5.0/10
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225 user 115 critic

The Brown Bunny (2003)

Not Rated | | Drama | 14 November 2003 (Austria)
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Professional motorcycle racer Bud Clay heads from New Hampshire to California to race again. Along the way he meets various needy women who provide him with the cure to his own loneliness, but only a certain woman from his past will truly satisfy him.

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2,996 ( 344)
1 win & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Daisy (as Chloe Sevigny)
...
Elizabeth Blake ...
Anna Vareschi ...
Mary Morasky ...
Jeffrey Wood ...
Eric Wood ...
Michael Martire ...
Rick Doucette ...
Jim Lester ...
Michael Niksa ...
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Storyline

After racing in New Hampshire, the lonely motorcycle racer Bud Clay drives his van in a five-day journey to California for the next race. Along his trip, he meets fan, lonely women, prostitutes, but he leaves them since he is actually looking for the woman he loves, Daisy. He goes to her house and leaves a note telling where he is lodged. Out of the blue, Daisy appears in his hotel room and soon he learns why he cannot find her. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

Release Date:

14 November 2003 (Austria)  »

Also Known As:

A barna nyúl  »

Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$50,601 (USA) (27 August 2004)

Gross:

$365,734 (USA) (3 December 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Chloë Sevigny claimed in interviews that the fellatio scene was not simulated. See more »

Goofs

When driving through St. Louis, it shows him crossing the Mississippi River from Illinois to Missouri via the Poplar Street Bridge. Soon after, he's shown driving on Hwy 40 through Saint Louis, but in the opposite direction. He's actually traveling back towards the Illinois side of the Mississippi River. See more »

Quotes

[first lines]
[Bud walks up to a young woman, working behind the counter in a gas station store]
Bud Clay: Hi.
Violet: Hello... Did you just come from the race track?
Bud Clay: Mmhm.
Violet: Did you win?
Bud Clay: No.
Violet: Oh.
Bud Clay: How much is this?
Violet: $2... Will you be racing again?
[...]
See more »

Connections

Featured in Indie Sex: Extremes (2007) See more »

Soundtracks

Milk and Honey
Written and Performed by Jackson C. Frank
Courtesy of Sanctuary Records Group
Published by Maxwood Music, Ltd.
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User Reviews

 
Worked for me.
30 August 2004 | by (L A.) – See all my reviews

I saw Buffalo 66 long before I started posting reviews at imdb, so I haven't written about that film but I loved it, I give it a 10, and after seeing The Brown Bunny at the Nuart on Saturday evening, I am here to report that I give Gallo's second feature film the same rating.

A lot of people seem to be misunderstanding this movie, or just not appreciating it, or perhaps both. There are many reasons for this, none of them valid in my estimation. The biggest protests, from what I've been reading, seem to be in the 'lack of plot' and 'vanity project' areas.

I can understand how the film would be a little slow for a lot of people, since it's basically an internal study, with none of the 'usual' mainstream (or even indy film) tactics. And in fact that's what I loved the most about the movie - how Gallo has the artistic wherewithal to be true to HIS vision of what a film can be, to how a plot of a film (and there IS a plot) can be played out in a different, less recognizable way, which leads to one of the reasons I think people are calling this a vanity project (aside from the infamous scene toward the end -- which I have to say is ABSOLUTELY ESSENTIAL to the film, once you find out what's really going on with our sick puppy Bud Clay) : because the movie doesn't follow a 'typical' set-up, requiring a bit more patience on the part of the viewer, a lot of people feel more comfortable dismissing this unbelievably profound piece of work as a 'vanity project'. In reality, I believe the opposite is true: Gallo is giving his audience more credit than they perhaps deserve, in presenting such a stark, uncompromising character study. The fact that a lot of this audience chooses not to accept him on his terms does not diminish his power and the power of this movie. Can't wait for the next one, Vincent.


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