Three stories of never-ending love.

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Cast

Cast overview, first billed only:
Miho Kanno ...
Sawako
Hidetoshi Nishijima ...
Matsumoto
...
Hiro, the Boss
Chieko Matsubara ...
Ryoko, the Woman in the Park
Kyoko Fukada ...
Haruna Yamaguchi, the Pop Star
Tsutomu Takeshige ...
Nukui, the Fan
Kayoko Kishimoto ...
Haruna's Aunt
Kanji Tsuda ...
Young Hiro
...
Young Ryoko
Ren Ôsugi ...
Haruna's Manager
Shimadayu Toyotake ...
Tayu, Puppet Theater Narrator
Seisuke Tsurusawa ...
Puppet Theater Shamisen Player
Minotaro Yoshida ...
Puppeteer of Umegawa the Courtesan
Yoshida ...
Puppeteer of Chubei
Shôgo Shimizu ...
Matsumoto's Father
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Storyline

Three stories of undying love: Bound by a long red cord, a young couple wanders in search of something they have forgotten. An aging yakuza returns to the park where he used to meet his long-lost girlfriend. A disfigured pop star confronts the phenomenal devotion of her biggest fan. Written by <intlpress@aol.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

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Details

Official Sites:

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Language:

Release Date:

12 October 2002 (Japan)  »

Also Known As:

Bebekler  »

Filming Locations:

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Box Office

Opening Weekend:

$281,481 (Japan) (11 October 2002)

Gross:

$4,067 (USA) (17 December 2004)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This is the last Takeshi Kitano film to feature music by Joe Hisaishi. Kitano claimed that it became too expensive to hire Hisaishi for soundtracks while Hisaishi claimed that he didn't like the screenplay of the movie. Actually, they both had an argument about some pieces which weren't selected for the soundtrack, and where to put the others in the movie. They stopped working together since then. See more »

Connections

Referenced in Embrace (2007) See more »

Soundtracks

Feel
Written by Joe Hisaishi
Performed by Joe Hisaishi
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Frequently Asked Questions

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User Reviews

 
Amazingly aesthetic
26 January 2003 | by (Barcelona, Spain) – See all my reviews

Takeshi Kitano proudly presented Dolls in the last Venice festival, where it received bad critics and reviews from the so-called cinema intellectuals and movie critics (I'd rather called them dollar-seekers). A few months later it was premiered in the Sitges Cinema Fest, I didn't expected too much, I was too wrong.

Dolls is a great movie about true love and the meaning of life. It's perfectly directed, it's perfectly acted, it's... perfect? May be, of course it depends on you. The point to criticize the movie for most of the critics, is the point that I praise: the use of the symbols is 100% aesthetic, I even believe that the real love is not the subject of the movie, but aesthetics; and the greatest of everything is that using this strange way of filming he really emphasizes the story. The traditional filming would use symbol's as a way to directly emphasize the action, but this movie uses the symbols independently from the action and that gives strength to the overall story.

The aestheticism is very dangerous, because it can turn your movie into a sum of meaningless scenes attached with a very poor story, making it very boring. However Kitano-sensei (my biggest and greatest inspiration) manages to exploit aesthetics without loosing the plot.

This is not the first time that Kitano tries to explain a story with images, in Ano natsu ichiban shizukana umi (A scene at the sea) tried something similar, but didn't fully succeed.

In conclusion, it's a masterpiece you shouldn't forget. Kitano is one of the greatest directors nowadays and this movie proves it. Whether you are a hardcore Kitano fan or just enjoy films, watch it, you won't get disappointed.

10 out of 10


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