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|Index||13 reviews in total|
The movie starts out pretty well, or so it seems. Well, the plot
unravels quickly and we learn that Nick Harper, who's looking for his
missing sister, stumbles even more quickly into the underworld of
Aside from the weak and predictable plot we do have some decent acting, the characters are well within the bounds of such a movie; considering both genre and budget. Unfortunately, there is no character development and the archetypes are too overbearing. We got the good cop (who leashes out in the name of good), the bad guys who are too cool for their own good and of course the hot Spanish female sidekick. And we do have that terrorist, who's parents were killed and thus he became an avenger. All those plot strings circle around the movie in order to meet at one point.
Sometimes the actors try to act larger than life, and act too tough, too sleek, whatever you want to call it. Nick is getting on with his investigation very fast and all seems to fall into place quite neatly. And even though he is a total stranger to Spain, he makes good pace. Sadly, it does no good for the movies credibility.
One thing I liked about the movie was the lack of Hollywood-style stunts, it looked almost "real", when we see a jump, or a fight; a brawl you would witness at your local bar. Nice going. I did not really care for the terrorist undertone, as we did see too many movies with that theme already.
All in all an okay movie, with no real twists or turns. No unexpected side effects, pretty straight forward. Something you wanna watch before going to bed, light and easy.
It's obvious the director, Bryan Goeres, loves Barcelona. That's the
best thing that can be said about this movie that has a look of made
for television all over the place. Mr. Goeres likes to work with light
weight actors as was also the case with his "Art Heist" that also was
shot in Barcelona.
The story tries to capitalize on the world of fashion, crime and terrorism at the same time. This tale of how a Los Angeles detective goes looking for his lost sister Faith after not hearing from her in quite some time, rings false from the opening scenes and the end result is a film that while not horrible to watch, is just as predictable and trite as could be expected with this director at the helm.
"The Face of Terror" has one of the worst performances by an actor in recent memory: Rick Shroeder. His Nick Harper is a man who doesn't register an ounce of emotion throughout the movie. His scenes with lovely Paulina Galvez show absolutely no spark between them. The rest of the cast doesn't have anything to do in a story that doesn't go anywhere because the whole thing is unbelievable.
First of all i guess you won't expect too much from this movie, well
good, because there really isn't much to anticipate from it. The title
sounds well and has an even luring attribute, as it tricks one into
thinking that this movie deals with the funk and atrocities of the
deeds terrorists commit as well as their equally violent and distorted
childhoods/life-experience. But this flick actually doesn't deal with
that theme at all but rather has a touch as if you are watching some
episode from some mediocre action-series, whilst mediocre would even be
downplayed, lets say more on a level like the A-Team.
So the level of this movie can be found somewhere between B to C-movie-flick , whereas i would rather grade it closer to C.
So what's it about: A cop, who recently was involved in a shootout in LA, entailing a shot victim (whether or not she survived is unknown) leaves the country to fly to spain in order to look after his sister, who seems to have disappeared. The trigger for that immediate concern of his sister was a credit card withdrawal of about 30k bucks. (It remains unknown throughout the entire movie, what the money was for). The cop follows lead after lead, which directs him into the hands of a beautiful Spanish undercover cop, some lazy bunch of detectives, a weapons dealer and of course a single operating sunnyboy-terrorist (who sees over and over a 5seconds lasting excerpt of his sister and mother going down in a brutal execution). Now it just so happens that the cop's sister was lured into doing heroin, found herself in the hands of the weapons (and all kind of other illegal stuff) dealer, who somehow gave her away to the single-operating-sunnyboy-terrorist and abuses the girls to carry suitcased bombs with them in order to attack all sorts of buildings whose facade are to the distaste of the sunnyboy. In the end the sister, who is now magically cleansed of drug addiction and has a relationship with the terrorist finds her brother, who thwarted a bombing that was only split seconds ago.
Frankly this movie would've been better if they had made a porn movie out of it.
How is the acting? Well the acting performances are so overrated nowadays that is is simply unbelievable. The most common cause that is to blame for a failed movie is the most and second important thing of any movie, that is 1. THE STORYLINE and 2. THE DIRECTOR (and his team). So the performances really weren't responsible to cause a headache whilst watching this movie in the first place.
In the end it is your call whether or not you are intrigued enough to watch this movie. There certainly isn't much in it except the chicks to look out for.
I give it 3/10, due to the fact that this movie failed miserably in portraying terrorist activities in any way, although the title implies otherwise.
I recently wrote about the film Shara and the use of Matthew
McConaughey as Dirk Pitt. Having read the novels, I found him to be
completely inappropriate in the role.
Lo and behold, I think I have found the perfect Dirk Pitt should they decide to turn another Clive Cussler novel into a movie - Rick Schroder, who plays a policeman who comes to Barcelona to find his sister. This alone makes my time spent watching this worthwhile.
But, there was one other good thing to come out of this movie. That was the discovery of Paulina Gálvez. I immediately starting searching for more films of this Spanish/Chilean beauty who did an incredibly good job in this sorry film.
