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Seabiscuit (2003)
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Overview
User Rating:
Your Rating:
Director:
Writers (WGA):
Release Date:
25 July 2003 (USA)
See more »
Tagline:
A long shot becomes a legend. See more »
Plot:
True story of the undersized Depression-era racehorse whose victories lifted not only the spirits of the team behind it but also those of their nation. Full summary » | Full synopsis »
Plot Keywords:
Seabiscuit
|
Horse
|
Jockey
|
Horse Racing
|
Admiral
See more »
Awards:
Nominated for 7 Oscars.
Another 6 wins
&
32 nominations
See more »
NewsDesk:
(622 articles)
Alex Gibney to Direct HBO Documentary About Frank Sinatra
(From Comingsoon.net. 30 April 2013)
CinemaCon honoree Kathleen Kennedy talks 'Star Wars'
(From EW.com - Inside Movies. 18 April 2013, 6:25 AM, PDT)
Inside Mann: William Goldenberg talks about Heat
(From Flickeringmyth. 17 April 2013, 5:32 PM, PDT)
(From Comingsoon.net. 30 April 2013)
CinemaCon honoree Kathleen Kennedy talks 'Star Wars'
(From EW.com - Inside Movies. 18 April 2013, 6:25 AM, PDT)
Inside Mann: William Goldenberg talks about Heat
(From Flickeringmyth. 17 April 2013, 5:32 PM, PDT)
User Reviews:
It wears its sentimental heart firmly on its fetlock.
See more (451 total) »
Cast
(in credits order) (complete, awaiting verification) | David McCullough | ... | Narrator |
 | Jeff Bridges | ... | Charles Howard |
 | Paul Vincent O'Connor | ... | Bicycle Supervisor |
 | Chris Cooper | ... | Tom Smith |
 | Michael Ensign | ... | Steamer Owner |
 | James Keane | ... | Car Customer |
 | Valerie Mahaffey | ... | Annie Howard |
| David Doty | ... | Land Broker |
| Carl M. Craig | ... | Sam (as Kingston DuCoeur) |
 | Michael O'Neill | ... | Mr. Pollard |
 | Annie Corley | ... | Mrs. Pollard |
 | Michael Angarano | ... | Young Red Pollard |
 | Cameron Bowen | ... | Pollard Child |
| Noah Luke | ... | Pollard Child |
 | Mariah Bess | ... | Pollard Child |
 | Jamie Lee Redmon | ... | Pollard Child |
 | Ed Lauter | ... | Charles Strub |
 | Gianni Russo | ... | Alberto Gianini |
 | Sam Bottoms | ... | Mr. Blodget |
 | Tobey Maguire | ... | Red Pollard |
 | Royce D. Applegate | ... | Dutch Doogan |
| William Hollick | ... | Bug Boy Jockey |
| Joe Rocco Jr. | ... | Bug Boy Jockey |
 | Dyllan Christopher | ... | Frankie Howard |
| Anthony Klingman | ... | Boxing Match Referee |
 | Elizabeth Banks | ... | Marcela Howard |
 | Michelle Arthur | ... | Marcela's Friend |
 | Gary Stevens | ... | George Woolf |
 | Danny Strong | ... | Young Jockey |
 | Hans Howes | ... | White Horse Trainer |
 | Camillia Sanes Monet | ... | Molina Rojo Woman (as Camillia Sanes) |
| Clif Alvey | ... | Angry Trainer |
 | Dan Daily | ... | Saratoga Trainer |
| Borden Flanagan | ... | Farm Manager |
 | Shay Duffin | ... | Sunny Fitzsimmons |
| Kevin Mangold | ... | Saratoga Jockey |
 | William H. Macy | ... | Tick Tock McGlaughlin |
| Jay Cohen | ... | Bugle Player |
| Frank Mirahmadi | ... | Santa Anita Track Announcer |
| Michael Hunter | ... | Speed Dual Jockey |
 | Peter Jason | ... | Reporter Max |
| John Walcutt | ... | Reporter Roy |
| Tony Volu | ... | Racing Tout |
 | James DuMont | ... | Reporter Lewis |
 | Robin Bissell | ... | Horace Halsteder |
 | Eddie Jones | ... | Samuel Riddle |
 | Paige King | ... | Tick-Tock's Squeeze |
| Andrew Schatzberg | ... | Newsboy |
| Chris McCarron | ... | Charley Kurtsinger |
| Roger E. Fanter | ... | Pimlico Night Watchman |
| Gary McGurk | ... | Tractor Worker |
 | Michael B. Silver | ... | Baltimore Doctor |
| Richard Reeves | ... | Radio Reporter Joe |
 | Matt Miller | ... | Pimlico Starter |
 | Gary Ross | ... | Pimlico Track Announcer |
 | Pat Skipper | ... | Seabiscuit's Vet |
| Ben Campisi | ... | Clocker Man |
| Ken Magee | ... | California Doctor |
| Gary Hacker | ... | Horse Vocals |
| Jose Hernandez | ... | Male Mariachi Band Leader |
| Jesse Hernandez | ... | Male Mariachi Band |
| Julio Hernandez | ... | Male Mariachi Band |
| José Ramírez | ... | Male Mariachi Band |
