A family relocates from the city to a dilapidated house in the country that was once a grand estate. As they begin to renovate the place they discover their new home harbors secrets, conceals a horrific past, and may not be free of the former inhabitants completely.
On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Wanting to escape city life for the countryside, New Yorkers Cooper Tilson (Quaid), his wife Leah (Stone) and their two children move into a dilapidated old mansion still filled with the possessions of the previous family. Turning it into their dream house soon becomes a living nightmare when the previous owner (Dorff) shows up, and a series of terrifying incidents lead them on a spine-tingling search for clues to the estate's dark and lurid past... Written by
We see a chopper's-eye view of a sunlit New York City morning. In the next shot, we see that the time, according to Leah's clock radio, is 4.30am. The earliest that the sun rises in New York is around 5.25am in mid summer. See more »
Cold Creek Manor is just a collection of sad, tired "thriller" clichés. I know it's a bad sign when I'm rooting for the victims to die. Characters say and do things for no reason, apparently, other than the writer wanted to make the movie last just a little bit longer. Rest assured that if a course of action makes no sense or is just a bad idea in general the story will follow it.
As if that weren't bad enough, the characters are all cardboard cut-outs without any depth. Seemingly all the women in this movie are, in the words of Mr. Massie "cheatin' whores." Small town America is once again Hollywoodized into too-close-for-comfort chumminess on the one side and we don't take kindly to strangers xenophobia on the other. Once again the movies tries to impart to us the dangers of moving to the country. Although Quaid's mild-mannered, pushover character works for the most part.
Finally, the sound editing leaves a lot to be desired, lines are muttered requiring the use of subtitles to understand some parts. And the music that is supposed to evoke a sense of suspense just comes across as annoying.
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