January 13, 2001. Times war photographer Harvey Jacobs is wounded while witnessing a massacre at Nuevo Colon by terrorists. In a desperate effort, the United Nations sends a vehicle to get ... See full summary »
Drama about Malak, a rich and famous singing star who, when her husband leaves her, takes up with the younger, handsome Lamei. What Malak can't see - but her family can - is that Lamei is only after her money.
The story is set in the 12th century in Arab-ruled Spanish province Andalusia, where famed philosopher Averroes is appointed grand judge by the caliph and his liberal court judgements are ... See full summary »
A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket... See full summary »
Eleven directors from 11 countries each contribute an 11-minute short reflecting on the events of 11 September 2001. A village teacher in Iran tries to explain to her young students what's happened. City kids in Burkina Faso think they've spotted Osama bin Laden. A deaf Frenchwoman in Manhattan writes a Dear John letter to a man who has left that morning for work at the World Trade Center. A Chilean remembers Allende. Events recall other deaths. A mother endures more than her son's death. And so on. The tone varies, as do the locales. Most stories are about others coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death. Written by
Mothers, fathers and loved ones of those who died in New York, soon will be the 29th anniversary of our tuesday, 11th of September and the first anniversary of yours. We will remember you. I hope you will remember us.
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"September 11" consists of 11 segments relating to the 9/11 attacks. The only overtly political ones are Ken Loach's, in which a Chilean man reminds Americans that September 11 is also the anniversary of the coup in Chile, and Mira Nair's, about a Pakistani-American family suspected of being terrorists. Most of the segments are basically slice-of-life stories about how people got affected by the attacks: Sean Penn's casts Ernest Borgnine as a man caring for a flower, Amos Gitai's looks at a bombing in Israel, and Samira Makhmalbaf's focuses on some Afghan schoolchildren.
The main thing that I derived from the movie is that, because of the impact that the attacks had on everyone, it was the one chance to unite the whole world. Unfortunately, we all saw what Bush did instead. It should have been a wake-up call, but it became an excuse for extreme ignorance.
Overall, this movie should prompt you to think. Bad things have always been happening, but people do what they can to go on. Is there any hope for our country?
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