| Fernando C. Moreno | ... | Male Mariachi Band (as Fernando Moreno) |
| Tony Rhune | ... | Male Mariachi Band (as Pedro Hernandez) |
| Dennis Meade | ... | Male Mariachi Band |
| Javier Juarequi | ... | Male Mariachi Band |
| Aerial Delarosa | ... | Male Mariachi Band |
| Eric Hernandez | ... | Male Mariachi Band |
| Raul Cuellar | ... | Male Mariachi Band |
| Catherine M. Baseza | ... | Female Mariachi Band |
| Gina A. Duran | ... | Female Mariachi Band |
| Cynthia Reifler Flores | ... | Female Mariachi Band |
| Monica Fogelquist | ... | Female Mariachi Band |
| Maria Luisa Fregosa | ... | Female Mariachi Band |
| Ruby Guiterrez | ... | Female Mariachi Band |
| Sylvia N. Hinojosa | ... | Female Mariachi Band |
| Mariana Nanez | ... | Female Mariachi Band |
| Leticia Olmos | ... | Female Mariachi Band |
| Laura Pena | ... | Female Mariachi Band |
| Karla Tovar | ... | Female Mariachi Band |
| George Baker | ... | Salvation Army Band |
| Matthew Gillies | ... | Salvation Army Band |
| Jacqui Larsson | ... | Salvation Army Band |
| Daniel Martinez | ... | Salvation Army Band |
| J. Aaron Stanley | ... | Salvation Army Band |
| Michael White | ... | Salvation Army Band |
| Ivan Wild | ... | Salvation Army Band |
| rest of cast listed alphabetically: | |||
 | Loyd Catlett | ... | Blacksmith (uncredited) |
Directed by | |||
| Gary Ross | |||
Writing credits(WGA) | ||
| Laura Hillenbrand | (book) | |
| Gary Ross | (screenplay) | |
Produced by | |||
| Gary Barber | .... | executive producer | |
| Roger Birnbaum | .... | executive producer | |
| Robin Bissell | .... | executive producer | |
| Patricia Churchill | .... | co-producer | |
| Billy Frank | .... | segment producer | |
| Kathleen Kennedy | .... | producer | |
| Tobey Maguire | .... | executive producer | |
| Frank Marshall | .... | producer | |
| Gary Ross | .... | producer | |
| Jane Sindell | .... | producer | |
| Allison Thomas | .... | executive producer | |
Original Music by | |||
| Randy Newman | |||
Cinematography by | |||
| John Schwartzman | (director of photography) | ||
Film Editing by | |||
| William Goldenberg | |||
Casting by | |||
| Terri Taylor | |||
| Debra Zane | |||
Production Design by | |||
| Jeannine Claudia Oppewall | (as Jeannine Oppewall) | ||
Art Direction by | |||
| Andrew Neskoromny | |||
Set Decoration by | |||
| Leslie A. Pope | (as Leslie Pope) | ||
Costume Design by | |||
| Judianna Makovsky | |||
Makeup Department | |||
| Matt Danon | .... | hair supervisor | |
| Linda De Andrea | .... | hair supervisor | |
| Carolyn Elias | .... | hair department head | |
| Dorothy D. Fox | .... | hair supervisor (as Dorothy Fox) | |
| Leslie Fuller | .... | assistant makeup artist | |
| Susan Germaine | .... | hair stylist: Mr. Bridges | |
| Sian Grigg | .... | makeup artist: Mr. Maguire | |
| Martina Kohl | .... | makeup supervisor | |
| Lydia Milars | .... | makeup supervisor | |
| Thomas Nellen | .... | makeup department head | |
| Carol A. O'Connell | .... | hair supervisor (as Carol O'Connell) | |
| Leigh Ann Yandle | .... | makeup artist | |
| Joani Yarbrough | .... | hair stylist: Mr. Maguire | |
| Art Anthony | .... | assistant makeup artist (uncredited) | |
| Michael F. Blake | .... | makeup artist (uncredited) | |
| Nanci Cascio | .... | assistant hair stylist (uncredited) | |
| Leo Corey Castellano | .... | makeup artist (uncredited) | |
| Kim Collea | .... | assistant makeup artist (uncredited) | |
| Alicia Good | .... | assistant makeup artist: second unit, greenscreen (uncredited) | |
| Ryan McDowell | .... | prosthetic sculptor (uncredited) | |
| Bridget O'Neill | .... | key makeup artist: second unit greenscreen (uncredited) | |
| Suzanne Rodier | .... | assistant makeup artist (uncredited) | |
| Elaina P. Schulman | .... | hair stylist (uncredited) | |
| Nacoma Whobrey | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Patricia Churchill | .... | unit production manager | |
| Robert Katz | .... | production supervisor | |
| Julie Lynn | .... | production supervisor: horse unit | |
| Sean T. Stratton | .... | post-production supervisor (as Sean Stratton) | |
