Crossing Over is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. The film deals with the border, document fraud, the ... See full summary »
Henry is a lawyer who survives a shooting only to find he cannot remember anything. As if that weren't enough, Henry also has to recover his speech and mobility, in a life he no longer fits... See full summary »
When not solving murders in Tinseltown, Detective Joe Gavilan and his rookie partner Kasey Calden both moonlight in other fields: Gavilan sells real estate (poorly), and Calden aspires to become an actor (Brando, namely). Assigned to the vicious in-club slaying of a promising young rap act, the two detective delve into the recording industry where they hope to find answers - ideally ones that also come with property buyers or auditions. Written by
Mt. Olympus, location of Joe Gavilan's "monstrosity" that he desperately wants to sell, is a real street in the Los Angeles area. See more »
When the handcuffed prisoner steals a gun and shoots up the parking lot, KC and Gavilan agree that he fired 15 shots; he actually fired 18, which, according to them, is more than the gun holds. See more »
Shooting Practice Announcer:
Shooters step up to the 20 yard line.
[K.C. has trouble shooting his target during shooting practice, so Joe shoots his and K.C.'s at the same time]
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During the end credits, Joe and K.C. arrive at the location of their new crime scene investigation. See more »
It's not easy to make a semi-serious, comedy-cop thriller. Director, writer Ron Shelton (writer for Tin Cup and Bull Durham) took upon himself a very complex and difficult assignment trying to combine comedy with a rather serious, violent cop murder mystery. There were spots in the first half of the movie that seemed to lose action and momentum while the uneasy mix of crime drama and comedy required some brilliant skill and scriptwriting. The end result, "Hollywood Homicide" came out much better than the conflicting, confusing trailers of the movie (one a serious cop version and second trailer a comedy in the vain of Beverly Hills Cop).
The humor was above average, tinged with dry and cerebral humor not usually found in comedies these days. The interplay, the pushing the envelope in character development and character backgrounds were all good efforts at better, quality movie making. This movie was an entertaining and great first attempt by Ron Shelton who took risks with his material and found an fine balance between humor and story plotline that truly promises even better things to come.
Harrison Ford did great with his expressions, his sense of humor, and his letting go and enjoying, playing his part while Josh Harnett went a long for an enjoyable romp with a different kind of cop movie. While this movie wasn't perfect nor Oscar performing, it rates kudos for its experimental success in bringing more to the screen and braving new quality attempts at good movie-making. Seven out of Ten Stars.
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