| Photos (See all 26 | slideshow) | Videos (see all 6) |
Directed by | |||
| Joseph Kahn | |||
Writing credits(WGA) | ||
| Matt Johnson | (written by) | |
Produced by | |||
| Bruce Berman | .... | executive producer | |
| Graham Burke | .... | executive producer | |
| Dan Lin | .... | development executive | |
| Brad Luff | .... | producer | |
| Neal H. Moritz | .... | producer | |
| Narween Otto | .... | associate producer | |
| Michael I. Rachmil | .... | executive producer (as Mike Rachmil) | |
| Greg Tharp | .... | co-producer | |
Original Music by | |||
| Trevor Rabin | |||
Cinematography by | |||
| Peter Levy | (director of photography) | ||
Film Editing by | |||
| David Blackburn | |||
| Howard E. Smith | |||
Casting by | |||
| Sarah Finn | |||
| Randi Hiller | |||
Production Design by | |||
| Peter J. Hampton | |||
Art Direction by | |||
| James Shanahan | |||
Set Decoration by | |||
| Rand Sagers | |||
Costume Design by | |||
| Elisabetta Beraldo | |||
Makeup Department | |||
| Merribelle Anderson | .... | hair stylist (as Merribelle A. Anderson) | |
| Barney Burman | .... | special makeup effects artist: reshoots | |
| Kathleen Crawford | .... | makeup department head | |
| Roxy D'Alonzo | .... | makeup artist | |
| Debra Denson | .... | hair stylist: Ice Cube | |
| Debra Denson | .... | makeup artist: Ice Cube | |
| Dena Fayne | .... | hair stylist | |
| Dugg Kirkpatrick | .... | key hair stylist | |
| Melissa Rogers | .... | makeup artist | |
| Rick Sharp | .... | makeup artist | |
| Ron Snyder | .... | makeup artist | |
Production Management | |||
| Richard J. Gelfand | .... | unit production manager | |
| Sean Wimmer | .... | post-production supervisor | |
| Barbara Russo | .... | post-production executive (uncredited) | |
Art Department | |||
| Jeffrey Bellamy | .... | property master | |
| Jeffrey Bellamy | .... | property master: second unit | |
| Mike Blaze | .... | property master | |
| Lloyd A. Buswell | .... | construction foreman | |
| Paul J. Campanella | .... | stand-by painter | |
| Stan Cockerell | .... | assistant property master | |
| Janna Crawford | .... | prop buyer/assistant decorator | |
| Paul Ecker | .... | master signwriter | |
| Eduardo H. Esparza | .... | general foreman | |
| Joey Genitempo | .... | paint foreman | |
| Serge Genitempo | .... | head paint foreman | |
| Claudia Gilligan Ivanjack | .... | head paint foreman | |
| Bill Holmquist | .... | construction coordinator | |
| Peter Jameson | .... | construction mill foreman | |
| Thomas D. Krausz | .... | set dresser | |
| Maureen Kropf | .... | lead scenic: additional photography | |
| Leslie Lawson | .... | painter | |
| Sean Lyons | .... | second painter | |
| Melanie Mahoney | .... | painter | |
| Mike Malone | .... | on-set dresser | |
| Brian Murray | .... | concept artist | |
| Dan Pemberton | .... | construction coordinator: additional photography | |
| Tracy Wood | .... | painter | |
| Jonathan Woods | .... | storyboard artist | |
| Elizabeth Colomba | .... | storyboard artist (uncredited) | |
| Lee Ross | .... | paint foreman (uncredited) | |
| John Zivelonghi | .... | model maker (uncredited) | |
Special Effects by | |||
| James Bomalick | .... | special effects technician | |
| Chris Brenczewski | .... | special effects technician | |
| John C. Carlucci | .... | special effects technician | |
| Bruce Y. Kuroyama | .... | second unit on set key foreman | |
| Michael Meinardus | .... | special effects director (as Mike Meinardus) | |
| Ian O'Connor | .... | special effects: reshoots | |
| James Ochoa | .... | special effects | |
| Mike Sasgen | .... | special effects foreman | |
| Anthony Simonaitis | .... | special effects general foreman | |