Second Unit Director or Assistant Director | |||
| Jeff Bilger | .... | second second assistant director | |
| Dan Bradley | .... | second unit director | |
| Lisa Campbell | .... | first assistant director: second unit | |
| Basil Grillo | .... | second assistant director | |
| Frank Marshall | .... | second unit director | |
| Kristina M. Peterson | .... | second second assistant director (as Kristina Peterson) | |
| Robert 'Skid' Skidmore | .... | second second assistant director (as Robert Skidmore) | |
| Adam Somner | .... | first assistant director | |
| Jody Spilkoman | .... | second assistant director: second unit (as Jodi Spilkoman) | |
| Basti Van Der Woude | .... | second assistant director: second unit | |
| David C. Phillippi | .... | additional second assistant director (uncredited) | |
Art Department | |||
| Curtis Allen | .... | set dresser | |
| Paul 'Eel' Anderson | .... | set dresser | |
| Russell R. Anderson | .... | lead man (as Russ Anderson) | |
| Bennett Andrews | .... | greensman | |
| Craig B. Ayers Sr. | .... | greensman (as Craig Ayers) | |
| Tim Bowen | .... | set dresser | |
| Chris Buchinsky | .... | storyboard artist | |
| John Bullard | .... | propmaker foreman | |
| Susan A. Burig | .... | race book graphic designer (as Susan Burig) | |
| Francine Byrne | .... | art department coordinator | |
| Frank Capiello | .... | greensman (as Frank Cappiello) | |
| Christopher Casey | .... | set dresser | |
| Michael Casey | .... | set dresser | |
| Martin Charles | .... | graphic designer | |
| Lynn Christopher | .... | set designer | |
| Brad Curry | .... | drapery foreman | |
| Cosmas A. Demetriou | .... | set designer (as Cosmas Demetriou) | |
| Claudette Didul | .... | assistant set decorator (as Claudette Didul Mann) | |
| Michael Jon Duffin | .... | propmaker foreman (as Michael Duffin) | |
| William J. Durrell Jr. | .... | set designer (as Bill Durrell) | |
| Mariano Fernandez | .... | welder gangboss | |
| Chela Fiorini | .... | assistant props | |
| James A. Gelarden | .... | art director: East Coast (as Jim Gelarden) | |
| William Gideon | .... | general foreman (as William W. Gideon) | |
| Steve Gindorf | .... | propmaker foreman (as Stephen Gindorf) | |
| Rick Glenn | .... | set dresser | |
| Hugo Herrera | .... | greensman | |
| John Hinkle | .... | stand-by painter | |
| Tyler Kettenburg | .... | set dresser | |
| Bud Kucia | .... | welding foreman | |
| Holly Rose Larson | .... | art department researcher | |
| Lance Larson | .... | assistant property master | |
| Peg McClellan | .... | storyboard artist | |
| Steven B. Melton | .... | property master | |
| Melody Miller | .... | assistant property master | |
| Circe Mirano | .... | art department coordinator | |
| David Mitchell | .... | set dresser (as Dave Mitchell) | |
| Melissa Mollo | .... | assistant graphic designer | |
| Jim Paniagua | .... | labor gangboss (as James Paniagua Sr.) | |
| Thomas H. Paul | .... | assistant art director: East Coast | |
| Troy Alan Peters | .... | on-set dresser (as Troy Peters) | |
| Erik Polczwartek | .... | set dresser | |
| Gregory F. Poulos | .... | assistant property master (as Greg Poulos) | |
| Dennis Richardson | .... | carpenter | |
| Miles S. Richman | .... | gang boss | |
| Matt Robbins | .... | greensman | |
| William V. Ryder | .... | set designer (as Bill Ryder) | |
| Robert Butch Samarzich | .... | greens foreman (as Robert Samarzich) | |
| Christopher E. Schmid | .... | greensman (as Chris Schmid) | |
| Jeff Shewbert | .... | propmaker | |
| Bruce G. Smith | .... | paint foreman | |
| Chris Snyder | .... | construction coordinator | |
| Dale Snyder | .... | propmaker foreman | |
| Keith Stalker | .... | propmaker foreman | |
| James Stephenson | .... | propmaker foreman | |
| Jodi Tripi | .... | art department researcher | |
| Chandler Vinar | .... | set dresser | |
| Suzan Wexler | .... | assistant art director | |
| Randall D. Wilkins | .... | set designer (as Randall Wilkins) | |
| Curtis Yackel | .... | propmaker gangboss (as Curtis A. Yackel) | |
