A wild stallion is captured by humans and slowly loses the will to resist training. Yet throughout his struggles for freedom, the stallion refuses to let go of the hope of one day returning home to his herd.
Kenai, a man who resents bears after a fight with one kills his older brother, is turned into a bear so he can see life from a different perspective. He is visited by the spirit of his older brother, and is told that, if he wishes to be changed back into a human, he must travel to the place where the lights touch the Earth, in other words, the Northern Lights. Fueled by hope, Kenai sets off on his long journey, and, along the way, encounters a younger bear, Koda, who is a chatterbox and a fun-loving spirit; Koda is trying to find his way back to his home, the Salmon Run, which, coincidentally, is right next to where the lights touch the Earth. Koda and Kenai team up, but are hunted by Kenai's other brother, Denahi, who fears that the bear has killed Kenai as well. Along the way, the two bears meet other friends, including two moose, some rams, and some mammoths, with whom they hitch a ride. However, Kenai discovers that he likes being a bear, and realizes that humans aren't only ... Written by
The lines, "I don't care that you and Binky found the world's biggest pine cone ever" and "First of all, it's not Binky, it's Bucky, and it wasn't a pine cone, it was a pine nut" said by Kenai (Joaquin Phoenix) and Koda (Jeremy Suarez) was an accidental improvisation because Phoenix messed up his line and Suarez corrected it when they were recording. See more »
When Rutt claims Koda as his new brother, he is sitting right next to him. But after Rutt and Tuke have their brotherly moment Koda is positioned farther away from both moose. See more »
Denahi as an Old Man:
This is a story from long ago, when the great mammoths still roamed our lands. It's the story of my two brothers and me. When the three of us were young, we were taught that the world is full of magic. The source of this magic is the ever-changing lights that dance across the sky. The shaman woman of our village told us that these lights are the spirits of our ancestors, and that they had the power to make changes in our world. Small things become big. Winter turns to spring. One ...
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At the conclusion of the end credits, Koda appears to announce the standard declaration that no salmon were harmed in the making of the film. However, he is embarrased by a bear chasing a salmon behind him and signals for shooting to stop. Koda covers the lens with his paws and the picture goes black as he accidently breaks the camera while the fishing bear belches. See more »
An excellent film utilizing a dying art form - animation by hand is still the best.
Though I think highly of the new three-dimensional computerized animated films, the traditional hand-drawn stuff just has a different charm. And whatever some people say, traditional animation is not dated. This cartoon's story is interesting, accurately based on real Inuit beliefs. Every component of it is great, and the scene where Koda discovers that Kenai is really a man is beautiful. Not going to give away the happenings behind this powerful, moving scene. The hand-drawn animation is done in the classical style, but the computer graphics are breathtaking. The waterfalls, the mountains, the Aurora Borealis... they're fantastic. The two McKenzie moose are great for comic relief. The characterization is great, and I like the Inuit priest. The brotherhood is something I can identify with perfectly - my three cousins are exactly the same. The music depends on preference. I think the opening Tina Turner song is OK, nothing special, but the Phil Collins songs are better. It's no Jungle Book, Oliver and Company or Lion King when it comes to the music department. I think Jeremy Suarez (seems familiar in the behind-the-scenes trailer) must be a pretty good actor. Koda's my favorite character in the movie. This cartoon is really great, and I'm torn between it and Finding Nemo for cartoon of the year. It's great entertainment, an interesting story told through a truly great, but dying, art form.
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