Directed by
| David Lickley | ||
Writing Credits (in alphabetical order)
| Alex Low | ||
Cast
| Tyrone Benskin | ... | Narrator | |
Produced by
| Goulam Amarsy | ... | producer |
| Ed Capelle | ... | co-executive producer |
| Jim Marchbank | ... | producer |
| Christopher N. Palmer | ... | co-executive producer |
| Robert Wilson-Smith | ... | line producer |
Music by
| Violaine Corradi | ||
Cinematography by
| James Neihouse | ||
Editing by
| James Lahti | ||
Production Management
| Brian Black | ... | unit manager |
Art Department
| Dominique Brunel | ... | property master |
Sound Department
| Michel B. Bordeleau | ... | supervising sound editor |
| Ed Douglas | ... | sound effects editor |
| Gavin Fernandes | ... | re-recording mixer |
| Marc Gagnon | ... | sound editor / sound effects editor |
| Andy Malcolm | ... | foley artist |
| Christopher Miller | ... | assistant sound editor |
| Peter Thillaye | ... | supervising sound editor |
| Jean Christophe Verbert | ... | re-recording mixer |
Visual Effects by
| Myles Connolly | ... | cgi supervisor |
| Alain Lachance | ... | digital compositor |
| Danny Levesque | ... | digital effects artist |
| Dean Lewis | ... | visual effects supervisor |
| Yann Laliberte | ... | compositing assistant (uncredited) |
| Marc A. Rousseau | ... | visual effects production manager: Tube Studios (uncredited) |
Camera and Electrical Department
| Tony Ballew | ... | grip |
| Lorenzo Negri | ... | second assistant camera |
| Carlo Secchiaroli | ... | key grip |
| Christopher Tate | ... | IMAX camera tech |
| Grégoire Valcour | ... | camera operator |
Additional Crew
| Steven Lewis | ... | production attorney |
| Déborah Znaty | ... | production coordinator |