| Doug Anderson | .... | plaster foreman (uncredited) | |
| Adam L. Barker | .... | lead plaster foreman (uncredited) | |
| Jason Bartolone | .... | on-set carpenter (uncredited) | |
| Morgan Blackledge | .... | set dresser (uncredited) | |
| Mike Bomar | .... | painter gang boss (uncredited) | |
| Amanda S. Burns | .... | art coordinator: Kentucky (uncredited) | |
| John Campana | .... | set decoration buyer (uncredited) | |
| Joey Genitempo | .... | paint gang boss: signs (uncredited) | |
| Hank Giardina | .... | paint supervisor (uncredited) | |
| Ryan Handt | .... | construction propmaker (uncredited) | |
| Guy Hietala | .... | paint gang boss (uncredited) | |
| David Keir | .... | carpenter (uncredited) | |
| Peter Regnier | .... | set dresser (uncredited) | |
| John Root | .... | supervising signwriter (uncredited) | |
| Carisa Rosenthal | .... | set dresser (uncredited) | |
| Neil Rust | .... | paint foreman (uncredited) | |
| Gary Tuers | .... | props (uncredited) | |
| Joshua Viers | .... | art assistant (uncredited) | |
Special Effects by | |||
| Donald Elliott | .... | special effects supervisor (as Don Elliott) | |
| Frank Iudica | .... | on-set special effects | |
| Jay King | .... | on-set special effects (as Jay B. King) | |
| Michael Lantieri | .... | special effects coordinator | |
| Dan Ossello | .... | on-set special effects | |
| Tom Pahk | .... | special effects supervisor | |
| Russ Herpich | .... | special effects technician (uncredited) | |
| Mark Rappaport | .... | special effects: faux horse heads (uncredited) | |
Visual Effects by | |||
| Jessica Berri | .... | visual effects production assistant: SPI | |
| David C. Bryant | .... | cg artist: Pixel Playground Inc (as David Bryant) | |
| Marcus Carter | .... | rotoscoping artist: Pixel Playground Inc | |
| S. 'Kiki' Chansamone | .... | interactive compositing artist: SPI (as Det Chansamone) | |
| Bill Coffin | .... | Inferno artist: Pixel Playground Inc | |
| David Crawford | .... | interactive compositing artist: SPI | |
| Debbie Denise | .... | visual effects executive producer: SPI | |
| Tony Diep | .... | interactive compositing artist: SPI | |
| Doug Forrest | .... | interactive compositing artist: SPI | |
| Jenny Fulle | .... | senior staff | |
| Joshua Geisler-Amhowitz | .... | matte painter: SPI | |
| Jennifer German | .... | interactive compositing artist: SPI | |
| Brent Gilmartin | .... | interactive compositing artist: SPI | |
| Nathalie Gonthier | .... | rotoscoping artist: SPI | |
| Dawn Guinta | .... | interactive compositing supervisor: SPI | |
| Brian Hanable | .... | interactive compositing artist: SPI | |
| Thomas Hollier | .... | computer graphics supervisor: SPI | |
| Meredith Hook | .... | rotoscoping artist: Pixel Playground Inc | |
| Richard R. Hoover | .... | visual effects supervisor (as Richard Hoover) | |
| Mark Hopper | .... | rotoscoping artist: Pixel Playground Inc | |
| Ivo Horvat | .... | lead matte painter: SPI | |
| Adam Howard | .... | interactive compositing artist: SPI | |
| Adrian Iler | .... | color & lighting: SPI | |
| Adrian Iler | .... | compositor: SPI | |
| Michael Kaelin | .... | rotoscoping artist: SPI | |
| Michael Kennen | .... | interactive compositing artist: SPI | |
| Hong Kim | .... | digital artist: Cinesite | |
| Keiko Koyama | .... | production coordinator: Pixel Playground Inc | |
| Aaron M. Lawn | .... | production services technician: SPI (as Aaron Lawn) | |
| Don Lee | .... | Inferno artist: Pixel Playground Inc | |
| Don Lee | .... | visual effects supervisor: Pixel Playground Inc | |
| Kim Lee | .... | visual effects producer: Pixel Playground | |
| Alexander Linger | .... | rotoscoping artist: SPI | |
| Jose Marra | .... | still frame sequence artist | |
| Andrea Maxwell | .... | visual effects editor: SPI | |
| Todd Mesher | .... | interactive compositing artist: SPI | |
| Steve R. Moore | .... | visual effects editor | |
| Danny Mudgett | .... | Inferno artist: Pixel Playground Inc | |
| Rachel Nicoll | .... | matchmove artist: SPI (as Rachel Nicholl) | |
| Tim Norman | .... | Inferno artist: Pixel Playground Inc | |
