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The Brown Bunny (2003)

Not Rated  |   |  Drama  |  7 April 2004 (France)
5.0
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Ratings: 5.0/10 from 10,780 users   Metascore: 51/100
Reviews: 223 user | 99 critic | 30 from Metacritic.com

Professional motorcycle racer Bud Clay heads from New Hampshire to California to race again. Along the way he meets various needy women who provide him with the cure to his own loneliness, but only a certain woman from his past will truly satisfy him.

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Director: Vincent Gallo
Stars: Vincent Gallo
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Cast

Complete credited cast:
...
...
Daisy (as Chloe Sevigny)
...
Elizabeth Blake ...
Anna Vareschi ...
Mary Morasky ...
Jeffrey Wood ...
Eric Wood ...
Michael Martire ...
Rick Doucette ...
Jim Lester ...
Michael Niksa ...
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Storyline

After racing in New Hampshire, the lonely motorcycle racer Bud Clay drives his van in a five-day journey to California for the next race. Along his trip, he meets fan, lonely women, prostitutes, but he leaves them since he is actually looking for the woman he loves, Daisy. He goes to her house and leaves a note telling where he is lodged. Out of the blue, Daisy appears in his hotel room and soon he learns why he cannot find her. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

7 April 2004 (France)  »

Also Known As:

A barna nyúl  »

Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$50,601 (USA) (27 August 2004)

Gross:

$365,734 (USA) (3 December 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| |

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

On 31 July 2004, a billboard of the film was put up on Sunset Boulevard in Los Angeles. It depicted the infamous fellatio scene, cut off and blurred. Because of limited (but vocal) community outcry, the billboard was taken down on 5 August. See more »

Goofs

When Bud speaks to Daisy's mother, a glass on the table appears and then disappears between shots. See more »

Quotes

[first lines]
[Bud walks up to a young woman, working behind the counter in a gas station store]
Bud Clay: Hi.
Violet: Hello... Did you just come from the race track?
Bud Clay: Mmhm.
Violet: Did you win?
Bud Clay: No.
Violet: Oh.
Bud Clay: How much is this?
Violet: $2... Will you be racing again?
[...]
See more »

Connections

Featured in Indie Sex: Censored (2007) See more »

Soundtracks

Tears for Dolphy
Written and Composed by Ted Curson
Courtesy of Nosruk Music
See more »

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User Reviews

 
Worked for me.
30 August 2004 | by (L A.) – See all my reviews

I saw Buffalo 66 long before I started posting reviews at imdb, so I haven't written about that film but I loved it, I give it a 10, and after seeing The Brown Bunny at the Nuart on Saturday evening, I am here to report that I give Gallo's second feature film the same rating.

A lot of people seem to be misunderstanding this movie, or just not appreciating it, or perhaps both. There are many reasons for this, none of them valid in my estimation. The biggest protests, from what I've been reading, seem to be in the 'lack of plot' and 'vanity project' areas.

I can understand how the film would be a little slow for a lot of people, since it's basically an internal study, with none of the 'usual' mainstream (or even indy film) tactics. And in fact that's what I loved the most about the movie - how Gallo has the artistic wherewithal to be true to HIS vision of what a film can be, to how a plot of a film (and there IS a plot) can be played out in a different, less recognizable way, which leads to one of the reasons I think people are calling this a vanity project (aside from the infamous scene toward the end -- which I have to say is ABSOLUTELY ESSENTIAL to the film, once you find out what's really going on with our sick puppy Bud Clay) : because the movie doesn't follow a 'typical' set-up, requiring a bit more patience on the part of the viewer, a lot of people feel more comfortable dismissing this unbelievably profound piece of work as a 'vanity project'. In reality, I believe the opposite is true: Gallo is giving his audience more credit than they perhaps deserve, in presenting such a stark, uncompromising character study. The fact that a lot of this audience chooses not to accept him on his terms does not diminish his power and the power of this movie. Can't wait for the next one, Vincent.


139 of 234 people found this review helpful.  Was this review helpful to you?

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