Henry is a lawyer who survives a shooting only to find he cannot remember anything. As if that weren't enough, Henry also has to recover his speech and mobility, in a life he no longer fits... See full summary »
When not solving murders in Tinseltown, Detective Joe Gavilan and his rookie partner Kasey Calden both moonlight in other fields: Gavilan sells real estate (poorly), and Calden aspires to become an actor (Brando, namely). Assigned to the vicious in-club slaying of a promising young rap act, the two detective delve into the recording industry where they hope to find answers - ideally ones that also come with property buyers or auditions. Written by
Mt. Olympus, location of Joe Gavilan's "monstrosity" that he desperately wants to sell, is a real street in the Los Angeles area. See more »
When Shawna kisses K.C. after the yoga class, the lipstick mark on his cheek disappears and reappears between shots as he talks to Joe. See more »
Shooting Practice Announcer:
Shooters step up to the 20 yard line.
[K.C. has trouble shooting his target during shooting practice, so Joe shoots his and K.C.'s at the same time]
See more »
During the end credits, Joe and K.C. arrive at the location of their new crime scene investigation. See more »
I've always been a fan of Harrison Ford and odds are I always will be, regardless of what comes out of his personal life now. Considering how Hollywood can screw a man up, Harrison still ranks as one of the few to have successfully held his head together. That and I usually find something entertaining his films. It's hard not to be entertained by him in the old Star Wars films, where he was hilarious as Han Solo, or to root/feel for him in the Indiana Jones trilogy and films like "Blade Runner", "Witness", the Jack Ryan films, "The Fugitive" and "Air Force One".
Thing is, "Witness" marked the turning point of Harrison's career in which he would mature into the modern day quiet, reluctant hero. Understandably, after playing this role again and again for about 20 years Ford would naturally want to go back to playing things a little funnier than he had previously been allowed. It's a bit of a shame that he picked such a weak script for a return to comedy. All in all, it's just an excuse to let Harrison reprise his Han Solo persona as an older man. But in the opinions of some, his age dried him out, preventing him from being as funny as he used to be.
This one tries very hard to be both apart OF the mismatched buddy cop genre AND to make fun of it. As a result, it never quite realizes it's potentially funny premise or even serve as usual time filler.
Ford plays Joe Gavilan, a cop working real estate on the side and Josh Hartnett is his younger partner KC Calden, who works a yoga class on the side, sleeps with his customers and is also an aspiring actor. They get assigned to solve the murder of an up and coming rap group and are repeatedly dogged by Bruce Greenwood as Ford's nemesis. The cliche of Josh's dad being a cop who got killed by way of his partner could have been left on the cutting room floor.
Ford and Josh do the young cop/old cop bit as well as anyone else, but Ford deserves a better than this, and after "Black Hawk Down" Josh should be more picky about his vehicles. The only real comic highlight is when they're being interrogated and are either mouthing off or playing quiet. This is the only gem in an otherwise dull film.
Here's hoping they both make better decisions in the future.
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