| Jeff Olm | .... | additional compositing | |
| Andrea Lackey Pace | .... | production services technician: SPI | |
| Bryan Park | .... | production co-coordinator: Pixel Playground Inc | |
| Terron Pratt | .... | production assistant: Pixel Playground Inc | |
| Janet Quen | .... | Inferno artist: Pixel Playground Inc | |
| Mark Robben | .... | Inferno artist: Pixel Playground Inc | |
| Jesse Russell | .... | digital compositor | |
| Chris Ryan | .... | interactive compositing artist: SPI | |
| Jeff Sakurai | .... | production services technician: SPI | |
| Gabriel Sanchez | .... | Inferno artist: Pixel Playground Inc | |
| Michael Scheffe | .... | visual effects art director: SPI | |
| Michael Shermis | .... | rotoscoping artist: Pixel Playground Inc | |
| David Spencer | .... | matchmove artist: SPI | |
| Robert Stromberg | .... | digital matte painter | |
| Jon Tanimoto | .... | interactive compositing artist: SPI | |
| Cari Thomas | .... | visual effects producer | |
| Kristen Trattner | .... | interactive compositing artist: SPI | |
| James Valentine | .... | rotoscoping artist: SPI | |
| Eric Withee | .... | visual effects coordinator: SPI | |
| Raymond Yeung | .... | scientist (as Raymond Yeung, Ph. D.) | |
| Lisa Zusmer DelPrete | .... | visual effects production manager: SPI (as Lisa Zusmer Delprete) | |
| Kevin Baillie | .... | digital effects artist: The Orphanage (uncredited) | |
| Natalie Baillie | .... | digital rotoscope/paint artist (uncredited) | |
| Alfredo R. Barcia | .... | senior production services technician: SPI (uncredited) | |
| David Bleich | .... | digital matte artist (uncredited) | |
| Amanda Burton | .... | rotoscope artist (uncredited) | |
| Marla Carter Barrett | .... | Flame compositor: SPI (uncredited) | |
| Anthony Ceccomancini | .... | systems research engineer (uncredited) | |
| YouJin Choung | .... | visual effects: The Orphanage (uncredited) | |
| Michael Condro | .... | matchmover (uncredited) | |
| Danielle Conroy | .... | director of digital production: SPI (uncredited) | |
| Tim 'Timco' Conway | .... | digital integration supervisor: CREO (uncredited) | |
| Gregory Creaser | .... | digital timing supervisor (uncredited) | |
| Lisa Deaner | .... | senior Inferno artist (uncredited) | |
| Scott Dougherty | .... | digital effects producer: Cinesite (uncredited) | |
| Loring Doyle | .... | roto artist (uncredited) | |
| Arin Finger | .... | visual effects coordinator: The Orphanage (uncredited) | |
| Brian Flora | .... | visual effects supervisor: The Orphanage (uncredited) | |
| Michael Fuchs | .... | model maker (uncredited) | |
| Shannon Blake Gans | .... | visual effects executive producer: New Deal Studios Inc. (uncredited) | |
| Deborah Giarratana | .... | visual effects executive (uncredited) | |
| Mitch Goldstrom | .... | senior systems administrator: Digiscope (uncredited) | |
| Christopher Grandel | .... | trailer digital effects, Howard Anderson Company (uncredited) | |
| Taigne Hammock | .... | resource administrator (uncredited) | |
| Anthony Harris | .... | digital color timer: SPI (uncredited) | |
| Max Harris | .... | digital compositor: SPI (uncredited) | |
| Jep Hill | .... | technical supervisor: SPI (uncredited) | |
| Ian Hunter | .... | visual effects supervisor: New Deal Studios Inc. (uncredited) | |
| Paul Kirsch | .... | Inferno artist (uncredited) | |
| Stephen Kowalski | .... | senior systems engineer (uncredited) | |
| Vincent Lavares | .... | digital asset manager: Cinesite (uncredited) | |
| Sonserae Leese | .... | texture map painter (uncredited) | |
| Chris Logan | .... | matchmove artist: SPI (uncredited) | |
| Andrew MacDonald | .... | visual effects supervisor: Creo Collective (uncredited) | |
| Scott McLain | .... | Inferno artist (uncredited) | |
| Carlos Morales | .... | digital compositor (uncredited) | |
| Luke O'Byrne | .... | visual effects producer: The Orphanage (uncredited) | |
| Rod Park | .... | visual effects producer: Digiscope (uncredited) | |
| Alex Prichard | .... | digital artist: The Orphanage (uncredited) | |
