same) is bad. There is no resolute ending. It is about a woman who must come to terms with a lifetime of night terrors and the cause of them. When her grandmother dies and leaves to her the house where she spent her summers as a little girl, the opportunity for her to deal with her nightmares presents itself. She goes to the house to stay until she can sell it. She transforms from successful business woman to disoriented, annoying screamer as soon as she enters the house. Apparently everything she sees, hears, feels, thinks is symbolic of a childhood trauma. Unfortunately, there is never a foundation developed to which one can relate the symbols. Nothing relates to anything. Nothing makes sense, except we know that she is terrified, maybe guilt ridden from some childhood experience(s). None of her actions are logical, even if you can manage to suspend disbelief, which for this movie is required to even sit through the whole thing. I'd like to see a finished version of this movie, because this version is obviously half baked.