Olaf "Gunn" Gunnunderson, an out-and-proud gay college student, crawls back into the closet to survive the holidays with his family. He keeps his cool as his quirky Midwestern-hearted ... See full summary »
The hockey career of former Toronto Maple Leaf Eric McNally, who was known as a tough enforcer, came to an end with a shoulder injury. He is now a sportscaster. Except to his assistant Nula... See full summary »
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A "coming out" story that avoids all the tired cliches and stays committed to telling the stories of these characters, "East Side Story" examines bias of all kinds and features stirring performances by incredibly attractive actors.
This is a combination coming out and first love story. The swimmer and diver Lucard is interested in attractive Martin. The film follows the characters' coming out with all its difficulties... See full summary »
Marcial Di Fonzo Bo,
"All Over The Guy" is a contemporary romantic comedy about the quest to find the "one" when "the one" doesn't know he's the "one." It explores the unlikely pairing of two 20-somethings ... See full summary »
Angelo Barberini is the oddball son of Italian immigrants Gino and Maria, who inadvertently ended up in Canada rather than the States. Angelo shocks his parents by moving out on his own without getting married, and shocks them further still when he reveals that he's gay. But his boyfriend, policeman Nino Paventi isn't as ready to come out of the closet -- especially not to his busybody mother, Lina. Written by
Shannon Patrick Sullivan <email@example.com>
Both the film and the play (which the film is based upon) are based on Steve Galluccio's own life and experiences. See more »
In two shots, the Italian flag is shown back to front. On the television, and on the computer monitor the Italian flag is shown as red, white, and green. The colors of the flag are green, white, and red. See more »
What can I get for you?
My husband has been dead for eighteen years. What I need you can't offer cause you're married.
We make special arrangement. What do you say Maria, we help out a friend?
[looks at him reproachfully, then turns to Lina]
You're better off with your memories.
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As an east end, English speaking Montrealer not of Italian origin but always among Italians, this film struck a chord with me. It's about a perpetual outsider named Angelo, played by Luke Kirby (his acting skill is phenomenal; casting directors, take note, his face is so expressive that words fail in attempting to describe it, a real cinema actor). This hilarious film is about Angelo's trials and tribulations, striving to find his voice as a writer while the worlds around him, both old and new, are more earthbound and mundane. His parents (portrayed by Paul Sorvino and Ginette Reno) rise above stereotypes and seem quite believable (believe me, I know). The gay issue, which meant that the screening I attended in St. Leo was mainly young women whose boyfriends couldn't be dragged to a movie about "salsicce-eaters," was dealt with a tact and humility that is rare in even supposedly pro-gay films and TV shows. Angelo is a man who likes men, but so what? He feels pain, he loves, and he yearns; he's not some camp stereotype, nor is he some quirky sidekick with no personal problems. His sister Anna (also well played by Claudia Ferri) could have a whole movie to herself, with her constant battles with the parents' leaving her a valium-popping mental car wreck. Then there is Nino, Angelo's boyfriend. He struggles with his identity too (gay cop isn't exactly as popular a job as systems analyst), and is in some respects more complex a character than Angelo. However, he is not the focus of the movie.
Though the trailers make this look like a vain attempt to make a Canadian/Italian answer to the visually much duller My Big Fat Greek Wedding, this is not the case. Playwright Steve Gallucio collaborated on the screen version with director Emile Gaudrealt, ensuring faithfulness to the excellent original while ensuring that the film has a definite cinematic flair. The colours are are as vivid as the characterisations, the only drawback in the latter being that there are not too many Italians in the principle cast. Mary Walsh, though quite funny and recognizable to the 2 or 3 Canadians who actually watch the CBC, is definitely not Sicilian.
That being said, the movie has far fewer limitations than strengths. It has funny moments, and it has daringly dark moments. I don't want to give away too much, as I want as many people to see this as possible. My only real complaint is that the parents' house in St. Leo didn't have a statue of the Virgin Mary out front. All in all, please watch this film.
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