| Marc Sadeghi | .... | executive visual effects producer: The Orphanage (uncredited) | |
| David Sanger | .... | producer: New Deal Studios (uncredited) | |
| Steven Schmidt | .... | visual effects coordinator: Creo (uncredited) | |
| Scott Schneider | .... | model maker (uncredited) | |
| Chris B. Schnitzer | .... | visual effects coordinator: SPI (uncredited) | |
| Christopher Stack | .... | data manager: Digiscope (uncredited) | |
| Matthew Thunell | .... | visual effects production assistant: The Orphanage (uncredited) | |
| Ryan Tudhope | .... | CG supervisor: The Orphanage (uncredited) | |
| Kristi Valk | .... | digital effects artist: The Orphanage (uncredited) | |
| Carl Walters | .... | visual effects editor: The Orphanage (uncredited) | |
| R. Christopher White | .... | pre-visualization (uncredited) | |
| Bob Wiatr | .... | digital compositor (uncredited) | |
| Steve Wright | .... | stitch cam digital compositor: Cinesite (uncredited) | |
| Mitch Zeitlin | .... | video editorial coordinator: SPI (uncredited) | |
| Patrick Zentis | .... | matte artist: Digital Backlot (uncredited) | |
Animation Department | |||
| Joseph Bargdill | .... | background artist (uncredited) | |
Casting Department | |||
| Judith Sunga | .... | casting assistant | |
| Mary Ellen Buckley | .... | crowd casting (uncredited) | |
| Bill Dance | .... | extras casting (uncredited) | |
| Terry L. Lamfers | .... | casting administrator (uncredited) | |
| Mariann H.W. Lee | .... | extras casting (uncredited) | |
| Cash Oshman | .... | crowd casting (uncredited) | |
| CC Perkinson | .... | extras casting (uncredited) | |
| Amy Pope | .... | extras casting (uncredited) | |
| Matt Seckman | .... | extras casting intern (uncredited) | |
| Elena Spiotta | .... | extras casting associate (uncredited) | |
| Wendy Goodman Thum | .... | extras casting: East Coast (uncredited) | |
Editorial Department | |||
| Jonathan Chibnall | .... | first assistant editor | |
| Tony Dustin | .... | assistant digital film colorist | |
| Trish Hadley | .... | editorial production assistant | |
| Kevin Hickman | .... | second assistant editor | |
| Bob Kaiser | .... | color timer | |
| Jose Marra | .... | editorial production assistant | |
| Steve R. Moore | .... | visual effects editor | |
| Stephen Nakamura | .... | digital color timer | |
| Brett Reed | .... | second assistant editor | |
| Mike Sowa | .... | digital preview timer | |
| Chris DeAngelis | .... | montage editor (uncredited) | |
| Hunter S. Ellis | .... | post-production coordinator (uncredited) | |
| Stephanie Ito | .... | digital intermediate producer (uncredited) | |
| Adam Kimmerlin | .... | assistant editor (uncredited) | |
| Jeff Olm | .... | colorist: Five-O (uncredited) | |
Music Department | |||
| Tom Boyd | .... | musician: oboe soloist | |
| Bruno Coon | .... | supervising music editor | |
| Sandy DeCrescent | .... | music contractor | |
| George Doering | .... | musician | |
| Ira Hearshen | .... | orchestrator | |
| Luana Jackman | .... | vocal contractor | |
| Peter Myles | .... | music editor | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Joey Newman | .... | orchestrator | |
| Randy Newman | .... | orchestrator | |
| Bryan Pezzone | .... | musician: piano | |
| Conrad Pope | .... | orchestrator | |
| Stacey Robinson | .... | scoring crew | |
| John Rodd | .... | score recordist | |
| Jonathan Sacks | .... | orchestrator | |
| Steven L. Smith | .... | music preparation | |
| Tom Steel | .... | scoring crew | |
| Armin Steiner | .... | music scoring mixer | |
| Bill Talbott | .... | scoring crew | |
| Damon Tedesco | .... | scoring crew (as Amon Tedesco) | |
| James Thatcher | .... | musician: French horn | |
| Frank Wolf | .... | music scoring mixer | |
| Mark Graham | .... | music copyist (uncredited) | |
| Eric Claus Kuschevatzky | .... | music programmer: score (uncredited) | |
| Larry Mah | .... | digital score recordist (uncredited) | |
| Dan Wallin | .... | music scoring mixer (uncredited) | |
Production Companies
- Universal Pictures (presents)
- DreamWorks SKG (presents)
