A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
Paris, 1900: a couple are horribly murdered by a masked man with a metal claw who rips their hearts out. The sole survivor and witness to the massacre is a young girl. Twelve years later in... See full summary »
Riccardo Serventi Longhi
A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A spree of grisly murders is perpetrated in Frankfurt by a group of Satan worshippers. A school teacher almost runs over an old man with a box and takes him in. It's no accident that the ... See full summary »
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
In Rome, after the abduction of a British tourist, the police inspector Anna Mari is contacted by the criminal, who self-entitles The Card Player, challenging the police department to dispute a video poker with him where the prize would be the life of the victim. The Chief of Police refuses to participate and the victim is tortured and killed in front of an Internet web cam. The British detective John Brennan is assigned to investigate the case and when another woman is kidnapped, they invite the addicted player Remo to play for the police. Anna and John lead the investigation trying to disclose who might be the serial-killer. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The role of the cop was intended for Mathieu Kassovitz but he withdrew when he was offered the chance to direct Gothika (2003). It was eventually given to Liam Cunningham and the name changed from John Russo to John Brennan. See more »
Dario Argento's new thriller about a serial killer who forces the police to play video poker against him in order to save the lives of women he has kidnapped doesn't rank with the director's best work, but it is fast paced and entertaining if you aren't expecting too much.
After the disastrous Phanton of the Opera Argento made Sleepless, which was a self-conscious attempt to duplicate the success of his 1970's giallos, down to giving long defunct group Goblin credit for the soundtrack. Sleepless was certainly watchable, but it felt more like an Argento rip-off by an inferior director rather than the real thing, like the master had somehow turned into Antonio Bido or Luigi Cosi.
This time around Argento makes a movie that is less obviously grounded in his own previous success--The Card Player is far more generic than Sleepless, but since Argento isn't trying so hard to recapture past magic the film tends to work much better.
Unfortunately plotting and characterization have always been his achilles heel. Classic Argento films are about set-pieces and style, not plot. Stendhal Syndrome suffered because it turned into a character driven psychological thriller, which didn't play to his strengths as a filmmaker. The Card Player is largely plot-driven, lacking the stylistic flourishes and memorable set-pieces that defined his classic films and also offset his weaknesses as a writer. The Card Player generally feels like a made for TV crime thriller or even a pilot for a potential television show.
But while The Card Player isn't great or even mildly believable it is pretty fun on a cheesy B movie level, and the finale involving a handcuff key, a racing train and a lap-top manages to capture the delirious goofiness that came easily to the director back when he made Phenomena and Deep Red. It's not hard to imagine Argento giggling when he came up with his climactic scene and the sense of fun is infectious.
Most fans have probably accepted by now that Dario Argento isn't the filmmaker he was twenty years ago and that he will likely never make another classic thriller, but The Card Player is at least good enough not to disappoint, given the lowered expectations that now inevitably greet one of his movies. For me this was easily his best since Trauma. It also offers reason for optimism: Sleepless was a huge improvement over Phantom of the Opera and The Card Player is better than Sleepless, giving fans a reason to look forward to his next film.
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