Visual Effects by | |||
| David Wallace Allen | .... | visual effects supervisor: TeamWorks Digital | |
| Steve Arguello | .... | digital artist | |
| Levi Asay | .... | digital I/O: Colorado FX | |
| Dan Ashton | .... | scanning and recording supervisor: Cinesite Hollywood | |
| Cheryl Bainum | .... | executive producer: HATCH | |
| Jamie Baxter | .... | digital compositor | |
| Jeff Beattie | .... | visual effects editor | |
| Lyse Beck | .... | digital compositor: Colorado FX | |
| Mike Bozulich | .... | digital effects artist: CafeFX | |
| Jeremy F. Butler | .... | animator | |
| Cari Chadwick | .... | digital artist | |
| Jerome Cheng | .... | designer: Colorado FX | |
| Jeremy Cho | .... | digital effects artist | |
| James Coulter | .... | digital artist: Digital Dimension | |
| David Crawford | .... | compositor | |
| Jason Crosby | .... | digital artist: Digital Dimension | |
| Dominic Daigle | .... | digital artist: HATCH | |
| Clay Dale | .... | visual effects | |
| Andy Davis | .... | digital compositor: Hydraulx | |
| Domenic DiGiorgio | .... | visual effects supervisor: ComputerCafe | |
| Eric Durst | .... | visual effects supervisor | |
| Leif Einarsson | .... | character animator | |
| Deak Ferrand | .... | senior matte painter/designer: HATCH | |
| Mike Fischer | .... | digital artist | |
| George Fitz | .... | digital compositor: Colorado FX | |
| Patrick Flanagan | .... | digital compositor | |
| Chris Flynn | .... | digital compositor | |
| Tyler Foell | .... | digital effects supervisor | |
| Mark Freund | .... | visual effects supervisor: Pacific Title Digital | |
| Derry Frost | .... | director of production: Amalgamated Pixels | |
| Vicki Galloway-Weimer | .... | visual effects producer: CafeFX (as Vicki Galloway Weimer) | |
| Claire Gerety-Mott | .... | visual effects assistant | |
| Benoit Girard | .... | visual effects supervisor: Digital Dimension (as Benoit 'Ben' Girard) | |
| Jeff Goldman | .... | digital effects supervisor: CafeFX | |
| Tami Goldsmith | .... | visual effects producer: Colorado FX | |
| Mitch Goldstrom | .... | senior systems administrator: Digiscope | |
| Brien Goodrich | .... | digital effects artist: Pacific Title Digital | |
| John Grower | .... | digital effects artist | |
| Martin Hall | .... | compositor | |
| Clark Harding | .... | visual production assistant | |
| Mike Hardison | .... | CG supervisor: Pixel Magic | |
| Jason Hill | .... | digital compositor | |
| Michael F. Hoover | .... | digital artist | |
| Oliver Hotz | .... | computer graphics supervisor: Colorado FX | |
| Oliver Hotz | .... | digital artist: Colorado FX | |
| Peter Hunt | .... | visual effects: CafeFX | |
| Les G. Jones | .... | visual effects producer: Colorado FX | |
| Brad Kalinoski | .... | digital compositor | |
| Brad Kalinoski | .... | digital effects artist | |
| Patrick Keenan | .... | digital artist: Pacific Title Digital | |
| Paul Kirsch | .... | digital compositor: Colorado FX | |
| Bill Kunin | .... | lead Inferno artist | |
| Kenneth Kurras | .... | visual effects | |
| Ken Lam | .... | digital compositor | |
| Kim Lavery | .... | in house visual effects producer: Hydraulx | |
| Don Lee | .... | digital compositor | |
| Erik Liles | .... | Inferno artist | |
| Adam Lisagor | .... | visual effects coordinator | |
| David Lo | .... | digital artist: Colorado FX | |
| Dave Lockwood | .... | compositor: Digital Dimension | |
| John R. McConnell | .... | 2D Compositor: Pixel Magic | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic | |
| Jason Meier | .... | 3D animator | |
| Rob Meyers | .... | digital compositor | |
| Scott Michelson | .... | visual effects executive producer | |