I wish I had spent some time in Barcelona when I went there in 1992. Unfortunately I just spent enough time to get out of the rush hour traffic I had inadvertently found myself in by making a wrong turn - it was a nightmare! Skip this baby.
This movie trots out its throw-away story with all the cache of a very bad example of a TV movie. All the elements prove it: a predictable plot; a formulaic screenplay; cardboard cutout characters; hackneyed dialogue often delivered with the conviction of someone reading from a cue-card; clichéd situations; neat "just add water and stir" fight scenes; caricature archetypes. The baddies are just a little too cool to be real and Nick Schroder's rebellious good guy role is so predictable that you can almost see the painted footstep positions in every scene. I didn't bother to watch it through, because the outcome's fairly obvious from seeing just the first 20 minutes.
Despite the low rent nature of the production, FACE OF TERROR is quite
fun to watch and serves well as an okay timewaster. It's an action
thriller that manages to create a sequence of nifty set-pieces on what
is an obviously low budget. There are the requisite fist fights,
shoot-outs and foot chases on display here, none of them spectacular
but all of them serviceable enough in their own way.
The simple storyline feels like it belongs in a Steven Seagal type movie. It sees an American travelling to Barcelona to investigate the disappearance of his sister. His only lead is a sleazy photographer but before long he gets drawn into a world of terrorism and murder. The film benefits from location shooting in Barcelona which brings out the highs and lows of the city.
The American actors tend to give less naturalistic performances than their Spanish counterparts. Certainly Ricky Schroder makes for a rather dull leading man despite his best efforts; Paulina Galvez is much better as the love interest he teams up with along the way. The villains are rather weak and ineffectual here, particularly SKYLINE's Eric Balfour, although Dean Haglund (who played one of the Lone Gunmen in THE X-FILES) is having a ball as the aforementioned photographer, his character oozing slime throughout. FACE OF TERROR is no great shakes as a movie but I liked it all the same.
*** This review may contain spoilers ***
This is one of those movies that I accidentally came across while
surfing the net. Some kid told me it's a good movie, so I watched it. I
will regret that decision for as long as I live.
The movie starts with a bomb going off in Barcelona. Now another plot unravels: a violent control freak of an American policeman comes to Barcelona to find his sister. This meaning he beats up everybody until he accidentally comes across evidence that he puts together from pure lack of plot complexity (in other words, the clues are so obvious, even he can't miss them). Eventually he finds his sister. Now the other bomb plot ends: the Palestinian guy that bombs the hell out of Barcelona has actually kidnapped (in the most possible pleasant way) the cops sister. He conveniently dies in the end.
"What?" you say "There wasn't a movie about terrorism and bombs? What about the bomb in the beginning of the movie?". No. Sadly, the bomb was just to make you watch the rest of the movie, as well as the title which had no connection with the plot.
The only good thing about this movie was the performance of the "arab bomber", Californian Eric Balfour. You might know him from "Six Feet Under" or "24". However, as all the other actors played incredibly bad, I might overestimate the man for actually acting.
As someone already said the plot is quite predictable and the
characters are not too realistic. The acting is fine. The kind of movie
you enjoy on TV and easily forget. That sounds like a 5, so, why did I
give it a 7?
Because of something that is extremely hard to see in a movie directed by an American director. Something we, spaniards, appreciate. It's as simple as the title says: Spain looks quite like Spain. When you're used to see Spain in movies as some sort of mix between Mexico, Spain in the 50's and random stuff* it's nice to see a movie where, even if some of the character and scenes are not too credible, Spain does not look like a grotesque parody of itself.
*By random stuff I mean like when in Mission Impossible (don't remember which one (2?)) they mixed at random different traditions from different parts of Spain. (Quite as if the movie said "Los Angeles", and you had the Statue of Liberty, the Chicago Bulls, New Orleans Mardi Gras, the Bellagio casino and the Grand Canyon all at the same time.
So, the movie itself is more like a 5-6, but it had a +1-2 for that.
*** This review may contain spoilers ***
Rick Schroeder gives the worst performance I've seen him give as a cop
chasing after his sister who disappeared in Spain. The trail leads him
toward a terrorist group, while the movie leads the audience into
The film has by the numbers action, obvious twists and turns and this looks like little more than a foreign TV movie with an American star in the lead. Schroeder is just awful and one wonders how he had any sort of career based on this performance. The rest of the cast is better but since the movie rests on Schroeder's shoulders the film kind of collapses on itself as a result.
I'd take a pass unless you're a big Schroeder fan.
what a bad movie, it has a typical Hollywood-style, the characteristic cop of the E.U. fighting against a blacks mans (like ever), this, I supposed is for demonstrate the common ability of the policeman of Hollywood. however the acting of the "hero", friends, and no friends are terrible (excepting the terrorist), are over acted, and forced. But the worst thing i found in this movie was, overcoat,the weak plot, that not has nothing of complexity, the scarcity effects that doesn't complement the poor story and the comic mustache of Nick Harper makes of this movie something to see before to the bed, or if you are so tired.
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