Biker Cary Ford is framed by an old rival and biker gang leader for the murder of another gang member who happens to be the brother of Trey (Ice Cube), leader of the most feared biker gang ... See full summary »
Durell and LeeJohn are best friends and bumbling petty criminals. When told they have one week to pay a $17,000 debt or Durell will lose his son, they come up with a desperate scheme to rob their neighborhood church. Instead, they end up spending the night in the presence of the Lord and are forced to deal with much more than they bargained for.
In Los Angeles, two rival gang leaders are also trying to be music producers. When DJ's equipment shorts out and Lonzo is cut out of the action by a record producer, the two join forces, ... See full summary »
Two small time scam artists, Black and Blue, sell boom boxes and broken TVs from their van at the parking lot. When, by mistake, a shipment of cellular phones gets to them, it doesn't take long before FBI and gangsters are after them.
Vusi Madlazi returns to the South African village he left as a young boy (he was organizing against apartheid, and left in fear of his life) to bury his father. He meets up with his brother... See full summary »
This film extracts fragments of concrete architecture. It shows a continuous dolly shot across a row of converging rail lines. The camera's cinemascope view is subtly modulated, slowly ... See full summary »
Biker Cary Ford is framed by an old rival and biker gang leader for the murder of another gang member who happens to be the brother of Trey (Ice Cube), leader of the most feared biker gang in the country. Ford is now on the run trying to clear his name from the murder with Trey and his gang looking for his blood. Written by
EL TORO 79
When the semi truck is stopped at the police check point during the middle of the night, a sign that says "Entering Los Angeles County" can be seen. When the truck is pulled over near downtown Los Angeles, it is the middle of the day. Driving such a distance would not take half a day. See more »
I caught this movie on DVD the other day. I thought it was going to be terrible. It was actually great! The action goods are all there, but five minutes into it I got the joke and was laughing with it (not at it). I don't think this movie will appeal to everyone, but it will get two types for sure: action gearheads who just want a solid uncomplicated action picture, and smart viewers who can appreciate clever film-making and the in-jokes threaded throughout. After seeing the cameo of Dennis Weaver still being chased by the truck from Duel after thirty years, I was won over by the Torque's own charms. First of all it the director, cinematographer, and editor did a great job. This film looks incredible. For those of you who actually care about film-making, this film is densely loaded with interesting angles and techniques that somehow manage to work as a cohesive style. I love the way Joseph Kahn stages scenes. It's very creative and he has a sharp sense of timing - action and comedywise. An overlooked first effort and I would like to see more from him. Second, I thought Martin Henderson as Cory Ford did a solid job as your typical running from the law good guy. I liked his charisma and hope he does more action flicks. There are some standout sequences but my favorites are the opening car chase, the train sequence, the freeway, and the surreal, over-the-top Playstation style ending. What's great is that each has its own feel so that there is no sense of repetition. You feel like each chase brings something new to the table, unlike other ilk of this genre. Need I say anything about the women in this film? Wow. I would let Jaime Pressly ride my bike anytime she wants. A word about the bad reviews here: ignore them. The film is too good as an action movie to be dismissed - what are the looking for, Cold Mountain? Disregard anyone who complains about the "pepsi product placement" for that is most definitely someone who did not get the joke (two motorcycle dominatrix chicks staged opposite from each other under big prominent soft drink signs - classic!). I think the movie suffers from a minor contradiction - it's script is too dumb, but it's film-making is too smart. Yes, the story is crap, but you don't watch a motorcycle chase movie for STORY. If you sit back and enjoy this modern riff on Roger Corman, you might find a smile on your face. If you have the ability to appreciate the sly wit of smart visual film-making, you could find yourself cheering like I did. Worst movie ever? Ridiculous. Three 1/2 out of five stars, maybe more.
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