| Eric Mises-Rosenfeld | .... | digital effects supervisor | |
| Justin Mitchell | .... | digital effects artist | |
| Jerome Morin | .... | visual effects producer: Digital Dimension | |
| Michael Morreale | .... | executive producer: Amalgamated Pixels Inc. | |
| Brad Moylan | .... | digital compositor: Pixel Magic | |
| Terry Naas | .... | digital artist | |
| Greg Nelson | .... | digital compositor | |
| Josh Novak | .... | lead compositor: main title sequence | |
| Jeremy Oddo | .... | visual effects | |
| Jeff Olm | .... | Inferno artist | |
| Akira Orikasa | .... | digital artist: CafeFX | |
| Jose A. Ortiz Jr. | .... | designer/animator/compositor: main titles | |
| Phillip Palousek | .... | visual effects coordinator: Amalgamated Pixels Inc. | |
| Rod Park | .... | visual effects producer: Digiscope | |
| Chris Payne | .... | compositor | |
| Janet Quen | .... | digital effects compositor | |
| Rebecca Ramsey | .... | visual effects producer: Hatch | |
| Mark Robben | .... | digital compositor: Digiscope | |
| Andrew Roberts | .... | digital effects artist: Digital Dimension | |
| Andrew Rocha | .... | digital I/O: Colorado FX | |
| Andrew Romine | .... | digital artist: Pixel Magic | |
| Dave Sarbell | .... | digital effects artist | |
| Neal Sopata | .... | digital artist | |
| Mark G. Soper | .... | visual effects producer | |
| Rony Soussan | .... | digital artist: Colorado FX | |
| Marion Spates | .... | digital effects artist: Digital Dimension | |
| Colin Strause | .... | 3D supervisor: Hydraulx | |
| Greg Strause | .... | visual effects supervisor: Hydraulx | |
| Rina Strause | .... | 3D supervisor: Hydraulx | |
| Kevin Struckman | .... | CG artist: Pixel Magic | |
| Shigeharu Tomotoshi | .... | visual effects | |
| Renée Tymn | .... | Inferno artist: Hydraulx (as Renee Chamblin) | |
| Gabriel Vargas | .... | digital artist | |
| Juan Carlos Vargas | .... | visual effects (as Juan Vargas) | |
| Leandro Visconti | .... | compositor: Digital Dimension | |
| Chris Wells | .... | 3D artist | |
| Byron Werner | .... | digital rotoscope: Colorado FX | |
| Edson Williams | .... | Inferno artist | |
| Mark Wilson | .... | digital artist: Colorado FX | |
| Yoshiya Yamada | .... | modelling supervisor: Hydraulx | |
| Victor Grant | .... | digital effects artist: CafeFX (uncredited) | |
| Toby Newell | .... | digital effects artist (uncredited) | |
| Eliza Pelham Randall | .... | visual effects executive producer: Hydraulx (uncredited) | |
| Chris B. Schnitzer | .... | visual effects production supervisor: Warner Bros. (uncredited) | |
Casting Department | |||
| Chris Gray | .... | extras casting | |
| Scott D. Moore | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Alison Gail Bixby | .... | set costumer | |
| Nancy Collini | .... | costumer | |
| Tangi Crawford | .... | assistant costume designer | |
| Danna Edwards | .... | set costumer | |
| Roger J. Forker | .... | costumer | |
| Patrick Guzzo | .... | costumer | |
| Philip Maldonado | .... | costumer | |
| Stanley Moore | .... | set costumer | |
| Chandra Moore-Telfer | .... | costume ager (as Chandra Moore) | |
| Kara Owens | .... | wardrobe assistant | |
| Carlos Rosario | .... | costume illustrator | |
| Faye Sevilla | .... | key set costumer | |
| Douglas J. Stewart | .... | textile artist | |
Editorial Department | |||
| Andi Kasen Bergman | .... | assistant editor | |
| Paul Bronkar | .... | colorist (as Paul R. Bronkar) | |
| Paul Bronkar | .... | supervising digital intermediate colorist | |
| Seth Clark | .... | assistant editor | |
| Mindy Elliott | .... | assistant editor | |
| Sara Hyoun | .... | assistant editor | |
| Christopher Reichel | .... | digital conform editor: Company 3 | |
