Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee ... See full summary »
Marcello is a successful architect, a husband and a distracted father (too) friendly. Marina is a psychologist maladjusted, wife and mother restrained 'eco-solidarity'. Rosa is in the ... See full summary »
Enza, 16, a drop out, is arrested with her older sister, Rosaria, for shoplifting. They're sent to a reformatory run by hard-nosed nuns. The girls tease Enza because she's a virgin. So, on ... See full summary »
On July 23 of 1802, the Duchess of Alba, the richest and most liberated woman of her time, offers a gala to inaugurate her new palace. Attendance is extraordinary: the Prime Minister Manuel... See full summary »
Spain in the mid-seventeenth century. A series of bloody wars has ravaged the nation. Don Juan the nobleman and his valet, Sganarelle, roam the countryside on horseback, on the run and lost... See full summary »
While waiting for the brain surgery of his daughter Angela, victim of a motorcycle accident, the surgeon Timoteo (Sergio Castellitto) recalls his torrid affair with and passion for Italia (Penélope Cruz), a simple woman from slums in the periphery of the big city where he lives. The ghost of the beloved and sexual object of desire Italia chases him in his memories. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Sabrina Impacciatore was determined to play Italia and prepared very hard for the role. When she auditioned, director Sergio Castellitto was so impressed with her performance that he hugged her and, a couple of days later, she was told that she had won the part. However, one month later, the producers decided to replace her with Penélope Cruz. See more »
Note: Penélope Cruz' character Italia is, if at all comparable to Federico Fellinis work the legitimate continuation of Giulietta Masina's character Cabiria from "Le Notti di Cabiria", not Gelsomina from "La Strada".
Having said this I will briefly add this comment to mention that "Non ti muovere" is one of the two best films I have seen so far.
So another comment in favor of Castellito's amazing piece work.
Make up your own mind. In response to some of the other comments that suggest this is a study in S&M or that many viewers might consider this film "High Art", I say it's neither. It is basically a powerful love-story/soap opera that is beautifully directed, acted and edited and will either leave you cold and furious or emphatic and happy, depending on your sensibility. It's about finding life and in doing so finding something to believe in.
A doctor who has become the world's biggest pragmatist finally encounters a woman who takes away everything he once thought mattered.
It's Italian melodrama in its purest form. For some people this can be very effective, for others purely wasteful. There's nothing in between. But aren't these the movies usually worth seeing the most?
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