228 user 118 critic

The Brown Bunny (2003)

Not Rated | | Drama | 14 November 2003 (Austria)
Professional motorcycle racer Bud Clay heads from New Hampshire to California to race again. Along the way he meets various needy women who provide him with the cure to his own loneliness, but only a certain woman from his past will truly satisfy him.



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1 win & 3 nominations. See more awards »
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Complete credited cast:
Daisy (as Chloe Sevigny)
Elizabeth Blake ...
Anna Vareschi ...
Mary Morasky ...
Mrs. Lemon
Jeffrey Wood ...
Featured Racer
Eric Wood ...
Featured Racer
Michael Martire ...
Featured Racer
Rick Doucette ...
Featured Racer
Jim Lester ...
Featured Racer
Michael Niksa ...
Featured Racer


After racing in New Hampshire, the lonely motorcycle racer Bud Clay drives his van in a five-day journey to California for the next race. Along his trip, he meets fan, lonely women, prostitutes, but he leaves them since he is actually looking for the woman he loves, Daisy. He goes to her house and leaves a note telling where he is lodged. Out of the blue, Daisy appears in his hotel room and soon he learns why he cannot find her. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis




Not Rated | See all certifications »

Parents Guide:






Release Date:

14 November 2003 (Austria)  »

Also Known As:

A barna nyúl  »


Box Office


$10,000,000 (estimated)

Opening Weekend USA:

$50,601, 29 August 2004, Limited Release

Gross USA:

$365,734, 5 December 2004
See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

1.66 : 1
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Did You Know?


When Roger Ebert first viewed the movie in May 2003, he stated that he thought it was the worst movie in the history of the Cannes Film Festival. In August 2004, after watching an edited-down, shorted version of the film, Ebert gave it a thumbs up on his show, stating its editing changed the film. See more »


In the first shot that clearly shows Lilly at the rest area, she uncrosses her legs & then re-crosses them, right-over-left. In the next shot they are left-over-right, then another cut shows them right-over-left again. See more »


[first lines]
[Bud walks up to a young woman, working behind the counter in a gas station store]
Bud Clay: Hi.
Violet: Hello... Did you just come from the race track?
Bud Clay: Mmhm.
Violet: Did you win?
Bud Clay: No.
Violet: Oh.
Bud Clay: How much is this?
Violet: $2... Will you be racing again?
See more »


Milk and Honey
Written and Performed by Jackson C. Frank
Courtesy of Sanctuary Records Group
Published by Maxwood Music, Ltd.
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User Reviews

He's so EDGY man, you should check him out, he makes CINEMA...
15 March 2011 | by See all my reviews

Vincent Gallo has a reputation. He makes movies that are for a lack of a better word, different, and as such, they find their way into the thought-o-sphere, where everyone forgets what makes Gallo's movies different, and the uninitiated walk away with the sense that Gallo makes real art that really is worth seeing, It's not. I promise you.

As I have seen Buffalo 66, I was prepared for the badly written dialogue and for the inordinately lengthy shots, suggesting, perhaps, that one can reach nirvana by losing one's self in the contemplation of Vincent Gallo's brooding forehead. What I was not prepared for was the sheer intensity of Mr. Gallo's narcissism. Whatever fundamental truth he may think he is conveying drowns with little more than a pathetic whimper, leaving in it's wake only the understanding that Gallo loves seeing himself on film, and that we should all love seeing him there too.

I get the sense that Gallo thinks he is like Antonioni - a master of capturing mood and the complex emotions of his subjects through minimal dialogue and vivid visual composition. He is not. The effect is that he doesn't know how to write and can't think of where to point his camera.

Oh yeah, and the controversy, the other hook to get college students looking for a cinematic rush to rent this crap from Netflix - if a movie is controversial it must be worth seeing right? Despite the desperate attempts to make the audience connect with his character, and to make sex a potent symbol,the climactic scene has the emotional depth of a cheap porno.

This is a bad movie. In every sense of the word. It is poorly written, ineptly acted, and badly directed. Gallo's only accomplishment is convincing the distributor (and enough of the audience) that it is difficult to watch not because it is bad, but because it is ART.

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