| Erik Rogers | .... | digital intermediate producer | |
| Mark T. Osborne | .... | additional colorist (uncredited) | |
Music Department | |||
| Gordon Fordyce | .... | assistant music editor | |
| Carlton Kaller | .... | music editor | |
| Paul Linford | .... | composer: additional music | |
| Paul Linford | .... | score mixer | |
| Joey Moi | .... | soundtrack producer | |
| Shie Rozow | .... | assistant music editor | |
| Randy Staub | .... | music mixer | |
| Jeanette Surga | .... | music editor | |
Transportation Department | |||
| Michael Antunez | .... | transportation coordinator | |
| Gina August | .... | driver | |
| Daniel Dowling | .... | transportation | |
| Michael Forte | .... | transportation captain: second unit | |
| Steve Garcia | .... | transportation co-captain | |
| J. Armin Garza II | .... | driver: camera car | |
| Steve Humphrey | .... | picture car coordinator | |
| Rock LeRoy | .... | transportation | |
| Anthony J. Mignano | .... | driver | |
| Kenneth A. Owen | .... | mechanic (as Ken Owen) | |
| Irv Press | .... | driver | |
| John Siedenburg | .... | transportation | |
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| The A-Team | Knight and Day | Priest | Machete | Captain America: The First Avenger |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
In reviewing the incredible annoying House of the Dead, I wrote, 'Why flirt with the concept of overkill when you can make it say 'whose your daddy?' Torque does not flirt with overkill; Torque *is* overkill's daddy, and it was fun.
Just a few hours before I watched Scary Movie 3 and that film barely managed to summon a chuckle from me. Torque had me in stitches before the first sixty-seconds were up. After years of watching 'serious' films with ridiculously over the top chase sequences (especially lately), finally a movie comes along and puts them all in their place. I have waited a long time for a racing-movie to recognize its own lameness and just (knowingly) go for all the over-the-top stunts it can possibly collect in a loosely strung together plot about a bunch of stereotyped misfits no one really cares about.
As stated above, the key was the fact this film does not take itself seriously. Take for example the MTV quick-cut commercial editing style, its overly colorful nature in sets and props, the comic-book-ish camera angles, the overused CG for impossible camera/bike moves, and the lighting which left the high-contrast shadows in mid-day. Want more? How 'bout when a bike speeds past a road sign, making it do a Looney Toonsesque-spin, and if you look carefully you can see the words 'Cars Suck?'
Everything perfectly matched the goal this film set out to hit, which is basically a tongue-in-cheek XBox game on the silver screen so commenting on the characters and plot seems virtually pointless. It's about as well developed as most action films-characters and plot serve enough purpose to get the bikes from chase scene A to chase scene B while poking fun at characters/lines from other racing films. No more no less.
I personally loved Torque. Would I recommend it to friends, family, or Joe-Shmoe who happens to pass me by in the video store? Well . . . for those who watch films with an anal eye and point out, 'That's not a logical plot point. That defies the laws of physics. That's the single stupidest thing I've ever seen in cinema?' No. Heck no. Don't even pick up the box. However, for those who can watch a film where the comedy lay not in punch lines rather in the style -- a film that's a celebration of all things lame in all of cinema's over-glorified chase scenes? Have a blast and join in with Torque's mockery of the genre.