Professional motorcycle racer Bud Clay heads from New Hampshire to California to race again. Along the way he meets various needy women who provide him with the cure to his own loneliness, but only a certain woman from his past will truly satisfy him.
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Count Anikoff, a Russian officer, challenges his best friend, Sergei, to a duel when he finds him courting the young woman he, too, is in love with. Sergei can't bring himself to kill his friend. He fires only after taking the bullet out of his pistol. Now, it is the Count's turn to fire...
It's the story of one man. His name's Bud Clay, and he races motorcycles. He rides in the 250cc Formula II class of road racing. Around and around he goes, repeating laps over and over until the race is over. The story begins with Bud racing in New Hampshire. His next race is in California in five days, and so his cross-country journey begins. Every day, Bud is haunted by the same memories of the last time he saw his true love. He will do anything to make those memories disappear, and every day he tries to find a new love, making outrageous requests of women to come with him on his trip and then leaving them behind after they've agreed. He can't replace Daisy, the only woman he's ever loved and the only woman he will ever love, but every day he tries Written by
RKS and Anonymous
When driving through St. Louis, it shows him crossing the Mississippi River from Illinois to Missouri via the Poplar Street Bridge. Soon after, he's shown driving on Hwy 40 through Saint Louis, but in the opposite direction. He's actually traveling back towards the Illinois side of the Mississippi River. See more »
If you can endure a 90 minute portrait of brooding self loathing with virtually no dialog and uninspired cinematography, this film is for you. The notorious scene with Daisy is incongruous. Perhaps, I am dense, but in my view, the emperor has no clothes. To be successful, this film should have elicited a strong interest in the lead character. But in the end, you have learned little about someone who is shallow and unappealing. This film portrays the journey of a motorcyclist tormented by demons vaguely hinted at in mysterious stops he makes in route. You see that he is attracted and repulsed by women. (Cheryl Tiegs, for those of you old enough to remember her from the 1970s is perfect in what amounts to a cameo.) But his encounters with women are so fleeting and glancing that you learn little until the end of the journey. Then, what you learn is too trite to support your having endured the trip with him. I believe Vincent Gallo had a serious idea, but the idea is unrealized.
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