- Spyglass Entertainment (presents)
- Larger Than Life Productions (as Larger Than Life)
- Kennedy/Marshall Company, The
- Universal Pictures (2003) (USA) (theatrical)
- DreamWorks Distribution (2003) (non-USA) (theatrical) (through UIP)
- Spyglass Entertainment (2003) (USA) (theatrical) (through BVI)
- Buena Vista International Italia (2003) (Italy) (theatrical)
- Buena Vista International (2003) (Argentina) (theatrical)
- Buena Vista International (2003) (UK) (theatrical)
- Buena Vista International (2003) (USA) (theatrical)
- Gaumont Buena Vista International (GBVI) (2003) (France) (theatrical)
- United International Pictures (UIP) (2003) (Switzerland) (theatrical)
- United International Pictures (UIP) (2003) (Germany) (theatrical)
- United International Pictures (UIP) (2003) (worldwide) (theatrical)
- United International Pictures (UIP) (2003) (Sweden) (theatrical)
- Paradise Group (2003) (Russia) (all media)
- Buena Vista International (2004) (Netherlands) (theatrical)
- United International Pictures (UIP) (2004) (Spain) (theatrical)
- United International Pictures (UIP) (2004) (Japan) (theatrical)
- Buena Vista Home Entertainment (2004) (Brazil) (DVD)
- Buena Vista Home Entertainment (2004) (Brazil) (VHS)
- Gativideo (2004) (Argentina) (DVD)
- Gativideo (2004) (Argentina) (VHS)
- Universal Pictures Nordic (2004) (Sweden) (DVD)
- Universal Studios Home Entertainment (2006) (USA) (DVD) (HD DVD)
- Cinergia (2007) (Ukraine) (theatrical)
- American Broadcasting Company (ABC) (2007) (USA) (TV)
- Universal Studios Home Entertainment (2009) (USA) (DVD) (Blu-ray)
- Universal Studios Home Entertainment (2012) (USA) (DVD) (Blu-ray) (Universal's 100th Anniversary)
- Sony Pictures Imageworks (SPI) (special visual effects)
- Pixel Playground (visual effects)
- Digiscope (visual effects)
- Orphanage, The (additional visual effects)
- Cinesite (Hollywood) (additional visual effects)
- 20th Century Fox Studios post-production facilities
- Aerial Camera Systems (ACS) stitch camera
- Allan Padelford Camera Cars camera equipment provided by (MTV with Technocrane, Biscuit Jr.)
- Audience Associates promotional crowds
- BT Industrial Supply expendables
- Behind the Scenes Freight shipping by (uncredited)
- Bill Dance Casting extras casting
- Buena Vista Negative Cutting negative cutting
- Central Casting extras casting
- Chapman/Leonard Studio Equipment cranes and dollies
- Corbis historic photographs provided by (as Corbis)
- Decca Records soundtrack published by
- Direct Tools & Fasteners expendables
- Film Art artwork
- Hippie Boy title design
- Jo Anne Kane Music Services music preparation (as Joann Kane Music Service)
- L.A. Mad Dogs loop group
- LaserPacific digital transfers (as Laser Pacific)
- Newman Scoring Stage, Twentieth Century Fox Studios, The score recording
- Pacific Title titles and opticals
- Panavision cameras and lenses
- Paws for Effect background animals
- Pivotal Post Avid editing equipment provided by
- Set Security special thanks
- Siam Costumes International costumer
- Signet Sound Studio score mixed at
- Spacecam Systems aerial camera
- Sportsrobe costumes
- Technicolor color
- Technique digital intermediate
- Technique opticals
- Tony's Food Service catering (as Tony's Food Service)
- UMG Records soundtrack published by
- Universal Music Group soundtrack published by
Additional Details
Also Known As:
See more »
MPAA:
Rated PG-13 for some sexual situations and violent sports-related images
Parents Guide:
Runtime:
140 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Argentina:Atp | Canada:PG | Denmark:7 | Finland:K-7 | Germany:6 (w) | Hong Kong:IIA | Netherlands:MG6 | Philippines:G | Singapore:PG | South Korea:12 | Spain:T | Sweden:7 | Switzerland:12 (canton of Zurich) | Switzerland:12 (canton of the Grisons) | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:PG | USA:PG-13 (certificate #40076) | Australia:M | Iceland:L (original rating) | Iceland:LH (video rating) | Malaysia:U | Brazil:12 | Portugal:M/6 | Australia:PG (TV rating) | Peru:PT
Filming Locations:
Company:
Did You Know?
