Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason, who did not really drown in the lake some 30 years before?
Alice, having survived the previous installment of the Nightmare series, finds the deadly dreams of Freddy Krueger starting once again. This time, the taunting murderer is striking through ... See full summary »
Kelly Jo Minter
Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
It's been nearly ten years since Freddy Krueger terrorized people in the dreams, and the towns folk want to keep him erased from their memory. Freddy still has one more plan on getting back to Elm Street. He resurrects Jason Voorhees and sends him off to kill. The more bodies which fall to the ground, the stronger in which Freddy becomes. This is until, Freddy realizes that Jason isn't going to step aside easily, and must be taken down himself. Written by
David S. Goyer did an uncredited rewrite of the script to make it shorter. One of his contributions to the script was the combination of the two characters of Gibb and Jenny. See more »
When Jason bashes through the cabin wall and slashes the teenager, a crate can be seen on Jason's right foot. The crate alternates being on/off his foot between shots. See more »
My children... from the very beginning, it was the children who gave me my power. The Springwood Slasher, that's what they called me. My reign of terror was legendary. Dozens of children would fall by my blades. Then the parents of Springwood came for me, taking justice into their own hands. When I was alive, I might have been a little naughty, but after they killed me, I became something much, much worse. The stuff nightmares are made of. The children still feared me, ...
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Instead of opening credits, we see a screen full of flesh that is quickly slashed into pieces, which fly back and form the words "New Line Cinema Presents". These words then dissolve into blood, which splatters on a wall as the Freddy vs. Jason logo emerges. See more »
You know the words by heart, now here's a change in the music
That's what I felt after seeing this film, Freddy Vs. Jason. Right when they introduced the characters I knew them so well, their personalities, emotions, motives and all, that not one human character could have (or would have tried to) surprise me with ingenuity in their performances. So, that's the downside to Freddy Vs. Jason, a downside that will either poke the viewer harshly in the ribs, or will just remain as the typical, expectedly lame backdrop for the match-up. I felt a little of both, though I tried to be confident that the main show would be worth the Hollywood-ish mish-mash.
The main show, however, is the only reason to see the movie: Freddy Kruger (Robert Englund), the old gent from Elm Street, is down in hell wanting another grab at 'his' children, so he implements a sort of decoy in the form of lake-boy Jason Voorhees, who begins slaying far more than Freddy could want to see for someone other than himself. So, he decides that it's time to kick some a**, and that's when the fun begins.
To die-hards of both series (I like a few from each series, and personally, I'm more for Freddy than Jason in the genre because at least Freddy can give some funny dialog in terrifying moments while Jason stares blankly, except for when his mother calls him) this is like seeing two legends standing up in the ring for a prizefight. Each one has their weaknesses, but they each know who to throw their punches with style, and (we hope) that they can stay invincible until the last round. I won't reveal who wins (they're enough skeeves on the message boards doing that), but what I can say is that if it only wasn't for the people in the movie (I'll exclude the Jay rip-off since he garnered the most laughs) acting so blandly, strategically like how they're told to do in such a piece, this would've been a near excellent horror movie. Never-the-less, that could be considered moot, since that's what's to ALWAYS be expected for these gobledy-gook slasher pieces. The point is, I didn't leave the theater feeling swindled by the hype of the matching (unlike how I would if they ever, EVER decide to make a Superman vs. Batman piece of drek). C+
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