It's almost summer in Sweden and minor indiscretions and misbehavior abound. Leffe likes to show off for his friends and play salacious pranks, especially when he's drinking. Meanwhile, a ... See full summary »
Leif Edlund Johansson
Kaj is an alcoholic living on the money the Danish state is providing him. Him and his friends spend their time drinking beer at a public bench. One day Kaj's life turns upside down when a young lady and her child moves in next to him.
Marius Sonne Janischefska,
Stine Holm Joensen
An astute observation based on real cases of bullying. In central Gothenburg, Sweden, a group of boys, aged 12-14, robbed other children on about 40 occasions between 2006 and 2008. The ... See full summary »
At the lush Evenswood estate in Concord, Massachusetts, Edith Adelon, a beautiful orphan, lives as the paid companion to the daughter of the wealthy Hamilton family, although they regard ... See full summary »
Paul Anthony Stewart
Denmark, 1961. Bjørn, a middle-class boy in his early teens, wants to be accepted by Steen, a bullying peer of his with wealthy but freezingly cold parents. Bjørn's other good friend is ... See full summary »
A young Danish man, Christoffer, lives a life of joy and happiness with his wife Maria in Stockholm. When his father dies his mother insists that Christoffer take over management of the family industry which is in danger of bankruptcy. He is torn between his chosen life and his sense of duty to his family and its past. When he chooses to step in as manager his family life and self-respect languish. Written by
Peter Brandt Nielsen
In some scenes you can clearly spot that they have been filmed in Malmö, and not in Stockholm where they supposedly take place. For instance are the public transport buses not in "Stockholm" colours and in another scene there is a phone number visible on a shop window, which has the Malmö prefix. See more »
I saw this film at the 2003 London Film Festival and was impressed by the way it treated its audience, as adults. So many films are blatantly manipulative, pushing all the right buttons to extract all the appropriate responses. And it seems we are generally quite happy to collude in the process. Not so with this film. We are allowed to find our own way in, so that everyone's response to it will be singular and specific.The performances are unshowy and honest - not so easy when one of the protaganists is a celebrated actress. The clash between desire and duty, a well-worn theme, is given depth and clarity through a truthful, unsentimental and no-frills piece of film making. I'm looking forward to seeing it again.
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