Trivia:
Gary Stevens, who plays jockey George Woolf, was awarded the George Woolf Memorial Jockey Award in 1996.See more »
Goofs:
Anachronisms: In one of his voiceovers, Tick-Tock says, "The Iceman Cometh". The phrase itself comes from the Eugene O'Neill play of the same title, which wasn't produced theatrically until 1946 and refers to George Woolf who was called "The Iceman". Though the phrase "The Iceman Cometh" isn't historically accurate, it is likely a reference to Jeff Bridges's role in The Iceman Cometh (1973).See more »
Quotes:
Narrator:[First lines] They called it the car for every man. Henry Ford himself called it a car for the great multitude. It was functional, and simple, like your sewing machine, or your cast-iron stove. You could learn to drive it in less than a day. And you could get any color you wanted...See more »
Movie Connections:
Referenced in Cinematographer Style (2006)See more »
Soundtrack:
La TequileraSee more »
FAQ
This FAQ is empty. Add the first question.See more (451 total) »
Message Boards
Discuss this movie with other users on IMDb message board for Seabiscuit (2003)| Recent Posts (updated daily) | User |
|---|---|
| Zombie Seabiscuit | myropod |
| Pumpkin | madameelphaba06 |
| Tick Tock McGlaughlin | freeze_frame |
| Why did red need 10$? | boinkie |
| Seabiscuit ending | peterparker9210 |
| Long and Boring | orgogene |
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As the depression era kicks in, Americans were grasping for any sort of inspiration they could get, enter equine supreme, Seabiscuit. Considered broken down, too small and untrainable, Seabiscuit went on to become a bastion of great racehorse's, and in the process bringing solace to those closest to it.
Back in 2003 upon its initial release, critics were very divided as to the merits of Seabiscuit as a picture. Some were concerned that this adaptation from Laura Hillenbrand's highly thought of novel missed too many crucial elements, others were merely touting the tired old charge of the film purely baiting Oscar {something that is levelled at every film in history about hope and second chances}, the more astute critics of the time however lauded it as the delightful and inspiring piece it is.
It would be churlish of me to not agree that Seabiscuit is laced with sentiment, rookie director Gary Ross barely wastes a chance to tug the heart strings and paint an evocative sequence, but if you have got it in you to accept this true story for its base emotional point, then it is one hell of a wonderful experience. Seabiscuit is not just about the equine beauty of the picture, it's also a fusion of three mens personal wavering, who for one reason or another need the horse for far more important crutches than those provided by financial gain, make no bones about it, Seabiscuit is a very human drama. Knowing how the picture will end never once becomes a problem, because the historical accuracy in the story makes one yearn for that grandiose ending, one to gladden the heart in the way it must have done to thousands upon thousands of Americans back in the day.
Ross wisely chooses to filter in as much realism as he possibly can, archive stills and narration serve as exceptional points of worth to the narrative structure. Then there is the first rate cast to fully form the emotional complexities that Seabiscuit provides. Jeff Bridges, Tobey Maguire {waif like}, Chris Cooper, Elizabeth Banks, top American jockey Gary Stevens and a splendidly jaunty William H Macy, all can rightly feel proud of their respective work on this picture. But it's with the thundering race sequences that Seabiscuit really triumphs best, magnificent beasts hurtling around the race track is excellently handled by Ross and his cinematographer, John Schwartzman, whilst a nod of approval must go to the sound departments efforts, it's definitely one to give your sub-woofer a work out.
Seabiscuit was nominated for seven Academy Awards, winning none, perhaps the Academy also felt like those critics who thought it was trying too hard for a Golden Statue? But now after the dust has settled some years later, it pays to revisit Seabiscuit and judge it on its own emotional terms, for it's a tremendously well crafted picture that is of course as inspirational as it most assuredly is tender, a fine fine picture indeed. 9/10