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Freddy vs. Jason (2003)

Freddy Krueger and Jason Voorhees return to terrorize the teenage population. Except this time, they're out to get each other, too.

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2 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Charlie Linderman (as Christopher George Marquette)
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David Kopp ...
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Storyline

It's been nearly ten years since Freddy Krueger terrorized people in the dreams, and the towns folk want to keep him erased from their memory. Freddy still has one more plan on getting back to Elm Street. He resurrects Jason Voorhees and sends him off to kill. The more bodies which fall to the ground, the stronger in which Freddy becomes. This is until, Freddy realizes that Jason isn't going to step aside easily, and must be taken down himself. Written by Film_Fan

Plot Summary | Plot Synopsis

Taglines:

Freddy Vs. Jason! Place your bets! See more »


Motion Picture Rating (MPAA)

Rated R for pervasive strong horror violence/gore, gruesome images, sexuality, drug use and language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

15 August 2003 (USA)  »

Also Known As:

A Nightmare on Elm Street 8  »

Filming Locations:

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

£785,870 (UK) (15 August 2003)

Gross:

$82,163,317 (USA) (17 October 2003)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The screenwriters (and several other cast and crew members) were strongly against the scene in which Freddy is called a "faggot" by the character Kia, feeling it could be hurtful for any LGBT fans or suporters who saw the film. The line wasn't in the original script, but was rather a spur-of-the-moment improv on-set. See more »

Goofs

(at around 22 mins) When Mark tells Kurt he never does checkers, we see Will holding his hand down on the table. When it cuts, he has his hand up by his chin. See more »

Quotes

[first lines]
Freddy Krueger: [narrating] My children... from the very beginning, it was the children who gave me my power. The Springwood Slasher, that's what they called me. My reign of terror was legendary. Dozens of children would fall by my blades. Then the parents of Springwood came for me, taking justice into their own hands. When I was alive, I might have been a little naughty, but after they killed me, I became something much, much worse. The stuff nightmares are made of. The children still feared me, ...
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Crazy Credits

There are no opening credits, but just the words "Freddy vs. Jason" imprinted on a wall splattered in blood. See more »


Soundtracks

First Time
Written by Kelton Kessee, Marques Houston, Tony Oliver, Jerome Jones and Marc Gordon
Performed by imX
Courtesy of New Line Records
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Frequently Asked Questions

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User Reviews

messed up marriage
18 August 2003 | by (USA) – See all my reviews

It's A Nightmare on Elm Street Part 8 served with a side of Jason Voorhees. So unless the audience suffers from delusions as to the quality of the franchises this movie spawns from, you'll be pretty happy. It is not a masterpiece of cinema; it is not a masterpiece of horror . . . look at all the F13 and NOES. You have 17 examples of what this movie is going to be like.

Take your typical crappy Elm Street plot and cast your typical crappy Friday the 13th cast, and you have your typical crappy horror movie. Am I criticizing this movie? Not really since that crap-factor is a staple to the F13 franchise and the NOES sequels. Does anyone really care? I hope not. The whole reason anyone should see this movie comes down to the three words in the title "Freddy versus Jason." If those three words do not interest you, don't even screw with FvsJ. I mean, I don't think in film history has the title been more descriptive of the point of the movie.

While it actually takes awhile to get to the slasher deathmatch, you know it's coming . . . everyone knows there's going to be a fight to remember, so Ronny Yu opts to prolong it as far as he can and just jam packs the ending with Slasher celebrities ripping into each other . . . because, seriously, 90 minutes of Jason and Freddy hacking at each other would get downright boring. At least there's some variety and nods to old school F13 and NOES, some typical nods to the stereotyped horror formula which isn't scary but seems to be a requirement. Boobs, booze, blood . . . you know the routine. A high point of the film - I've been dying to see Voorhees crash a party and just cut through teens ala Krueger style in Elm Street 2, and I finally got to see it . . . just enough "other elements" to keep entertaining unless you're an oldschool fan and tired of hearing the mythology over and over again in every sequel.

Cut through the "good guys" whom nobody really cares about since Freddy and Jason have been the stars since forever now, get through the human's boring backstory which will be forgotten in the FvsJ2 and wait for the inevitable moment when our "heroes" run from Voorhees where Freddy turns to the nearest kid and says, "Let me handle this, bitch." Now, ladies and gentlemen, it has begun . . . now it's on. Now we rumble . . . now we see why horny teens had such a hard time killing these bad boys. Freddy makes more fatal blows against Voorhees than he did to the cast of all 8 Freddy films combined . .. and Voorhees keeps getting up. For the first time we see Freddy treated like a rag doll and tossed around/cut up like another camp crystal lake sex-addict--Voorhees makes no distinction.

So who wins? Everyone . . . unless, of course, you're under the false impression that you're going to see Welles quality cinema, in which case why are you even reading about FvsJ?

I could go through and detail the plot, characters, acting, etc like other amateur and pro critics alike, but quite frankly, I don't see the point. I mean, this is still Friday the 13th and Nightmare on Elm Street. I will say that it's a better Elm Street sequel, and it is the best film featuring Jason.

I enjoyed the hell out of this movie, and I'm barely an Elm Street fan and am definitely not a fan of F13 . . . take that for what it's worth.


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